Music to Your Ears
By Michael Henningsen
If you happen to read the Alibi blog, “Nerdstream,” on our website, then you already know that long-time collector and specialty mainstay Merlin's Record Workshop shut down two weeks ago, in the same seven-day period in which 103.3 The Zone, owned by Citadel Communications, suddenly and without warning became 103.3 FReD FM. Visit www.alibi.com for more information. ... Local labels Socyermom Records and Little Kiss Records will pit a pair of bands on each of their rosters “against” each other on Friday, Jan. 14, at the Launchpad in a rock battle. See this week's “Lucky 7” calendar for all the details. ... I have it on reliable authority that local space rock faves The Oktober People will soon be invited to participate in and represent Albuquerque at this year's South By Southwest Music Festival in Austin, Texas. No word yet on the several other local bands that registered, but I promise to keep you posted. ... For those of you full of hate and pent-up aggression, you can donate it at the Launchpad on Saturday, Jan. 15, as Misery Signals, Remembering Never, Emery and Eighteen Visions are scheduled to set up more than a few stacks of Marshall and Mesa-Boogie amplifiers with which to implode your eardrums. ... That same night, Santa Fe's 100 Year Flood will rock you out of holiday hibernation at the Paramount with special guests No Address at 9 p.m.
By Jason Serinus
Motion Trio Pictures From the Street (Asphalt-Tango)
Pictures From the Street (Asphalt-Tango)
Preconceptions of accordion music as hokey or limited vanish upon playing this mind-opening disc. Featuring original compositions by members of Poland's Motion Trio, the music ranges from uptempo, high-spirited affairs to others that bubble along in a manner reminiscent of Nino Rota's music for Fellini.
with Bo Ramsey and Pieta Brown
By Michael Henningsen
Saturday, Jan. 15; Lensic Performing Arts Center (211 West San Francisco in Santa Fe, 7:30 p.m., all ages): As far as folk-based singer-songwriters go, there are perhaps none as broadly talented as Greg Brown, whose insight, melodic sensibilities and gift for creating colorful imagery with even the simplest turn of a phrase can be so subtle as to be deceiving, so vivid as to be physically moving.
By Michael Henningsen
Lewi Longmire If I Live to Be 100 (Nmber One Records/www.numberonerecords.com)
Former Apricot Jam co-frontman Lewi Longmire's debut solo album is as much a revelation as it is a blast from the past. Longmire's songwriting has grown leaps and bounds since the AJ days, encompassing classic country music that's steeped in Jerry Jeff Walker and full of that good ol' Charley Pride. And with a band that includes the immense—and sorely missed—talents of Caleb Miles (A Murder of Crows) and Chris Hutton (Venus Diablo), Longmire's significant gains in the composition department are brought to vibrant, soulful, epic and oft times heartwrenching fruition. Albuquerque's painful loss is once again Portland's gain.
Courtesy of the Artist
Franks & Deans • punk rock, rock 'n' roll • Shrewd • Punctured Muffler • Silent Crush • metal
By August March
At some point during the progression of meta-ultra-postmodernism, it was only natural that a band covering Rat Pack tunes revisioned as rambling ska paeans or blisteringly buoyant punk anthems based on the imbibing and love-making habits of dudes like Frank Sinatra and Dean Martin would rise from the rocanrol cauldron. Well it's 2017 and such has indeed come to pass. The name of the band is Franks & Deans. They've succeeded by inflecting the sweepingly romantic, sometimes melancholy and nearly always self-referential ditties of these post-war, pre-rock vocal heroes with good-natured rhythms and danceable guitar leads—as well as an updated fashion sense that seems to borrow more from ZZ Top's summer style guide than from Robin and the 7 Hoods—that adds affable nuance to legendary, mid-century American popular music. Band members Rob DeTie, Mike "Pip" Ullemeyer, Hoss and Sampson await your indulgence at Low Spirits on Thursday, Feb. 23, and the admission price of $5 sure as heck beats dropping “Three Coins in the Fountain.”
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