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Mogwai
Mogwai
4.21.2014
Jimmy Thackery
Jimmy Thackery
4.21.2014
WAXAHATCHEE
WAXAHATCHEE
4.21.2014
Cage The Elephant
Cage The Elephant
4.22.2014
The Black Lillies
The Black Lillies
4.23.2014
Trampled By Turtles
Trampled By Turtles
4.24.2014
 
 
 V.14 No.3 | January 20 - 26, 2005 

Soular; appearing Saturday, Jan. 22 at the Lobo Theater with simple. and Forgetter. All-ages. See this week’s “Lucky 7” calendar for details.

Music to Your Ears

Time this week for another installment of Gen'esis for the Arts. On Saturday, Jan. 22, the celebration will take place at El Rey Theater and Pucinni's Golden West Saloon, and it'll include live music by sometimes Dave Matthews sideman and virtuoso guitarist Tim Reynolds, Jenny Gamble, Twenty 5 South, Feels Like Sunday, Rage Against Martin Sheen, The Blue Room, Buddha Betties, Shiva, Mike G, Scarlett's Playdo and so many others I simply don't have space to mention. Call 242-2353 for more information and advance tickets. ... While Alibi Spring Crawl still seems pretty far off, the calls and e-mails are already starting to come in seeking information on how to “apply for” or get booked into the event. So once again, here's the standard, honest answer: There is no application process. We do not require demo tapes or take into consideration that you once opened for Quiet Riot at the Bennigan's St. Patrick's Day Bash. So forget all that. Each participating venue provides us with a “wish list” of bands they want to play in their respective rooms. From those lists, we book 95 percent of the Crawl slots. So you'd better get out and play some gigs Downtown, share bills with better-known bands and endear yourselves to venue owners and talent buyers so they'll ask for you by name. After all, if the Crawls don't work for the venues, they don't work at all. So book, promote, play and make your band as visible on Central and Gold between First and Seventh streets as possible.

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Sweet Honey in the Rock
Dwight Carter

Blue Note

Sisterhood

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Sonic Reducer

Harry Manx West Eats Meet (Dog My Cat)

Canadian-born Harry Manx sounds as if he grew up simultaneously on the Mississippi Delta and the banks of the Ganges, which is actually pretty close to the truth. After spending five years in India becoming a master of the mohan veena, a 20-stringed cross between a sitar and a guitar, Manx returned to Vancouver and set about the business of melting the blues of the South and traditional Indian music in the same pot. The result on his latest disc is a lazy afternoon blues sound that's colored with the vivid hues and spirituality of world music. Subtle, but amazing.

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