Music to Your Ears
By Michael Henningsen
Several weeks ago, I reported in this column on the formation of another new locally-based regional label, Detach Records, and their “coming out” part at the Launchpad featuring live performances by bands on their roster. As of this week, the Detach crew have released their first official longplayer, the third record by Austin's The Onlys, titled Limbic System. Look for a review of the album in a coming issue. In the meantime, check it out for yourself at your nearest independent record store. ... As part of its “Latin Diva” concert series, the National Hispanic Cultural Center will present world beat/reggae/Latin jazz sensations Kátia Moraes & Sambaguru Friday, Feb. 4. Call 724-4771 or visit www.nhccnm.org for tickets, time and more information. ... Local band The Ground Beneath recently began working on an album, which they say should be completed over the next few months. They've also uploaded seven live MP3 tracks that can be downloaded for free at www.thegroundbeneath.com. The band also report that they've been in contact with Fred Durst's (Limp Bizkit frontman/shithead) management and that “big things” are perhaps in the works on the moving-up-the-music business-ladder department. ... If you haven't bought your copy of the brand new Shine Cherries self-titled debut, what the fuck are you waiting for?
By Jason Serinus
Elaine Kreston & Ray Regan TranslucenT (www.elainekreston.com)
Elaine Kreston & Ray Regan
The music is gentle and meditative, with expansive soundscapes that softly explore the more reclusive aspects of human consciousness. Featuring the cello of Elaine Kreston, the disc also draws on the multi-dimensional talents of co-composer Ray Regan, whose artworks, soundworks and video bridge the natural and digital dimensions.
with Gavin DeGraw
By Michael Henningsen
Saturday, Feb. 8; Sunshine Theater (21 and over, 7:30 p.m.): Admittedly, I don't generally consider the Dave Matthews/John Mayer/Matchbox 20 set as my proverbial bag. But I've also got to admit that there are certain days—certain moods on certain days, actually—on which music by that particular singer-songwriter subset and the artists it encompasses seems absolutely perfect. Add to those artists Georgia-based roots rocker Michael Tolcher, whose debut, I Am (Octone) proves that the age of soaring pop melodies and rock-driven, folktastic songwriting are still alive and well both inside and outside the mainstream.
By Michael Henningsen
Jean Michel Jarre Essential (Dreyfus)
At least a full decade before electronica, techno and ambient were officially declared genres, the music that defined them was lumped in the new age category and, therefore, unfortunately stigmatized as bullshit background music for tofu-eaters looking to get their yoga on. French electronicist Jean Michel Jarre's earliest and best work was among the falsely imprisoned. Fast-forward to the '90s and bands such as Stereolab, High Llamas, St. Etienne, Air and countless others. What was then considered to be the latest craze was actually a co-opting of Jarre's pioneering work in electronic music. Listen, learn—this is whence it came.
Castle • metal • Shoggoth • metal • SuperGiant • stoner rock • Jagged Mouth • metal
By Megan Reneau
Aleister Crowley nor George W. Bush will be around (maybe) but prepare to sharpen your horns and do some bidding for some badass folks that definitely aren't involved in the occult—the doom metal trio Castle enchants locals at the Launchpad this Saturday, March 4, with the doors to the underworld opening at 8pm. Joining the '70s heavy metal-esque group will be Burque inhabitants Shoggoth, SuperGiant and Jagged Mouth. Only vessels 21+ for this $8 show allowed.
Gaby Fuentes • Regulus • Tear Pressure • indie pop, punk
By August March
An up and coming local band I have been enjoying listening to is named Tear Pressure. I found out about them when I was wandering the local college campus and saw a flyer for a show they were doing at some apartment complex up on Copper in the Heights, yo. That was a decent show with an excellent barbeque and I felt like Tear Pressure was going to appear on the scene within the year. Now of course, they are playing their dirty and delicious, slithery and subtle no wave at Burt's Tiki Lounge on Monday, March 6, and as usual at Burt's there is no goddamn cover charge. Ever. I hear some daring lo-fi pop credentials being built on tunes from the band's latest recording, the Chill Ass EP—songs like “Quaaludes” and “All Moms Are Weirdos” that build intensity as they roll through cray melodic and stylistic changes. They'll be opening for math mastermind and CRTTRZ guitarist Gabriel Angel Fuentes and Austin indie taco-rockers Regulus, so be there.
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