Several weeks ago, I reported in this column on the formation of another new locally-based regional label, Detach Records, and their “coming out” part at the Launchpad featuring live performances by bands on their roster. As of this week, the Detach crew have released their first official longplayer, the third record by Austin's The Onlys, titled Limbic System. Look for a review of the album in a coming issue. In the meantime, check it out for yourself at your nearest independent record store. ... As part of its “Latin Diva” concert series, the National Hispanic Cultural Center will present world beat/reggae/Latin jazz sensations Kátia Moraes & Sambaguru Friday, Feb. 4. Call 724-4771 or visit www.nhccnm.org for tickets, time and more information. ... Local band The Ground Beneath recently began working on an album, which they say should be completed over the next few months. They've also uploaded seven live MP3 tracks that can be downloaded for free at www.thegroundbeneath.com. The band also report that they've been in contact with Fred Durst's (Limp Bizkit frontman/shithead) management and that “big things” are perhaps in the works on the moving-up-the-music business-ladder department. ... If you haven't bought your copy of the brand new Shine Cherries self-titled debut, what the fuck are you waiting for?
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Saturday, Feb. 8; Sunshine Theater (21 and over, 7:30 p.m.): Admittedly, I don't generally consider the Dave Matthews/John Mayer/Matchbox 20 set as my proverbial bag. But I've also got to admit that there are certain days—certain moods on certain days, actually—on which music by that particular singer-songwriter subset and the artists it encompasses seems absolutely perfect. Add to those artists Georgia-based roots rocker Michael Tolcher, whose debut, I Am (Octone) proves that the age of soaring pop melodies and rock-driven, folktastic songwriting are still alive and well both inside and outside the mainstream.
At least a full decade before electronica, techno and ambient were officially declared genres, the music that defined them was lumped in the new age category and, therefore, unfortunately stigmatized as bullshit background music for tofu-eaters looking to get their yoga on. French electronicist Jean Michel Jarre's earliest and best work was among the falsely imprisoned. Fast-forward to the '90s and bands such as Stereolab, High Llamas, St. Etienne, Air and countless others. What was then considered to be the latest craze was actually a co-opting of Jarre's pioneering work in electronic music. Listen, learn—this is whence it came.