Music to Your Ears
By Michael Henningsen
In Burque-Native-Done-Good news, former Albuquerque resident and current Nashvillian Jenny Farrell will compete beginning Tuesday, March 1, for a record deal as a contestant on the third season of USA Network's reality TV series “Nashville Star.” The ultimate winner of this particular reality series is chosen exclusively by the television audience, so you know what you have to do, folks. Look for more on the story and an exclusive interview with Farrell in next week's Alibi. ... In Bad-for-You-Albquerque news, according to an Albuquerque Journal article that appeared last Saturday, Mayor Martin Chavez intends to draft an ordinance preventing all-ages shows from taking place at Downtown venues, specifically the Sunshine Theater and Launchpad. Citing recent violent incidents Downtown, Mayor Marty has somehow convinced himself that it's the kids causing the trouble while turning a blind eye to the actual source of trouble in the city's most engaging entertainment district. If the city is going to ban all ages shows at Downtown venues, then our government officials should follow their own precedent and outlaw alcohol sales from events such as Summerfest, the Albuquerque International Balloon Fiesta, The New Mexico State Fair, Isotopes baseball games, Scorpions hockey games, shows at Journal Pavilion and countless other events and locations where booze and kids mingle freely. At least the Sunshine and Launchpad shows separate the under-21 crowd from the over-21 set that choose to drink. Look for an Alibi feature coming soon.
By Stephanie Garcia
Toad The Wet Sprocket Welcome Home: Live At The Arlington Theatre (Columbia)
Toad, with the likes of bands such as REM, fall into a category all their own. They really didn't fit into the alternative rock scene that dominated most of the '90s, yet I wouldn't classify them as adult contemporary. Toad possess a certain attractive quality that is hard to explain. Their analytical songs are comfort music for the cynic. However, their newest live effort is somewhat disappointing. They lack the charisma found in their earlier efforts, Fear and Dulcinea in particular. Toad's live performance is effortless in every sense of the word. The tired vocals and lack-luster music make this album one to forget.
Tacocat • post post punk pop • Red Light Cameras
By Robin Babb
Everything about Tacocat is candy-coated. Technicolor-dyed hair, surfy guitar vibes and unabashed riot grrl revivalism combine in this energetic quartet from Seattle to make some of the best pop-punk tunes you’ve heard since you became okay with listening to pop-punk again. It’s good music for gleefully burning pictures of your ex. With punchy but sweet vocals and catchy choruses that you’ll be humming for days, their latest album NVM is worthy of heavy rotation. Their second LP (and first on the Hardly Art label), NVM features beefed-up production but the same garage-y, DIY sound from their earlier EPs, Woman’s Day and Take Me to Your Dealer. Stand-out tracks are “Crimson Wave” (which is about exactly what you think it’s about) and “Psychedelic Quinceñera,” a ballad about a girl who would rather forego the regular quinceñera formalities on her 15th birthday and get hella blitzed with her amigas instead. After exhausting the basement venues of Washington, Tacocat is heading inland on their winter tour with Sallie Ford. Red Light Cameras open. Pay your 10 bucks and get ready for the most colorful 21+ mosh pit of your life!
Hundredth • melodic hardcore at Blu Phoenix Venue
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