Music to Your Ears
By MIchael Henningsen
Update on RockSquawk.com: Weekly Alibi has negotiated a deal with Dandee Fleming to take over and administer the local music scene site Fleming started four years ago and intended to shut down as of March 22. RockSquawk.com has been an invaluable resource for local musicians of almost every genre—a cyberplace where people could go to air their grievances, buy or sell gear, read about upcoming shows or replace their shitty drummer.
Live music reviews
By Jenny Gamble
I think if one more person corners me with the complaint, "Nothing is happening in the local Albuquerque music and art scene," I will have to ask them: "Where the hell were you last night?" In any venue, in any town, you will have your share of good shows or bad; either way you are likely to be more entertained than watching reality happen on television.
By Stephanie Garcia
Carina Round The Disconnection (Interscope)
Where has Carina Round been all my life? Certainly not on the airwaves. It's a shame too, because this could quite possibly be some of the best music you'll never hear. Mixtures of blues, jazz and rock can be heard on this spectacular album. This is what Tori Amos, Sarah McLachlan, Gwen Stefani and Fiona Apple would have sounded like if they hadn't sold out. Round delivers raw, immaculate, untouched goodness. Definitely not for those who like order and monotonous, catchy tunes in their music. If you are up to the challenge, fasten your seatbelt and get ready for a ride full of surprises. Fans of Amanda Ghost and Siouxsie and the Banshees will most likely fall in love with Carina.
courtesy of the artist
Myra Melford’s Snowy Egret • piano, jazz, composer
By August March
Pianist Myra Melford, a Guggenheim fellow who specializes in cross-genre, postmodern musical deconstruction, performs with her ensemble Snowy Egret at Outpost Performance Space on Friday, Oct. 16. Basing her work in a plethora of quintessential artistic experiences that encompasses everyone and everything from Rumi to Japanese Butoh and Meso-American Indigenous traditions, Melford brings a deft touch to her dream-like musical explorations. She’ll be in the company of instrumentalists Ron Miles on trumpet, guitarist Liberty Ellman, bassist Stomu Takeishi and drummer Tyshawn Sorey. Together they’ll perform work both translucent and opaque as they transport listeners to a world without sonic boundaries. Tickets range from $15-20 for this transcendent trip.
Joan Armatrading • soul, pop, guitar at Lensic Performing Arts Center
Michael Howard • alt-folk, singer-songwriter at Zinc Wine Bar & BistroMore Recommended Events ››