Residents of the 505, or the Kirk as I like to call it, should be proud of local musician Paul Salazar who has been invited to take part in a New York songwriters' showcase where he'll be performing for industry bigwigs. What's more is that you can witness his Monday, July 11, performance at CBGBs, and Sunday, July 17, performance at The Bitter End on a live webcast. Just go to www.cbgb.com at 7:45 p.m. (our time) on the 11th, and to the www.bitterend.com at 6:45 p.m. on the 17th. His show at The Bitter End also marks the release of his new album At The Helm, so give him a pat on the back when you see him perform at the District (on the Downtown Fourth Street Mall, here in the Kirk) on Wednesday, July 20, and Friday, July 22.
Friday, July 8; KiMo Theatre (All-ages): What's more New Mexico Americana than the KiMo Theater? Catch a little Friday night opry at the KiMo, headlined by our Albuquerque boy Nels Andrews and his El Paso Eyepatch. Nels brings his gravelly voice to the stage, making music that comes from the deep shadows and haunts of living. His award-winning songwriting is a steely drive through the pasts of people and places. Also on the bill is the family band The Next Chapter, whose deft picking of Celtic, bluegrass and fiddle tunes is driven by Jeanne Page's hammer dulcimer. Raising Cane will bring their New Mexico brand of southern bluegrass to the stage with original stories and rambling melodies. Rounding out the local flavor is the old-time sound of the six-member Placitas Mountain Band. A true New Mexico Americana showcase might include some corridos and Native drumming, but this evening ought to satisfy connoisseurs of the standard—if ambiguous—Americana genre. The show starts at 7 p.m. $12. 768-3544.
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Monday, July 11; Launchpad (21 and over): All should rejoice because the übergenius of rock melancholia, Mark Kozelek, is coming to town. He's the mind behind Red House Painters and Sun Kil Moon, who I love. I mean, really love. Sometimes they make me feel like my heart is going to combust. This is partially because of the brooding and nostalgic tone of the lyrics combined with what sometimes initially sounds like conventional singer/songwriter and rock compositions but becomes something much bigger and more complex. It's rare when someone is able to create this kind of aurally stimulating, completelly penetrating, painful-in-a-good-way atmosphere. (Did that phrase sound a little dirty to you, too?) Maybe it's because he feels our pain. Or we feel his. Or maybe it's because he brings the pain, and we just have to submit to his majestic misery. As an interesting sidenote, Kozelek played the role of Stillwater bassist Larry Fellows in 2000's Almost Famous. That's almost awesome.
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I never would have guessed it, but it looks like Glenn Danzig may be to the music world what Kevin Bacon is to the movie world. If you're unfamiliar with the game Six Degrees of Kevin Bacon, it hypothesizes that Kevin Bacon is the center of the cinematic universe. That means that you can link anyone in film to him through six degrees of separation or less, mostly because he was a member of so many ensemble casts.
The soulful Detroit Cobras champion rock and roll that predates Johnny B. Goode. Mostly obscure covers, they play what you'd have heard on "race" stations catering to northern inner city and southern rural blacks from pioneer DJs Hunter Hancock or Jocko Henderson (later capitalized upon by whites like Alan Freed). Rock and roll only in retrospect; in its time this was still called rhythm and blues. The Cobras aren't cheeseball revivalist hipsters but adore music that inspired the well-known "originators," music that makes even the best of Chuck Berry look like docile bubblegum.