Alibi V.14 No.29 • July 21-27, 2005 

Music to Your Ears

Attention: Because our precognitive powers and general omnipotence here at the Alibi is not yet well-honed, be advised that anyone with good local music news, information, photos, miscellaneous (anything!) should send the goods to cassyle@alibi.com for consideration. Also be advised that we make no promises. Deadlines are Thursday afternoon the week prior to the date of publication. More specifically, we would like local bands to send us flyers (as often as you like) for a new flyer-of-the-week section. Ideally flyers will have at least one of the following qualities: artistically adept, humorous, unusual or just strange. Deadlines are Thursday afternoon the week prior to the issue you'd like to appear in.

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Music Magnified

The Briggs

with The Derelicts, The Rum Fits and The Rowdy Boys

Wednesday, July 27; The Launchpad (all-ages): At its core, punk is a genre defined by adolescence. More specifically, it's defined by that radioactive existential meltdown that, like a clockwork time bomb, goes hand in hand with growing up. But it's been close to 30 years since bands like Sham 69 crawled out from the gutters of South London and spat up their first "Who am I? Who are you?" Now all the young dudes are old punks with car payments and maybe a few grandkids. And they are, for the most part, pretty pessimistic about the future of the genre. "Punk's dead," right? I hope to hell it's not! And it certainly won't be anytime soon if The Briggs have anything to say about it. Built by two young brothers from Los Angeles, The Briggs make smart street punk that's as loud as it is proud. Their latest EP, Leaving the Ways (Side One Dummy Records) oscillates between Oi anthems and hardcore throw downs—what you might expect from a band that shares a label with The Casualties, 7 Seconds and Flogging Molly. What you didn't see coming, though, was how these songs maintain all the familiarity of a pub sing-along without feeling rehashed. There's a fresh edge somewhere in there, although I can't quite put my finger on it. Whatever it is, it's in the grand old style and they do it well. Not bad for a band that's just four years young.

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Music Magnified

The Ebb and Flow

with FOMA and Babelshack

Tuesday, July 26; Burt's Tiki Lounge (21 and over): When I first heard San Francisco's The Ebb and Flow I thought, now here is a band that travels well. As in, I'd like to take this album on a long car trip, possibly at night, through the Arizona desert. Maybe it's because their first full-length album is called Time to Echolocate and depicts bats in flight on the front cover. After all, bats are nocturnal creatures that fly long distances through the desert. But I don't think it's as simple as all that. There's something far less tangible in there, and it keeps propelling me down the same phantom mental freeway. Take the first track off of Time to Echolocate, "Sonorous." It glides for nearly 10 minutes; first plodding, skipping then running, then on to a full gallop through a forest of moogs and organ, guitar, strings and jazzy drum change-ups. The band itself travels light, with only three members to split between two vocal parts and a tight, diverse instrumentation that somehow manages to sound simple and loose. It's like a trompe l'oeil of the ear. Which I guess makes sense in the whole bat-scheme of things, because that's exactly what sonar and echolocation is all about—using sound for sight. Give them a listen and see where it takes you.

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Sonic Reducer

Holopaw (Sub Pop)

In a tense and panicked mood last week, this album, with its powerful calming effects, saved me from giving myself an ulcer. Sweet and melodic, these Floridians create the perfect mood music that reminds me of something I can't quite put my finger on. Perhaps the confusion can be explained by the overall alt.country feel tinged with subtly weird '70s synth sounds. Or maybe it's the album art that, I don't know, just makes me think of Care Bears.

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Interview

The Briefs

The Alibi sat down at the computer last week and had a very compelling cyber-interview with former Albuquerquean Chris Brief of the Seattle band The Briefs.

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Having a Hirie Time

Hirie • pop, reggae • Nattali Rize • The Riddims • roots, rock • Positrax

Listen, all you really need to know about Hirie is that her tour is called “The Woman Comes First Tour.” Ok, I guess you should also know that her album Wandering Soul contains a song called “Sensi Boy,” which is really great. The talented reggae singer brings along Nattali Rize, Riddims and Positrax as openers…
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Courtesy of the artist

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Saints and Sinners

CD Release Party • Get Action! • The Angel Babies • garage • Prism Bitch • punk • Shadows Creep

In the Sonic Reducer dated Nov. 2-8, 2017, Alibi music critic August March characterized the new Get Action! record as being in possession of “blazing guitars, an overdriven rhythm section and petulant vocals that herd listeners right over the edge of what is socially acceptable.” Was the old git right? Find out for your bad self…
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Courtesy of Sub Pop Records

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Oh, Canada!

Chad VanGaalen • indie rock, folk, electronica

There's a preponderance of evidence to suggest the Canucks are way ahead of us warmth-spoiled southerners with regards to rocanrol. From Rush and April Wine to Common Grackle and NoMoreShapes, those dang northerners are rocking the hell out, cold weather be damned … Anyway, check out the latest iteration of this sub-arctic phenomenon when post-darkwave, folky freaky, soulful psych-singer Chad VanGaalen
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“Gonna wear no socks and shoes”

World Beat Spectacular • Wagogo • folk, Latin, jazz, World • Da Terra Meiga • Celtic folk, flamenco • Rev The Music • variety

Black Friday can a time to sit back and ponder the grand mercies of one's life while quiet music plays in the background, a roaring fire warms one and plates of Thanksgiving leftovers lull your desires and dull your senses—that is unless you're one of those Alibi-reading folks that likes to rock out on the weekend. Active listeners can have their pumpkin pie and eat it too on Friday, Nov. 24, at Burt's Tiki Lounge! The big island of a club—in conjunction with Mariposa Music—presents a World Beat Spectacular that will help happy eaters dance away some of those turkey sangwiches and tamales that might otherwise render one unconscious for the rest of the weekend. Your blood will bubble and your feet will frolic to the sounds of legendary Burque band Wagogo. They'll be performing with Da Terra Meiga (a Celtic/Flamenco hybrid) and multi-media psychedelic outfit Rev The Music. The musical feast begins at 8pm, y'all. 
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