Alibi V.14 No.29 • July 21-27, 2005 

Music to Your Ears

Attention: Because our precognitive powers and general omnipotence here at the Alibi is not yet well-honed, be advised that anyone with good local music news, information, photos, miscellaneous (anything!) should send the goods to cassyle@alibi.com for consideration. Also be advised that we make no promises. Deadlines are Thursday afternoon the week prior to the date of publication. More specifically, we would like local bands to send us flyers (as often as you like) for a new flyer-of-the-week section. Ideally flyers will have at least one of the following qualities: artistically adept, humorous, unusual or just strange. Deadlines are Thursday afternoon the week prior to the issue you'd like to appear in.

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Music Magnified

The Briggs

with The Derelicts, The Rum Fits and The Rowdy Boys

Wednesday, July 27; The Launchpad (all-ages): At its core, punk is a genre defined by adolescence. More specifically, it's defined by that radioactive existential meltdown that, like a clockwork time bomb, goes hand in hand with growing up. But it's been close to 30 years since bands like Sham 69 crawled out from the gutters of South London and spat up their first "Who am I? Who are you?" Now all the young dudes are old punks with car payments and maybe a few grandkids. And they are, for the most part, pretty pessimistic about the future of the genre. "Punk's dead," right? I hope to hell it's not! And it certainly won't be anytime soon if The Briggs have anything to say about it. Built by two young brothers from Los Angeles, The Briggs make smart street punk that's as loud as it is proud. Their latest EP, Leaving the Ways (Side One Dummy Records) oscillates between Oi anthems and hardcore throw downs—what you might expect from a band that shares a label with The Casualties, 7 Seconds and Flogging Molly. What you didn't see coming, though, was how these songs maintain all the familiarity of a pub sing-along without feeling rehashed. There's a fresh edge somewhere in there, although I can't quite put my finger on it. Whatever it is, it's in the grand old style and they do it well. Not bad for a band that's just four years young.

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Music Magnified

The Ebb and Flow

with FOMA and Babelshack

Tuesday, July 26; Burt's Tiki Lounge (21 and over): When I first heard San Francisco's The Ebb and Flow I thought, now here is a band that travels well. As in, I'd like to take this album on a long car trip, possibly at night, through the Arizona desert. Maybe it's because their first full-length album is called Time to Echolocate and depicts bats in flight on the front cover. After all, bats are nocturnal creatures that fly long distances through the desert. But I don't think it's as simple as all that. There's something far less tangible in there, and it keeps propelling me down the same phantom mental freeway. Take the first track off of Time to Echolocate, "Sonorous." It glides for nearly 10 minutes; first plodding, skipping then running, then on to a full gallop through a forest of moogs and organ, guitar, strings and jazzy drum change-ups. The band itself travels light, with only three members to split between two vocal parts and a tight, diverse instrumentation that somehow manages to sound simple and loose. It's like a trompe l'oeil of the ear. Which I guess makes sense in the whole bat-scheme of things, because that's exactly what sonar and echolocation is all about—using sound for sight. Give them a listen and see where it takes you.

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Sonic Reducer

Holopaw (Sub Pop)

In a tense and panicked mood last week, this album, with its powerful calming effects, saved me from giving myself an ulcer. Sweet and melodic, these Floridians create the perfect mood music that reminds me of something I can't quite put my finger on. Perhaps the confusion can be explained by the overall alt.country feel tinged with subtly weird '70s synth sounds. Or maybe it's the album art that, I don't know, just makes me think of Care Bears.

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Interview

The Briefs

The Alibi sat down at the computer last week and had a very compelling cyber-interview with former Albuquerquean Chris Brief of the Seattle band The Briefs.

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Courtesy of Victory Records

EVENT HORIZON ()

Horton Hears a Fishbone While Strung Out

Reverend Horton Heat • rockabilly • Fishbone • Strung Out

Would you like to attend a “Psycho Strung Out Fish Fry?” Well, gentle readers, if such esoteric activities appeal to you, then please consider attending an awesome event with that very name at Burque's Sunshine Theater on Thursday, Sept. 21. In case you wanna know, the main participants in this far-out festival include legendary “county-fed punkabilly” roustabouts the Reverend Horton Heat, led by the charismatic and cray Jim Heath, the fellow credited with creating and cultivating the contemporary rockabilly sound on albums like Liquor in the Front and We Three Kings. Soulful ska scenesters Fishbone—whose 1994 epic effort Give a Monkey a Brain and He'll Swear He's the Center of the Universe is still on rotation at mi chante—plus OG Cali punk rockers Strung Out provide sonic support for this mad 13+ pre-fall fish party which begins at 7:30pm and costs but 22 clams.
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EVENT HORIZON ()

Zomboy to the Rescue!

Zomboy • electronic • Trampa • Xilent

The Sunshine Theater continues to bring Burque the best in post-contemporary jams when they welcome electro wizards Zomboy, Trampa and Xilent to town on Friday, Sept. 22. Zomboy, you may recall (if you're young enough to do just that) is a British dubstep dude whose 2011 debut set the stage for an excellent entrada into electronica that includes bouncy and beatific recordings like 2014's The Outbreak. Supporting the bill are Trampa, another Brit beat master, known for his anomalously aggressive take on the same genre and Xilent, a Polish fellow who works magic with dubstep, electro-house and drum and bass. So, go on kids, grab your Vicks Vaporub, plastic pacifier and rainbow colored toe-socks and head downtown for a 7:30pm dance party that coincidentally signals the beginning of fall. For only $20-25 and an ID that says you're 16+, you know you wanna.
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Courtesy of the artist

EVENT HORIZON ()

The Cat's in the Cradle

Miss May I • Ice Nine Kills • metal • Capsize • alternative, melodic hardcore • Lorna Shore • emocore • Westwind

If you still haven't had your fill of melodic hardcore, emocore and/or emo with no chaser—and lord knows who hasn't; I still dream of Hawthorne Heights every night before jumping up from my La-Z-Boy recliner and toddling off to bed—then do yourself a solid and visit Albuquerque's home for rock, Launchpad, on Monday, Sept. 25. That's when the Chaos Rising tour hits Dirt City. Featured performers include Miss May I, Ice Nine Kills, Capsize, Lorna Shore and Westwind. I'm goddamn sure this show will totally fucking rock, but I tell you what: check it out and afterwards send me a text with some cool stickers or GIFs attached to let me know for sure. This 13+ emo extravaganza costs the average teenager $15 and it all begins at 8pm.
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