Alibi V.14 No.42 • Oct 20-26, 2005 

Music to Your Ears

Crawl Love—Despite the rain—or perhaps because of it—this weekend's Fall Crawl was the most enjoyable that I've ever attended. Central was alive with Crawlers without being uncomfortably overcrowded, and bands still got to play to packed houses. Likewise, the ratio of local to national acts was right-on for my tastes. I'll admit that there were even a few locals that I had never heard before. (I'm talking to you, Cherry Tempo—and I'll see you in November.) At the end of the night the streets weren't asphyxiated with vomit. No, just horse shit from our peace-keeping mounted Albuquerque police units. Thanks, guys! I'm aware that you've probably got your own opinion on how it all went down, and I encourage you to share your experience with us while it's still fresh on your mind. You can do this a few ways: Write a letter to the editor (e-mail letters@alibi.com), call me personally (346-0660, ext. 260) or rant about it on www.rocksquawk.com. Every bit of information is useful to us as we begin thinking about the next Crawl, six months from now in the Spring. What did you enjoy? What kinks could stand to be ironed out? Tell us all about it. And pray for rain.

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Music Magnified

Widespread Panic

Sarah Bonneau

Tuesday, Oct. 25; Kiva Auditorium (All-ages), 7 p.m.: Widespread Panic is one of the most successful touring bands today, but most people have never heard them on the radio. Without television exposure, radio airplay or promotion in record stores, Widespread Panic has sold out shows for more than 18 years, making them one of the top 50 grossing touring acts in the nation. If you've never seen them, here's your chance.

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Spotlight

Vulgar curiosity: mewithoutYou

Or, I'm cuckoo for mewithoutYou

MewithoutYou is one of my favorite new-ish bands (they released their first album in 2002) because they seem to kindle the energy of heavier indie rock of the '90s, what with the distortion and yelling, but at the same time add delicate, well-devised lyrics and inventive sound-structures. I tried to speak with guitarist Michael Weiss over the phone last week as the band drove through Oregon, but the ill-fated conversation got cut off three times before my tape recorder ran out of batteries. What was left out involved a high school production of Fame, Danzig and me watching the "January 1979" video 100 times over the summer. Here's what we salvaged:

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Show Up!

Ramblin' Jack Elliott

"One of the few authentic voices in folk music."

Born in Brooklyn, Ramblin' Jack Elliot began to cultivate his cowboy image when he ran away from home at 15 and joined the rodeo. He learned to play the guitar and was recording by the early '50s. He traveled and lived with Woodie Guthrie, and through him, met Bob Dylan, later playing in his band. He's also toured with Pete Seeger and worked with other American folk greats like "Utah" Phillips, Emmylou Harris and Tom Waits, to name a few. Still, Ramblin' Jack goes mostly unrecognized for his contribution to American folk music. Most recently, he was left out of Martin Scorcese's chronologically confusing documentary “Bob Dylan: No Direction Home," although he was a key figure in the '60s folk explosion which spawned Dylan. Ramblin' Jack is, however, in Bob Dylan's Chronicles: Vol. 1, on pages 245 to 255 (that's according to Jack's tour manager).

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Flyer on the Wall

Mmmm ... Sacrilicious

The writing on the side says, "The Unholy Ghost of Jesus commands you to come and rock." Obey! The show is with Caustic Lye, Kronow and Lower Than Dirt this Saturday, Oct. 22, at Atomic Cantina. Always free, always 21-and-over, usually evil. (LM)

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Sonic Reducer

The Very Hush Hush Mourir C'est Facile (Sao Bento Music)

As you struggle up through sleep, out of a sad dream you can't remember, you might hear the static-muffled sounds of "Forever," the first track on the debut of The Very Hush Hush. The melodious delirium continues, but the pace increases as drum(s)/machines kick in and distorted vocals urgently begin telling you something just beyond your grasp. Created by two classically trained pianists living in a haunted house, the album is spookily familiar ... a good thing. Put some albums by The Faint and Sigúr Rós in the blender and listen as you fall asleep. It'd sound like this.

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EVENT HORIZON (Sunday, Jun 25)

Like a Puppet on a String

Quintron & Miss Pussycat • noise, rock

The summer heat is draining. The news is depressing. Listening to the radio is usually draining and depressing. Step away from it all and rejuvenate yourself this Sunday, June 25, at Sister with a wacky, energetic performance from Quintron and Miss Pussycat, who promise an unparalleled experience complete with outrageous costumes, complex puppet shows, explosions and “Swamp-Tech” dance music imbued with the psychedelic spirit of New Orleans…
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Courtesy of Reighnbeau

EVENT HORIZON (Thursday, Jun 29)

You don't need rain to see this rainbow

Reighnbeau • indietronica • Sazoram • electronic • Austin Morrell • rock

I have always been astounded by the potential of sound; for millennia, sounds have been pieced together in inventive ways, entrancing audiences and shaping emotion through music. Music to me is a thing of magic, constantly transforming into something new in the hands of those with the ability to harness that magic. Albuquerque native Bryce Hample, better known as the mastermind behind the surreal vibrations of Reighnbeau, is truly one of those wizards, an electro-maestro with a brilliant capability for intricately layering sounds where one would least expect, but where they truly belong. This Thursday, June 29, Reighnbeau will be transforming Sister into a dreamlike world of glinting shoegaze and celestial ambience, adorned by Hample’s remarkable capabilities for visual art and mesmerizing performance even as he concocts the magic of music before our eyes. Featuring opening performances from Sazoram and Austin Morrell, the cosmic stage will be set at 9pm. Be sure to get your tickets at the presale price of $5 before they go up at the door.
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