Alibi Bucks

 Dec 8 - 14, 2005 

Music to Your Ears

By Laura Marrich

Happy Trails, Cheryl— Cheryl Hooks, host of KUNM's "Ear to the Ground," panel member of the Albuquerque Music Association and champion of the all-ages music community in Albuquerque, is leaving New Mexico for a full-time on-air position in Arizona. "I'd like to say thanks to everyone in the New Mexico music scene," Cheryl said in an e-mail last week. "It's been a pleasure and a privilege to be a part of this community." I call say is, it's been a real honor working with the caliber of tireless local music advocacy that Cheryl has embodied through her work here in New Mexico. In parting, you can read Cheryl's "Crawl Out and Get Active" piece, here.

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Flyer on the Wall

Bang a Gong

Get it on with ex-Fever Hot punky new-wave threesome Bang! Bang!, N.Y.C. evil bass-punk duo Mommy And Daddy, Burque's glam-bam thank-you-ma'ams The Foxx and maximus rockus via The Gracchi. Free on Saturday, Dec. 10, at Atomic Cantina. You must be 21 to ride this train. (LM)

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Show Off!

The Bellmont/Below The Sound CD Release Party

with Oktober People, The Answer Lies and Tanuki

By Captain America

Every few years, I find myself driving through eastern New Mexico, looking for music: record stores, shows, even a--godhelpme—Hastings, if necessary.

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Album art from   Elementary


The Verbs CD Release Party

Songsmiths with a penchant for similes

By Simon McCormack

Former Madison, Wisconsinites and current Verbs members Seth Hoffman and Jacob Lowery came to Albuquerque over three years ago and settled in as the house band at Stella Blue. Over the course of several Tuesday night jam sessions at the club, Hoffman and Lowery joined up with mandolinist Christie Lipinskai, bassist Cory VanMinefee and drummer Vance VanDonselaar to create what Lowery candidly refers to as, "the only thing in my 16 years of playing music that I'm really proud of."

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DJ Swamp

Music Magnified

DJ Swamp

By Amy Dalness

Thursday, Dec. 8, 10 p.m.; Burt's Tiki Lounge (21-and-over), free: DJ Swamp is stepping out from behind Beck's turntables with his recent hip-hop release, Never Is Now, and a solo tour. Yes, he played with Beck for four years, but he's not piggybacking off that fame; he's making his own. Never Is Now showcases Swamp's "turntablism" and rapping talents, and it sounds like what nü-metal should be aiming to achieve--a real collaboration of rap and rock. It's dark, hard rock with a kickin' beat and some majorly skilled scratching. In an interview with Alexander Laurence, Swamp said he was working as a street sweeper, even after winning the USA DMC Championship in 1996, until he posed as a reporter and dropped Beck a demo. Following in that "make my own opportunities" vein, Swamp wrote, produced, recorded and performed everything in Never Is Now. His life performance is self-produced, too—and it's much more than dark hair hanging in his face with an occasional hand gesture. He is a pyromaniac; well, a self-described "fire retard." He lights his hands on fire, breaks LPs--and then uses them as instruments--and, apparently, scratches his tongue with phonograph needles. Since it's low budget, he doesn't use flame retardant and has been hospitalized (though I don't know if Burt's allows fire displays of any kind during performances). In "Ring of Fire," Swamp calls himself "the inferno, burning down the show.” I think he's got a theme going here. So mod-clash dance partygoers: Be ready for a different reason to dance Thursday night. It's not the kind of DJ experience we often see in Burque.

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Red Lightning

Music Magnified

Red Lightning

By Simon McCormack

Tuesday, Dec. 13; Atomic Cantina (21-and-over), free: Alain Whyte, Morrissey collaborator and current lead singer and songwriter for Los Angeles/London's Red Lightning, is bringing the stripped-down sound of his new three-piece to the Atomic Cantina. Whyte, who helped create such Morrissey faves as You Are the Query and Your Arsenal, has put together a power trio that draws much of its creative ammunition from bands like The Cult, The Smiths and U2.

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Sonic Reducer

Goblin Cock Bagged and Boarded · The Rosebuds Birds Make Good Neighbors · Guided By Voices Propeller

By Jessica Cassyle Carr

Metal: The debaucherous, demonic, fist-pumping, parent-scaring glory of it all sometimes makes me want to explode with a "F**k yeah!" Or a high-kick. Or both, which is what happened when I heard Goblin Cock. With the liner notes written in rune, skull and cauldron imagery and song titles like "Kegrah the Dragon Killer," you'd think this is a joke. But I'm almost certain it isn't. The mixture is of the Black Sabbath-era, sludgy desert rock and something very un-metal. And what's that? Oh, the mastermind behind this is Rob Crow of Heavy Vegetable, Thingy, Team Sleep and ... Pinback. High-kick!

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Neon Tommy/Katie Buenneke

EVENT HORIZON (Friday, Oct 9)

Can I Get a Hallelujah?

Hozier • blues, indie, soul

By Cerridwen Stucky
You probably remember that in January a song filled the radio that made you say amen more than you had since going to church with your family as a child. Hozier’s “Take Me To Church” was in the top 100 singles in the U.S. for three weeks. His soft acoustic style paired with sorrowful crooning seemed to be just what the United States wanted…
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Mikel Cee Karlsson

EVENT HORIZON (Monday, Oct 12)

El Angel de la Musica

José González • indie, folk • Riothorse Royale

By Megan Reneau
Heads up—an angel named José González drops down from heaven and lands at Sunshine Theater on Monday, Oct. 12. González's voice is heavenly and when combined with his soothing classical guitar melodies, causes elation of the senses…
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courtesy of the artist

EVENT HORIZON (Friday, Oct 16)

Snowy Egret Has Landed

Myra Melford’s Snowy Egret • piano, jazz, composer

By August March
Pianist Myra Melford, a Guggenheim fellow who specializes in cross-genre, postmodern musical deconstruction, performs with her ensemble Snowy Egret at Outpost Performance Space on Friday, Oct. 16. Basing her work in a plethora of quintessential artistic experiences that encompasses everyone and everything from Rumi to Japanese Butoh and Meso-American Indigenous traditions, Melford brings a deft touch to her dream-like musical explorations. She’ll be in the company of instrumentalists Ron Miles on trumpet, guitarist Liberty Ellman, bassist Stomu Takeishi and drummer Tyshawn Sorey. Together they’ll perform work both translucent and opaque as they transport listeners to a world without sonic boundaries. Tickets range from $15-20 for this transcendent trip.
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