Music to Your Ears
By Laura Marrich
Moonshine Champagne—What is this magnetic force that attracts people to banjos, barefeet and overalls? I haven't been able to quite figure out what it is, but you guys can't seem to get enough bluegrass in this city. And now there's a permanent home for the stuff at the Windchime Champagne Gallery (Downtown, just east of Sixth Street on Central). Windchime mastermind G. Larribas says the gallery will host traditional and contemporary bluegrass performances every Wednesday night from here on out, starting with The Duke City Swamp Coolers on April 19. Keep an eye on our “Music Calendar” listings for new acts each week.
Flyer on the Wall
We Love You Guys
Free show, Friday, April 14, at Warehouse 21 in Santa Fe (1814 Paseo de Peralta, all-ages). The text at the bottom says, “1. Zombie rock. Mothers lock up your daughters. 2. Albuquerque's finest. 3. A behemoth slab of destruction. Members of The Battle's End, Bravura Corvid, The Cherry Tempo, Black Water Flood, etc. 4. Do you like crying? Because they do. 4. Do you like Satan? Debut show.” We totally love you guys. (LM)
Four nights of furious rock ’n' roll battles
By Simon McCormack
The second installment of the Emergenza Festival in Albuquerque returns to the Launchpad this Thursday. With a stellar lineup of local mainstays like Caustic Lye, The Dirty Novels, Hit by a Bus and The Gracchi, you'll stay entertained until “hangover Monday” rears its discombobulated head. What follows is a breakdown of the action intended to give you some idea of what to expect on each of the four nights. Like all good competitions, however, unpredictable scheduling changes are inevitable and it should be noted that the intricacies of all the bands cannot be adequately espoused in the amount of space that this “Show Up” provides. Here, then, is your night-by-night summary of what's to come:
It's Smooth, It's Sweet, It's Vanilla Pop
Vanilla Pop croons over three years at Martini Grille
By Amy Dalness
Here's a common scene: A young man leans against the bar, making a phone call to, let's say, his roommate. He chats for a minute, tells his buddy to come over for a drink and puts the phone away. A simple scene, causing no general hubbub or hilarity—unless it's at the Martini Grille on Wednesday night.
The All-Metal Weekend
at Puccini's Golden West Saloon
By Marisa Demarco
Friday, April 14, and Saturday, April 15, Puccini's Golden West Saloon (21-and-over); $5: “Metal lives!,” so sayeth Albuquerque. This city's always been a fan of the genre. It's in Burqueños' teeth, in our bones, and no matter what incarnation it takes on, it outlasts most other rock genres built on chintzy tin and fickle fans.
By Marisa Demarco
Wednesday, April 19, Atomic Cantina (21-and-over); Free: Listening to the Sic Alps is a little like watching a race car with wobbly wheels. It's the precursor to a wreck, but for now, the thing's still traveling.
Soular Waiting for Tomorrow · Various Artists Now Latino--Esto Es Musica! · Mon Frere Blood Sweat & Swords
By Simon McCormack
Albuquerque-based ambient indie rock revitalizers Soular create melody-driven soundscapes that are both foreboding and serene; Marsh Shamburger's vocals resemble a slightly more cheerful Thom Yorke (Radiohead). “Where Do We Go” is a Queen- and Bowie-influenced melodic masterpiece infused with several guitar and bass themes that drift in and out of the song's primary structure. Other strong points include the lyrically clichéd but musically innovative opening track “American Dream” and the lead bass-driven “So, This is the Way it Feels.” Waiting for Tomorrow's underproduced sound gives us a taste of the potency ingrained in the band's live show.
Courtesy of the Artist
Franks & Deans • punk rock, rock 'n' roll • Shrewd • Punctured Muffler • Silent Crush • metal
By August March
At some point during the progression of meta-ultra-postmodernism, it was only natural that a band covering Rat Pack tunes revisioned as rambling ska paeans or blisteringly buoyant punk anthems based on the imbibing and love-making habits of dudes like Frank Sinatra and Dean Martin would rise from the rocanrol cauldron. Well it's 2017 and such has indeed come to pass. The name of the band is Franks & Deans. They've succeeded by inflecting the sweepingly romantic, sometimes melancholy and nearly always self-referential ditties of these post-war, pre-rock vocal heroes with good-natured rhythms and danceable guitar leads—as well as an updated fashion sense that seems to borrow more from ZZ Top's summer style guide than from Robin and the 7 Hoods—that adds affable nuance to legendary, mid-century American popular music. Band members Rob DeTie, Mike "Pip" Ullemeyer, Hoss and Sampson await your indulgence at Low Spirits on Thursday, Feb. 23, and the admission price of $5 sure as heck beats dropping “Three Coins in the Fountain.”
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