Music to Your Ears
By Laura Marrich
The Kids are All Right--An article in last week's Journal confirmed that the city is purchasing the Ice House building for use as an all-ages, teen-run music center, similar to Warehouse 21 in Santa Fe. The 30,000-square-foot space sits at 506 First Street NW. It's within spitting distance of the Cell Theatre, Wool Warehouse and MLK/Roma bridge, making it an ideal hub for all-ages music events in the Downtown area.
Flyer on the Wall
Kiss the frosting-covered lips of Bang! Bang!, Oktober People, Romeo Goes to Hell and August Spies this Friday, June 2, at Atomic Cantina (21-and-over). Mmm ... cakey. (LM)
with The Shine Cherries and The Inner Parlor
By Captain America
It's no easy task to follow Billy Zoom (original guitarist for the premier Los Angeles punk band X), but that’s just what Tony Gilkyson did from 1987 to 1996. His outstanding work was always on the twangier numbers (read: the John Doe material) so it’s no surprise that his solo work is deep country, whether a gentle prairie breeze or barreling down a prairie highway.
Sleep Till North
Musical insanity with method to its madness
By Simon McCormack
It’s not that prog-rock outfit Sleep Till North doesn’t have a plan. It’s that deviating from that plan is a necessity for each of the band’s four members.
Angel City Outcasts
with Whiskey Rebels, The Derelicts, Trans-gender Manblender
By Marisa Demarco
Wednesday, June 7, Launchpad (all-ages, 7 p.m.); $8 in advance, $10 at the door: They're Angel City Outcasts—not politicos.
Oscar Castro-Neves All One · Gonzalo Rubalcaba Solo · Ben Allison Cowboy Justice
By Mel Minter
All One, the latest from Brazilian guitarist/arranger/composer Oscar Castro-Neves, includes a “grooming” credit, and OCN sure looks good. Nor is there a hair out of place in the 14 tracks that take us on a musical tour of OCN’s diverse influences—from the predictable Jobim to Chopin and Monk. His bossa-inflected guitar conjures a good-natured vibe and adds a pop sheen over a tight, jazzy ensemble, with stellar performances from violinist Charlie Bisharat and guest vocalist Luciana Souza. Overall, however, the music feels overcareful and lightweight, though the Chopin prelude and Jobim’s “Double Rainbow” are exceptionally rendered.
Courtesy of the Artist
Franks & Deans • punk rock, rock 'n' roll • Shrewd • Punctured Muffler • Silent Crush • metal
By August March
At some point during the progression of meta-ultra-postmodernism, it was only natural that a band covering Rat Pack Tunes revisioned as rambling ska paeans or blisteringly buoyant punk anthems based on the imbibing and love-making habits of dudes like Frank Sinatra and Dean Martin would rise from the rocanrol cauldron. We'll it's 2017 and such has indeed come to pass. The name of the band is Franks and Deans. They've succeeded by inflecting the sweepingly romantic, sometimes melancholy and nearly always self-referential ditties of these post-war, pre-rock vocal heroes with with good-natured rhythms and danceable guitar leads—as well as an updated fashion sense that seems to borrow more from ZZ Top's summer style guide than from Robin and the Seven Hoods—that adds affable nuance to legendary, mid-century American popular music. Band members Rob DeTie, Pip Ullemeyer, Hoss and Arpee Sampson III await your indulgence at Low Spirits on Thursday, Feb. 23, and the admission price of $5 sure as heck beats dropping “Three Coins in the Fountain.”
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Old-Time Music Jam Circle • Virginia Creepers at Tractor Brewing Taproom
Desdemona • folk at Blue Grasshopper Brew Pub Taproom
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