The Kids are All Right--An article in last week's Journal confirmed that the city is purchasing the Ice House building for use as an all-ages, teen-run music center, similar to Warehouse 21 in Santa Fe. The 30,000-square-foot space sits at 506 First Street NW. It's within spitting distance of the Cell Theatre, Wool Warehouse and MLK/Roma bridge, making it an ideal hub for all-ages music events in the Downtown area.
It's no easy task to follow Billy Zoom (original guitarist for the premier Los Angeles punk band X), but that’s just what Tony Gilkyson did from 1987 to 1996. His outstanding work was always on the twangier numbers (read: the John Doe material) so it’s no surprise that his solo work is deep country, whether a gentle prairie breeze or barreling down a prairie highway.
All One, the latest from Brazilian guitarist/arranger/composer Oscar Castro-Neves, includes a “grooming” credit, and OCN sure looks good. Nor is there a hair out of place in the 14 tracks that take us on a musical tour of OCN’s diverse influences—from the predictable Jobim to Chopin and Monk. His bossa-inflected guitar conjures a good-natured vibe and adds a pop sheen over a tight, jazzy ensemble, with stellar performances from violinist Charlie Bisharat and guest vocalist Luciana Souza. Overall, however, the music feels overcareful and lightweight, though the Chopin prelude and Jobim’s “Double Rainbow” are exceptionally rendered.
Miss May I • Ice Nine Kills • metal • Capsize • alternative, melodic hardcore • Lorna Shore • emocore • Westwind
By August March
If you still haven't had your fill of melodic hardcore, emocore and/or emo with no chaser—and lord knows who hasn't; I still dream of Hawthorne Heights every night before jumping up from my La-Z-Boy recliner and toddling off to bed—then do yourself a solid and visit Albuquerque's home for rock…
Electronic experimentalist and heady hip-hop instrumentalist Jennifer Lee, better known as TOKiMONSTA, makes an appearance at the Historic El Rey Theater on Thursday, Sept. 28. An astral entity whose work with Project Blowed and Flying Lotus landed her squarely within the realm of El Lay’s underground hip-hop movement, Lee also happens to be a classically trained pianist. She is well known for deconstructing the work of luminaries like Justin Timberlake and Yacht through remixes that absolutely come apart in your head as the beat drops—sometimes delicately, sometimes like thunder, but always with a focus that speaks volumes about her musical prowess and wonky tendency to digress upon subtle rhythms and beatific bits of melody. $15 is all it will cost the average 18+ listener to engage in the elusive what-comes-next nature of West-Coast grooviness. The curtain rises on TokiMonsta at 9pm.
Sorry Guero! • American death groove • Moonshine Blind • rock, country • The Lords of Wilmoore • punk rock • Cobra Vs. Mongoose
By August March
Hard rock is a thing that occasionally raises it's grizzled, drug-addled head in this dusty desert. It's a damn good thing the dude can play the guitar like ringing a bell. It also helps that the thing can sing. If not for these two crowd-pleasing aspects, Dirty City denizens would have booted Hard rock and his ilk outta this town ages ago. If you still haven't been exposed to this phenomena, may I suggest you haul your hipster ass down to Launchpad on Saturday, Sept. 30, for the album release party hosted by Burque groove-metal stalwarts Sorry Guero! The entirety of the diamond tough, blue-jean-clad, head-banging subculture who worship hard rock will be there, solidly represented by bands like hillbilly-heshers Moonshine Blind and pure punk provocateurs such the Lords of Wilmoore (eh, I lived on that street too, as an undergrad) and Cobra vs. Mongoose. So be there or be obtuse; it's only ten bones, okay?