Music to Your Ears
By Laura Marrich
America's Next Danny Elfman—Cheryl Hooks (I'm sure you already know it, but she's a local music activist and co-host of KUNM's “Ear to the Ground”) is on the lookout for original music to score this year's Duke City Shootout digital film submissions. Not only that, this summer's Shootout will be a first-time collaboration with internationally renowned digital film competition, the 48 Hour Film Project. That means a lot of potential exposure. What are you waiting for? Send Cheryl an MP3 for consideration at firstname.lastname@example.org. The Shootout takes place July 21-29 in downtown Albuquerque. For more information on the competition, log onto
In Memory of Lorraine Hunt Lieberson
Renowned opera singer and Santa Fe resident dies at age 52
By Jason Victor Serinus
We have lost a great, great artist. Mezzo-soprano Lorraine Hunt Lieberson, 52, who had previously triumphed over breast cancer, died at her home in Santa Fe on July 3. Her New York Times obituary did not specify the cause of death, sparking speculation that Hunt Lieberson’s was due to a recurrence of the disease.
with The Rod Shot Band and Bloodshot Bill
By Simon McCormack
Monday, July 17, Burt’s Tiki Lounge (21-and-over); Free: Ghost Writer (aka Steve Schecter) began playing as a one-man-band in 2002 after endless lineup changes to his former band, The Standards, became an intolerable inevitability. Judging from his angry, loathsome tracks that draw equally from folk and punk influences, Schecter seems like the type of person who doesn’t put up with too much inconvenience in his musical career.
“Ever Fallen In Love With Someone You Shouldn't've?”
By Jim Phillips
I stumbled across my first Buzzcocks album when I was 17 and discovered a band causing an enormous shift in the way that music was being dealt to the public. It is fairly well understood that Buzzcocks were a huge part of the trend of self-releasing material without the help of a major label. And even though my first Buzzcocks recording was an IRS release, I cannot help but remember the new set of eyes it gave me for looking at the music industry as a whole. That album was Parts 1, 2, 3, and I still get a wicked pleasure every time it hits my turntable.
Son de Cali y Su Orquestra
with a bonus mojito recipe
By Jessica Cassyle Carr
Friday, July 14, 8 p.m., National Hispanic Cultural Center (all-ages); $25-$35: Hailing from Cali, Columbia, a town so infatuated with Afro-Caribbean sounds that it is known as “Capital de la Salsa,” Son de Cali are standouts among grupos picantes on the salsa scene. After 15 years as singers for the world-famous Grupo Niche, Javier Vazques and Willie Garcia struck out on their own, backed by an orquesta comprised of top Columbian musicians; percussionists Douglas Guevarra, Jorge Orta, Alvaro Burbano and Reynerlo Escobar, and trumpeters José Aguirre and Olwaldo Salazar, to name a few.
Flyer on the Wall
Assume the Position
Berlin-based experimental sound man Jeff Gburek joins freaky local electricians Terrorstate, Alchemical Burn and Sidanik for an all-ages noisefeast at the Harwood Art Center (1114 Seventh Street NW, north entrance). The show starts at 7 p.m. and costs $5. (LM)
Keane Under the Iron Sea · Silversun Pickups Carnavas · MSTRKRFT The Looks
By Simon McCormack
In the same vein as Coldplay but dropping the sweet from the bittersweet formula, England’s own Keane concoct melancholic and mesmerizing tunes that have a lyrical bite as vicious as the band’s melodies are elegant. The candidness of the band’s identity is in no small part due to Tom Chaplin’s intentionally imperfect vocals that flair out of control just when their melodic potential peaks. As with many bands that rely on a consistent atmosphere on their records, Keane’s tracks do start to blend together at times but, overall, their brand of piano pop is as good as any I’ve heard.
Courtesy of the Artist
Franks & Deans • punk rock, rock 'n' roll • Shrewd • Punctured Muffler • Silent Crush • metal
By August March
At some point during the progression of meta-ultra-postmodernism, it was only natural that a band covering Rat Pack Tunes revisioned as rambling ska paeans or blisteringly buoyant punk anthems based on the imbibing and love-making habits of dudes like Frank Sinatra and Dean Martin would rise from the rocanrol cauldron. We'll it's 2017 and such has indeed come to pass. The name of the band is Franks and Deans. They've succeeded by inflecting the sweepingly romantic, sometimes melancholy and nearly always self-referential ditties of these post-war, pre-rock vocal heroes with with good-natured rhythms and danceable guitar leads—as well as an updated fashion sense that seems to borrow more from ZZ Top's summer style guide than from Robin and the Seven Hoods—that adds affable nuance to legendary, mid-century American popular music. Band members Rob DeTie, Pip Ullemeyer, Hoss and Arpee Sampson III await your indulgence at Low Spirits on Thursday, Feb. 23, and the admission price of $5 sure as heck beats dropping “Three Coins in the Fountain.”
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