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 Jul 13 - 19, 2006 
Lorraine Hunt Lieberson

Music to Your Ears

By Laura Marrich

America's Next Danny Elfman—Cheryl Hooks (I'm sure you already know it, but she's a local music activist and co-host of KUNM's “Ear to the Ground”) is on the lookout for original music to score this year's Duke City Shootout digital film submissions. Not only that, this summer's Shootout will be a first-time collaboration with internationally renowned digital film competition, the 48 Hour Film Project. That means a lot of potential exposure. What are you waiting for? Send Cheryl an MP3 for consideration at abqmusicassociation@yahoo.com. The Shootout takes place July 21-29 in downtown Albuquerque. For more information on the competition, log onto

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Lorraine Hunt Lieberson

Spotlight

In Memory of Lorraine Hunt Lieberson

Renowned opera singer and Santa Fe resident dies at age 52

By Jason Victor Serinus

We have lost a great, great artist. Mezzo-soprano Lorraine Hunt Lieberson, 52, who had previously triumphed over breast cancer, died at her home in Santa Fe on July 3. Her New York Times obituary did not specify the cause of death, sparking speculation that Hunt Lieberson’s was due to a recurrence of the disease.

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Ghost Writer: Spooky!

Music Magnified

Ghost Writer

with The Rod Shot Band and Bloodshot Bill

By Simon McCormack

Monday, July 17, Burt’s Tiki Lounge (21-and-over); Free: Ghost Writer (aka Steve Schecter) began playing as a one-man-band in 2002 after endless lineup changes to his former band, The Standards, became an intolerable inevitability. Judging from his angry, loathsome tracks that draw equally from folk and punk influences, Schecter seems like the type of person who doesn’t put up with too much inconvenience in his musical career.

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Buzzcocks

Show Up!

Buzzcocks

“Ever Fallen In Love With Someone You Shouldn't've?”

By Jim Phillips

I stumbled across my first Buzzcocks album when I was 17 and discovered a band causing an enormous shift in the way that music was being dealt to the public. It is fairly well understood that Buzzcocks were a huge part of the trend of self-releasing material without the help of a major label. And even though my first Buzzcocks recording was an IRS release, I cannot help but remember the new set of eyes it gave me for looking at the music industry as a whole. That album was Parts 1, 2, 3, and I still get a wicked pleasure every time it hits my turntable.

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Son de Cali

Music Magnified

Son de Cali y Su Orquestra

with a bonus mojito recipe

By Jessica Cassyle Carr

Friday, July 14, 8 p.m., National Hispanic Cultural Center (all-ages); $25-$35: Hailing from Cali, Columbia, a town so infatuated with Afro-Caribbean sounds that it is known as “Capital de la Salsa,” Son de Cali are standouts among grupos picantes on the salsa scene. After 15 years as singers for the world-famous Grupo Niche, Javier Vazques and Willie Garcia struck out on their own, backed by an orquesta comprised of top Columbian musicians; percussionists Douglas Guevarra, Jorge Orta, Alvaro Burbano and Reynerlo Escobar, and trumpeters José Aguirre and Olwaldo Salazar, to name a few.

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Flyer on the Wall

Assume the Position

Berlin-based experimental sound man Jeff Gburek joins freaky local electricians Terrorstate, Alchemical Burn and Sidanik for an all-ages noisefeast at the Harwood Art Center (1114 Seventh Street NW, north entrance). The show starts at 7 p.m. and costs $5. (LM)

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Sonic Reducer

Keane Under the Iron Sea · Silversun Pickups Carnavas · MSTRKRFT The Looks

By Simon McCormack

In the same vein as Coldplay but dropping the sweet from the bittersweet formula, England’s own Keane concoct melancholic and mesmerizing tunes that have a lyrical bite as vicious as the band’s melodies are elegant. The candidness of the band’s identity is in no small part due to Tom Chaplin’s intentionally imperfect vocals that flair out of control just when their melodic potential peaks. As with many bands that rely on a consistent atmosphere on their records, Keane’s tracks do start to blend together at times but, overall, their brand of piano pop is as good as any I’ve heard.

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via Pixabay

EVENT HORIZON (Friday, Jun 23)

Pits and Pints

Moonshine Blind • rock • Hillbilly Homicide • Some Kind of Nightmare • Dirty Brown Jug Band • country, bluegrass

By Maggie Grimason
If you've had a ruff week, cozy up to the bar at Launchpad, and then settle in for Rockin for Pitties, a night of music to benefit Babes and Bullies, everybody's favorite local pit bull rescue organization. On tap for the night are sets from Moonshine Blind, Hillbilly Homicide, Some Kind of Nightmare and Dirty Brown Jug Band…
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EVENT HORIZON (Friday, Jun 23)

Face Your Fears

Technophobia • dark electronic • Austin Morrell • Mala in Se • Monogamy

By Adam Wood
The new wave of popular music has tended toward the electronic side of the musical spectrum, with EDM’s massive drops slowly dominating airwaves and the music festival circuit. Typically, it seems, this electronic movement has grown to be popularly identified with glow sticks, diffraction glasses and inexcusably appropriated Native American headdresses. This Friday, June 23, however, Technophobia and their brooding strain of dark electronic music will grace Burt’s TIki Lounge with an important reminder of the vast realm posed by electronic music for everyone, not just half naked-teenagers slathered in glitter…
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EVENT HORIZON (Sunday, Jun 25)

Like a Puppet on a String

Quintron & Miss Pussycat • noise, rock

By Adam Wood
The summer heat is draining. The news is depressing. Listening to the radio is usually draining and depressing. Step away from it all and rejuvenate yourself this Sunday, June 25, at Sister with a wacky, energetic performance from Quintron and Miss Pussycat, who promise an unparalleled experience complete with outrageous costumes, complex puppet shows, explosions and “Swamp-Tech” dance music imbued with the psychedelic spirit of New Orleans…
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Courtesy of Reighnbeau

EVENT HORIZON (Thursday, Jun 29)

You don't need rain to see this rainbow

Reighnbeau • indietronica • Sazoram • electronic • Austin Morrell • rock

By Adam Wood
I have always been astounded by the potential of sound; for millennia, sounds have been pieced together in inventive ways, entrancing audiences and shaping emotion through music. Music to me is a thing of magic, constantly transforming into something new in the hands of those with the ability to harness that magic. Albuquerque native Bryce Hample, better known as the mastermind behind the surreal vibrations of Reighnbeau, is truly one of those wizards, an electro-maestro with a brilliant capability for intricately layering sounds where one would least expect, but where they truly belong. This Thursday, June 29, Reighnbeau will be transforming Sister into a dreamlike world of glinting shoegaze and celestial ambience, adorned by Hample’s remarkable capabilities for visual art and mesmerizing performance even as he concocts the magic of music before our eyes. Featuring opening performances from Sazoram and Austin Morrell, the cosmic stage will be set at 9pm. Be sure to get your tickets at the presale price of $5 before they go up at the door.
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