Duuuuuuude--Take a bong hit for our homies! Two Albuquerque bands have been invited to play in The Stoner Hands of Doom, the largest festival of stoner-rock in the Southwest. Devil Riding Shotgun and SuperGiant were selected to appear with more than 40 bands near Phoenix, Ariz., this Labor Day Weekend. Unfortunately, Devil Riding Shotgun won't be able to attend due to a work scheduling conflict. “It would have been great to go and represent Albuquerque. We'll just have to wait for the next opportunity and play around town, [which] is great to play in,” says DRS bassist Neb. “Well, that's my excuse and I'm sticking to it.” So now it’s down to SuperGiant, who’ll perform alongside the likes of Graves at Sea, Super Heavy Goat Ass, Acid King and Sasquatch. “A lot of bands have gotten discovered at this festival,” says Jeremy, Alibi webmonkey and nimble-fingered lead guitarist of SuperGiant. En route to the festival, SuperGiant will make a pit stop in Flagstaff on Friday, Sept. 1, where they'll knock the plaster off the Hotel Monte Vista. It's an unlikely venue, but the venerable old hotel is reputed to be haunted by 10 different ghosts. So that's kind of rocking. Learn more about the ghosts at www.hotelmontevista.com. Details about the festival can be obtained at the event's crappy website, www.cherylsweb.com/shod/index.html.
Get yer learn on! The League of Young Voters presents an all-ages hip-hop event to usher you back into academia. Engage in emcee- and b-battles, plus jams from Garbage Pail Kidz and Audiobots. Friday, Sept. 1, from 6-10 p.m. at the UNM SUB Ballroom. Info at firstname.lastname@example.org. (LM)
When talking to Will Johnson of Denton Texas’ Centro-matic, you get the feeling that, as thoughtful and succinct as his comments are, there’s something else going on inside the mind of this man who’s been the driving force behind eight albums produced in 10 prolific years. Johnson admits he’s inundated with melodies. They constantly run through his head, often accompanied by lyrics that sometimes even he doesn’t completely comprehend. The indie-Americana identity that Centro-matic has forged is a tender confection of alt.country riffs, faintly haggard vocals and meticulously thought-out melody that paints a vague but still tangible sonic picture. About to embark on the West Coast leg of the band’s tour, Johnson talks with the Alibi about songwriting, musical influences and coming of age.
DJ Ginger Dunnill found herself on the fast-track from tomboy to temptress. On a normal day, the pretty, petite Dunnill sports baggy hip-hop gear in an attempt to take a pin to the balloon of stereotypes inflated around women in the hip-hop world. She wants respect for her work, her emceeing, her DJing, her artistry—not for her body.