Alibi V.15 No.36 • Sept 7-13, 2006 ››
Music to Your Ears
Where's Jenny?—I'd been trying to contact local music promoter Jenny Gamble all week. E-mails and phone calls went unanswered and nobody had seen her around. She had, effectively, disappeared. Then one morning I found a note on my desk. “I'm leaving town. Call me. Jenny Gamble.” So I called.
Flyer on the Wall
The globe’s only known 10-man hip-hop orchestra (or, Breakestra, if you will) will step to the Sunshine Theater on Tuesday, Sept. 12. The all-ages show starts at 8 p.m. and costs $10. Conduct yourself accordingly. (LM)
Melody’s No. 1 fans
Salt Lake City’s The Brobecks aren’t what you might expect of a band from one of the most conservative parts of the country. They ooze free-floating choruses and danceable hooks. The vocals are buoyant and brazen, and the keyboard never loses its grasp of the melody.
An interview with Craig Minowa of Cloud Cult
Musicians with a cause aren't rare in the industry. Any hipster with a guitar can belt out tunes decrying the government or warning of impending nuclear fallout, but it takes something more to make change rather than just call for it—like courage, conscience, resolve, cause and, not least of all, desire. Craig Minowa brings these things to Cloud Cult, an indie-rock band with songs that depict the best and worst of human nature and actions that try to preserve humankind. The Alibi caught him mid-tour to ask a few questions about the band and their green ways.
Airpushers Themes For the Ordinarily Strange
· Pigeon John And The Summertime Pool Party
· Dead Moon Echoes of The Past
Everything I like about the Black Eyed Peas in spite of myself—the ’70s-lovin' funk, the goofiness—found its spotlight on this one. Two of the supergroup's musicians, Printz Board and Tim Izo Orindgreff, made their way to the studio without the company of Fergie or will.i.am or any of their Grammy-winning compatriots. They emerged with a grab bag of samples and hooky goodness that's surprising and infectious, like the plague, like ... the Peas. This disc grew on me like a virus, gradually conquering all of my snobbier music cells.
Country-Fried State Fair
This year’s state fair promises the usual smattering of caramel apples, rickety rides and high-pressure carnies, but it’s also chock-full of musical talent.
Courtesy of the Artist
Crystal Castles • electropunk, synth pop, witch house
Remember the thing called Witch House? How about darkwave? The constant bifurcation of artistic paths in the field of electronic music can be damnably confusing and irritating, as well as rewarding and helluva lot of fun too—as long as you pick the right band. When adherents of these sorts of genres aren't busy sorting their rainbow-colored toe socks and looking for tubes of Vick's Vaporub to snatch up at the local Walmart, then it's a pretty fair bet that they are listening to the likes of Crystal Castles, a duo of Canuck electro-arhats who've made their mark in the music world with a febrile and spooky glitchiness that has outlasted any names critics might apply in favor of an honestly, intimidatingly pure exploration of sounds that make humans dance and rejoice as they swirl around the very noisy and icy maelstrom of life and death. Ethan Kath and Edith Frances, AKA Crystal Castles, perform live in Burque on Thursday, Oct. 19. Viewed as an opportunity to joyfully and ferociously embrace the void, this ought to be a damn good show, but don't blame me if you can't remember your name afterwards.
Courtesy of the Artist
The English Beat • ska
Here's a brief on a band with three names, but unlike Eliot's bunch, these dudes are not a coterie of cats. At home across the pond, they're known as the Beat. In the land down under, kindly refer to them as the British Beat. Here in 'Merica, we call them the English Beat. But no matter what you call them, this estimable ensemble that still includes founder and guitarist Dave Wakeling—but not vocalist Ranking Roger—was partially responsible for the upsurge in popularity that two-tone ska saw on both sides of the Atlantic during the '80s and '90s. With a retinue of classic, upbeat jams like “Monkey Murders,” “Spar Wid Me” and “Save It for Later”, the band's touring the states again, impressing OG ska lovers as well as the next generation of horn-crazy youth with their combination of crazy stage antics and terrific tuneage. You can catch the outfit live here the the Duke City on Sunday, Oct. 22, at the Historic El Rey Theatre, but don't worry you don't need checkerboard pants or a smart little hat to enjoy this gig—just make sure those great big feet of yours are rested and ready to dance.