Alibi Bucks

 Sep 14 - 20, 2006 

Music to Your Ears

By Laura Marrich

A Riddle Wrapped in a Mystery Inside an Enigma—I've been driving by this place at Seventh Street and Mountain for months, scratching my head and muttering to myself, “What? ... The Curio?” It's a little shed-house with a sign that proclaims, you guessed it, “The Curio.” Sometimes there are hippies juggling in the front yard. I'm stumped.

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Mantis Fist
Tabatha Roybal

Show Up!

Mantis Fist CD Release Party

with Dread Pirate Hotchkiss, Nick Fury, DJ Wataso, Ridic(ule)

By Marisa Demarco

Mantis Fist has been around this block—many times. An Albuquerque hip-hop staple, the Fist has brought it's undefinable breed of underground hip-hop to our stages since 2000. "We've performed over 100 shows here," says Keith Connell. "We've played with everybody."

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Flyer on the Wall

Stronger Stuff Than Coffee

Although I’m sure they’re perfectly nice people, the music of Zann is truly terrifying. The fact that all the lyrics are in German isn’t helping, either. Be unnerved in the unlikeliest of venues this Thursday, Sept. 14, at Winning Coffee (111 Harvard SE, all-ages). The Coma Recovery, Dear Oceana and The City Is the Tower open around 7 p.m. A $5 donation gets you in. (LM)

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Music Editorial

The Spirit of the Radio

Can public radio’s airwaves be taken back?

By Jessica Cassyle Carr

It’s no revelation to say Albuquerque’s radio landscape is lacking. Amidst the ho-hum mainstream formats provided by the likes of broadcasting behemoths Citadel and Clear Channel, which still, as far as I’m aware, each own eight stations in town, there are a few relatively inconsequential public stations, and then there is KUNM.

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Magen White loves you.
Barry Thornburg

Music Interview

On Her Own

Local acoustic pop artist gets ready to hit the road—again

By Marisa Demarco

Magen White stole her sister's guitar. Well, not "stole" exactly. Her sis played it for a couple months, then kind of forgot about it and left the guitar to languish in their house. Five years ago, Magen picked it up and started fiddling. She cut her teeth on bands like Dashboard Confessional and The Get Up Kids.

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Sonic Reducer

TV on the Radio Return to Cookie Mountain · Veruca Salt IV · Bound Stems Appreciation Night

By Marisa Demarco

TVOR sounds like fun. Singsong hooks, overdubbed and wildly sung, fuzzy noise loops, perfect samples, kinked beats, it's fun—fun and accidentally beautiful. I pulled off the cellophane and gave it what I didn't realize would become a semipermanent home in my CD player. Tunde Adebimpe's got a set of pipes that makes me want to weep, drive really fast and ... play in the sprinklers, all at the same time. All sugar and rattle, his is a free voice, dead-on but always a little out of control. Adebimpe's restrained performance is the tar that binds Cookie Mountain's disparate elements.

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Neon Tommy/Katie Buenneke

EVENT HORIZON (Friday, Oct 9)

Can I Get a Hallelujah?

Hozier • blues, indie, soul

By Cerridwen Stucky
You probably remember that in January a song filled the radio that made you say amen more than you had since going to church with your family as a child. Hozier’s “Take Me To Church” was in the top 100 singles in the U.S. for three weeks. His soft acoustic style paired with sorrowful crooning seemed to be just what the United States wanted…
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Mikel Cee Karlsson

EVENT HORIZON (Monday, Oct 12)

El Angel de la Musica

José González • indie, folk • Riothorse Royale

By Megan Reneau
Heads up—an angel named José González drops down from heaven and lands at Sunshine Theater on Monday, Oct. 12. González's voice is heavenly and when combined with his soothing classical guitar melodies, causes elation of the senses…
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courtesy of the artist

EVENT HORIZON (Friday, Oct 16)

Snowy Egret Has Landed

Myra Melford’s Snowy Egret • piano, jazz, composer

By August March
Pianist Myra Melford, a Guggenheim fellow who specializes in cross-genre, postmodern musical deconstruction, performs with her ensemble Snowy Egret at Outpost Performance Space on Friday, Oct. 16. Basing her work in a plethora of quintessential artistic experiences that encompasses everyone and everything from Rumi to Japanese Butoh and Meso-American Indigenous traditions, Melford brings a deft touch to her dream-like musical explorations. She’ll be in the company of instrumentalists Ron Miles on trumpet, guitarist Liberty Ellman, bassist Stomu Takeishi and drummer Tyshawn Sorey. Together they’ll perform work both translucent and opaque as they transport listeners to a world without sonic boundaries. Tickets range from $15-20 for this transcendent trip.
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