Alibi Bucks

 Dec 7 - 13, 2006 

Music to Your Ears

By Laura Marrich

We Will, We Will Rocku--Since the first time I laid eyes on This Is Spinal Tap by Christopher Guest, I've derived way too much pleasure from watching musicians in their meteoric rise to fame and inevitable, cataclysmic fall from grace. Mock or not, rockumentaries rule. This weekend, the Santa Fe Film Festival will screen nine original films (some made right here in New Mexico!) that shine a spotlight on music. We Like to Drink: We Like to Play Rock 'n' Roll follows The Unband, three alcoholic men-children who like to play loud, lewd rock music, as shot by Tesuque-based documentary filmmaker Lexie Shabel. Dangerous Highway gives voice to the "greatest unknown musician you've never heard," guitarist Eddie Hinton. Fellini-esque Russian filmmaker Rustam Khamdamov does a study of his country's stunning operatic talent in Vocal Parallels. Novem is an honest-to-god mockumentary about a confederacy of college songwriters in the ’70s (it won the Jury Prize for best indie film in Sonoma). Bob Dylan's hometown of Hibbing, Minn., gets rifled through by Natalie Goldberg and filmmaker Mary Feidt in Tangled Up in Bob, while native musicians from northern New Mexico are the partial focus of Native Spirits: Forgotten Warriors. Finally, Life in G-Chord is the bittersweet account of Hisao Shinagawa, a Los Angeles street musician who still dreams of the stardom he chased upon first entering America in 1974. Log on to for a complete schedule of the films.

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Flyer on the Wall

Lobster Claw!

The Dead Electric would like nothing better than to make out with you. With Unit 7 Drain and Roman Numerals, Saturday, Dec. 9, at Burt's (21-and-over). Free. (LM)

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Cuong Vu


Cuong Vu: Mixing the Menacing and the Ethereal

Trumpeter’s trio builds music on fearless trust and intuition

By Mel Minter

Trumpeter Cuong Vu attacks his instrument with a ferocious intensity usually reserved for rock guitars, and he uses many of the same electronic processors favored by adventurous guitarists from Jimi Hendrix to Bill Frisell.

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Danielle St. Laurent

Show Up!

Drop-Kickin' It with The Faint

An interview with bass-master Joel Petersen

By Lash Bower and Amy Dalness

Two Faint fans, one Faint interview. A dilemma only determined fairly by duel. Given that duels are illegal, Lash and I went mano y mano for the right to interview bass player Joel Petersen.

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Public Enemy: Bringing down the house.


Club Alegria Goes Out with Public Enemy's Bang

By Marisa Demarco

One fall day in Santa Fe, Zia Cross had just finished with her volunteer shift at the High Mayhem music festival and ran across the street to Alegria Liquor. Cross found herself chatting with George Rivera, the shop's owner. She pressed him about what he was doing with the beautiful club space, empty for three years, that’s attached to his store. Nothing, she remembers him saying. You do something.

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Sonic Reducer

Keith Drummond Kornfield Invalid Love · Tom Waits Orphans · Jay-Z Kingdom Come

By Marisa Demarco

He's a surly man, this Mr. Kornfield. No matter: On this disc, it's working for him. The country-fried singer/songwriter smothers typical twang with killer lyrics, the perfect balance of heartfelt and cynical. Like only the best bards can, this guy strings you pleasantly along only to turn on you with a suckerpunch of melancholy. Drummond's been in this town for a while, a part of acts like Saddlesores, Speed Queens, Jet Girls and Dueling Keiths. Maybe that history's got something to do with my favorite track on Invalid Love, "Rock-n-Roll Sucks." Check out or head to Natural Sound for a copy.

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courtesy of the artist

EVENT HORIZON (Tuesday, Dec 1)

Bloodsuckers Licking Your Ears

Vampires Everywhere! • rock • Consider Me Dead • Set to Stun

By August March
Metalcore masters Vampires Everywhere! will be rising from their decrepit coffins…
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Kelly O.

EVENT HORIZON (Friday, Dec 4)

I Tawt I Heard a Puddytat

Tacocat • post post punk pop • Red Light Cameras

By Robin Babb
Everything about Tacocat is candy-coated. Technicolor-dyed hair, surfy guitar vibes and unabashed riot grrl revivalism combine in this energetic quartet from Seattle to make some of the best pop-punk tunes you’ve heard since you became okay with listening to pop-punk again. It’s good music for gleefully burning pictures of your ex. With punchy but sweet vocals and catchy choruses that you’ll be humming for days, their latest album NVM is worthy of heavy rotation. Their second LP (and first on the Hardly Art label), NVM features beefed-up production but the same garage-y, DIY sound from their earlier EPs, Woman’s Day and Take Me to Your Dealer. Stand-out tracks are “Crimson Wave” (which is about exactly what you think it’s about) and “Psychedelic Quinceñera,” a ballad about a girl who would rather forego the regular quinceñera formalities on her 15th birthday and get hella blitzed with her amigas instead. After exhausting the basement venues of Washington, Tacocat is heading inland on their winter tour with Sallie Ford. Red Light Cameras open. Pay your 10 bucks and get ready for the most colorful 21+ mosh pit of your life!
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