Alibi V.16 No.2 • Jan 11-17, 2007 ››
Music to Your Ears
Spring Crawl is set for Saturday, April 28, this year. That's three and a half months from now, but I started getting calls from bands asking how they can get on the bill back in October. So, while I truly admire your forethought and tenacity, for the millionth time, don't send me or anyone at the Alibi your demo. Here's Crawl coordinator Joe Anderson on what really works:
Flyer on the Wall
Say goodbye to Below the Sound with one last bust at Burt’s Tiki Lounge (free, 21+) on Friday, Jan. 12. Fivehundred, The Bellmont and Fando say they’ll help with the heavy lifting. (LM)
At Home with Left Brain
Original progressive rock, fresh from the oven
Imagine a metal band at a house party. On ripped-up sofas, overturned chairs, and a floor littered with empty cans and bottles, a crowd moshes wildly as the band trashes its way through the set. A glass vase falls from the shelf, shattering on the tile floor and bringing the party to a halt. The moshers disappear, the sofas are repaired, the cans and bottles are (mostly) gone, but the band remains.
17 Pygmies 13 Blackbirds, 13 Lotus
· Mos Def True Magic
· Rod Lacy Blacklung
Who is manning the woodblock on 13 Blackbirds? I can get next to soupy folk ambience, super-blended vocals, even a mellow pace. But there is some woodblock-sounding thing (Or alternately, some other awkward percussion instrument. Is that a triangle?) plinking away in the foreground of a bunch of tracks. I zero in. I tap along. I jam ... with the woodblock. All the careful atmosphere falls away, and it's time for "The Woodblock Hour" with Woody and his Syncopated Block Boys. 13 Lotus, a second disc that remixes a song titled “Lotus,” replaces the woodblock with decent electronic work that provides a nice, unexpected contrast to the folksiness of it all.
Quintron & Miss Pussycat • noise, rock
The summer heat is draining. The news is depressing. Listening to the radio is usually draining and depressing. Step away from it all and rejuvenate yourself this Sunday, June 25, at Sister with a wacky, energetic performance from Quintron and Miss Pussycat, who promise an unparalleled experience complete with outrageous costumes, complex puppet shows, explosions and “Swamp-Tech” dance music imbued with the psychedelic spirit of New Orleans…
Courtesy of Reighnbeau
Reighnbeau • indietronica • Sazoram • electronic • Austin Morrell • rock
I have always been astounded by the potential of sound; for millennia, sounds have been pieced together in inventive ways, entrancing audiences and shaping emotion through music. Music to me is a thing of magic, constantly transforming into something new in the hands of those with the ability to harness that magic. Albuquerque native Bryce Hample, better known as the mastermind behind the surreal vibrations of Reighnbeau, is truly one of those wizards, an electro-maestro with a brilliant capability for intricately layering sounds where one would least expect, but where they truly belong. This Thursday, June 29, Reighnbeau will be transforming Sister into a dreamlike world of glinting shoegaze and celestial ambience, adorned by Hample’s remarkable capabilities for visual art and mesmerizing performance even as he concocts the magic of music before our eyes. Featuring opening performances from Sazoram and Austin Morrell, the cosmic stage will be set at 9pm. Be sure to get your tickets at the presale price of $5 before they go up at the door.