Alibi V.16 No.6 • Feb 8-14, 2007 
Bad Weather California, also known as Chris Adolf

Music to Your Ears

The Shins are Bigger than Jesus—Yup, it's official. As of this writing, The Shins' brand-new album, Wincing The Night Away, is the second highest selling album on Amazon.com, beating out The Beatles' Love (No. 8) and Madonna's Confessions Tour DVD and CD set (No. 6), for the love of all that's holy. So technically, they're bigger than the-band-that's-bigger-than-Jesus and Madonna. That's an astounding number of CD players to occupy. And with big-name recognition for what once was a small-town (that would be Albuquerque) band, comes the need for a Shins FAQ. Take note, members of the foreign press.

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Bad Weather California, also known as Chris Adolf

Spotlight

Bad Weather California

Music for indie record heads ... and your aunt and uncle, too

Although Chris Adolf resides in the Mile-High City, the singer, songwriter and only permanent member of neofolk project Bad Weather California prefers a small town scene. The yen for a cozier location is evident in his intimate, gruff but earnest style that’s somewhere between a warm embrace and a cold stare. Like many independent musicians, Adolf is not all that comfortable in the digital age. Whenever he thinks a song sounds too crisp or clean, he makes sure to “mush it up.” Adolf and his ever-rotating cast of backing musicians are genuinely interested in making music for the masses, but they also want to make sure their souls stay intact in the process.

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Flyer on the Wall

Soundtrack to Your Heartbreak

It came out this summer, but The Coma Recovery’s Drown That Holy End In Wine is actually the perfect album for Valentine’s Day. “Capulet” (track No. 8) even works as both the backdrop for a satisfying makeout sesh and the anthem of your next breakup. Get it at www.failedexperimentrecords.com.

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Sonic Reducer

The Postmarks The Postmarks · The Showdown Temptation Come My Way · Philpot Hate Writes Better Than Love

Like a hot bath with all the suds at the end of a hellish week or a bad breakup, the debut release from the nouveau pop trio The Postmarks is a soothing (if a bit melancholic) album. This collection of songs has a light-at-the-end-of-the-tunnel attitude in both the lyrics (delivered via soft coos by vocalist Tim Yehezkely) and the elegant melodies. There are elements of Burt Bacharach and The Smiths, and, although the instrumentation is complex, the record never comes close to sounding overproduced.

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Courtesy of the Artist

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Their Kindness is Charade

Crystal Castles • electropunk, synth pop, witch house

Remember the thing called Witch House? How about darkwave? The constant bifurcation of artistic paths in the field of electronic music can be damnably confusing and irritating, as well as rewarding and helluva lot of fun too—as long as you pick the right band. When adherents of these sorts of genres aren't busy sorting their rainbow-colored toe socks and looking for tubes of Vick's Vaporub to snatch up at the local Walmart, then it's a pretty fair bet that they are listening to the likes of Crystal Castles, a duo of Canuck electro-arhats who've made their mark in the music world with a febrile and spooky glitchiness that has outlasted any names critics might apply in favor of an honestly, intimidatingly pure exploration of sounds that make humans dance and rejoice as they swirl around the very noisy and icy maelstrom of life and death. Ethan Kath and Edith Frances, AKA Crystal Castles, perform live in Burque on Thursday, Oct. 19. Viewed as an opportunity to joyfully and ferociously embrace the void, this ought to be a damn good show, but don't blame me if you can't remember your name afterwards.
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Courtesy of the Artist

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Special Beat Service

The English Beat • ska

Here's a brief on a band with three names, but unlike Eliot's bunch, these dudes are not a coterie of cats. At home across the pond, they're known as the Beat. In the land down under, kindly refer to them as the British Beat. Here in 'Merica, we call them the English Beat. But no matter what you call them, this estimable ensemble that still includes founder and guitarist Dave Wakeling—but not vocalist Ranking Roger—was partially responsible for the upsurge in popularity that two-tone ska saw on both sides of the Atlantic during the '80s and '90s. With a retinue of classic, upbeat jams like “Monkey Murders,” “Spar Wid Me” and “Save It for Later,” the band's touring the states again, impressing OG ska lovers as well as the next generation of horn-crazy youth with their combination of crazy stage antics and terrific tuneage. You can catch the outfit live here at the Duke City on Sunday, Oct. 22, at the Historic El Rey Theatre, but don't worry you don't need checkerboard pants or a smart little hat to enjoy this gig—just make sure those great big feet of yours are rested and ready to dance.
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