Alibi Bucks

 Feb 8 - 14, 2007 

Music to Your Ears

By Laura Marrich

The Shins are Bigger than Jesus—Yup, it's official. As of this writing, The Shins' brand-new album, Wincing The Night Away, is the second highest selling album on, beating out The Beatles' Love (No. 8) and Madonna's Confessions Tour DVD and CD set (No. 6), for the love of all that's holy. So technically, they're bigger than the-band-that's-bigger-than-Jesus and Madonna. That's an astounding number of CD players to occupy. And with big-name recognition for what once was a small-town (that would be Albuquerque) band, comes the need for a Shins FAQ. Take note, members of the foreign press.

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Bad Weather California, also known as Chris Adolf


Bad Weather California

Music for indie record heads ... and your aunt and uncle, too

By Simon McCormack

Although Chris Adolf resides in the Mile-High City, the singer, songwriter and only permanent member of neofolk project Bad Weather California prefers a small town scene. The yen for a cozier location is evident in his intimate, gruff but earnest style that’s somewhere between a warm embrace and a cold stare. Like many independent musicians, Adolf is not all that comfortable in the digital age. Whenever he thinks a song sounds too crisp or clean, he makes sure to “mush it up.” Adolf and his ever-rotating cast of backing musicians are genuinely interested in making music for the masses, but they also want to make sure their souls stay intact in the process.

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Flyer on the Wall

Soundtrack to Your Heartbreak

It came out this summer, but The Coma Recovery’s Drown That Holy End In Wine is actually the perfect album for Valentine’s Day. “Capulet” (track No. 8) even works as both the backdrop for a satisfying makeout sesh and the anthem of your next breakup. Get it at

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Sonic Reducer

The Postmarks The Postmarks · The Showdown Temptation Come My Way · Philpot Hate Writes Better Than Love

By Simon McCormack

Like a hot bath with all the suds at the end of a hellish week or a bad breakup, the debut release from the nouveau pop trio The Postmarks is a soothing (if a bit melancholic) album. This collection of songs has a light-at-the-end-of-the-tunnel attitude in both the lyrics (delivered via soft coos by vocalist Tim Yehezkely) and the elegant melodies. There are elements of Burt Bacharach and The Smiths, and, although the instrumentation is complex, the record never comes close to sounding overproduced.

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Neon Tommy/Katie Buenneke

EVENT HORIZON (Friday, Oct 9)

Can I Get a Hallelujah?

Hozier • blues, indie, soul

By Cerridwen Stucky
You probably remember that in January a song filled the radio that made you say amen more than you had since going to church with your family as a child. Hozier’s “Take Me To Church” was in the top 100 singles in the U.S. for three weeks. His soft acoustic style paired with sorrowful crooning seemed to be just what the United States wanted…
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Mikel Cee Karlsson

EVENT HORIZON (Monday, Oct 12)

El Angel de la Musica

José González • indie, folk • Riothorse Royale

By Megan Reneau
Heads up—an angel named José González drops down from heaven and lands at Sunshine Theater on Monday, Oct. 12. González's voice is heavenly and when combined with his soothing classical guitar melodies, causes elation of the senses…
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courtesy of the artist

EVENT HORIZON (Friday, Oct 16)

Snowy Egret Has Landed

Myra Melford’s Snowy Egret • piano, jazz, composer

By August March
Pianist Myra Melford, a Guggenheim fellow who specializes in cross-genre, postmodern musical deconstruction, performs with her ensemble Snowy Egret at Outpost Performance Space on Friday, Oct. 16. Basing her work in a plethora of quintessential artistic experiences that encompasses everyone and everything from Rumi to Japanese Butoh and Meso-American Indigenous traditions, Melford brings a deft touch to her dream-like musical explorations. She’ll be in the company of instrumentalists Ron Miles on trumpet, guitarist Liberty Ellman, bassist Stomu Takeishi and drummer Tyshawn Sorey. Together they’ll perform work both translucent and opaque as they transport listeners to a world without sonic boundaries. Tickets range from $15-20 for this transcendent trip.
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