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 Feb 8 - 14, 2007 
Bad Weather California, also known as Chris Adolf

Music to Your Ears

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The Shins are Bigger than Jesus—Yup, it's official. As of this writing, The Shins' brand-new album, Wincing The Night Away, is the second highest selling album on Amazon.com, beating out The Beatles' Love (No. 8) and Madonna's Confessions Tour DVD and CD set (No. 6), for the love of all that's holy. So technically, they're bigger than the-band-that's-bigger-than-Jesus and Madonna. That's an astounding number of CD players to occupy. And with big-name recognition for what once was a small-town (that would be Albuquerque) band, comes the need for a Shins FAQ. Take note, members of the foreign press.

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Bad Weather California, also known as Chris Adolf

Spotlight

Bad Weather California

Music for indie record heads ... and your aunt and uncle, too

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Although Chris Adolf resides in the Mile-High City, the singer, songwriter and only permanent member of neofolk project Bad Weather California prefers a small town scene. The yen for a cozier location is evident in his intimate, gruff but earnest style that’s somewhere between a warm embrace and a cold stare. Like many independent musicians, Adolf is not all that comfortable in the digital age. Whenever he thinks a song sounds too crisp or clean, he makes sure to “mush it up.” Adolf and his ever-rotating cast of backing musicians are genuinely interested in making music for the masses, but they also want to make sure their souls stay intact in the process.

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Flyer on the Wall

Soundtrack to Your Heartbreak

It came out this summer, but The Coma Recovery’s Drown That Holy End In Wine is actually the perfect album for Valentine’s Day. “Capulet” (track No. 8) even works as both the backdrop for a satisfying makeout sesh and the anthem of your next breakup. Get it at www.failedexperimentrecords.com.

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Sonic Reducer

The Postmarks The Postmarks · The Showdown Temptation Come My Way · Philpot Hate Writes Better Than Love

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Like a hot bath with all the suds at the end of a hellish week or a bad breakup, the debut release from the nouveau pop trio The Postmarks is a soothing (if a bit melancholic) album. This collection of songs has a light-at-the-end-of-the-tunnel attitude in both the lyrics (delivered via soft coos by vocalist Tim Yehezkely) and the elegant melodies. There are elements of Burt Bacharach and The Smiths, and, although the instrumentation is complex, the record never comes close to sounding overproduced.

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EVENT HORIZON ()

Why Not?

Why? • indie rock, alt.hip-hop, alt.rock, pop, folk • Go Dark • experimental

By August March
If you want a reminder—and not from Radiohead—that hip-hop is everywhere, even in the indie rock that millennials are sorta into (but only after they listen to every goddamn thing they can find by Kendrick Lamar) then trip, trip, trip on down to Sister on Monday, Feb. 19 at 8pm for a recital of sorts by Cincinnati alt-rappers cum indie rock stars, WHY? Founded by a dude named Yoni in the distant and unremembered aughts, WHY? has gained traction among rockish young audiences with their pop-nuanced mash-up of rocanrol and hip-hop. They got all kinda crazy rhythms, jams and flows going on betwixt rock references and may do some drugs; their latest effort is called Moh Lhean, after all. Additionally, the critics at Allmusic have judged their music as “quirky” which oughta count for something, amirite? They do have some pretty righteous tuneage, including works like “George Washington,” “White English” and “Into the Shadows of My Embrace.” Seriously, this one's worth the price of admission and if you're into skinny jeans and man buns, then damn, get out there, girl! The cover is $15 to $18, 21+.
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