Mahalo, Freddie—Freddie Kekaulike Baker, the Hawaii-born singer and multi-instrumentalist who entertained a couple of generations of Albuquerqueans, passed away suddenly on Feb. 5, two days shy of his 86th birthday, leaving a hole in the city’s musical heart that will not be filled.
Suspend yourself in a perfumed cloud of digital frequency. Local electrolytes AudioBuddha, Diverje and Brian Botkiller perform Saturday, Feb. 17, at the District Bar and Grill (21+). $8 gets you in. (LM)
Grammy-nominated trombonist John Fedchock slides into town to headline the Albuquerque Jazz Festival
By Mel Minter
In this day and age, if you can keep a quality big band together for going on two decades—with many of the charter players still aboard—you deserve a measure of respect. If you are also an exciting arranger, a versatile composer and a top-notch player, respect begins to nudge against awe.
Although the boys in Mike Got Spiked hail from Dublin, you’d never know it from their music and their patterns of speech, which are highlighted by a frequent use of American colloquialisms. The way they approach a multi-instrument solo with the double bass pedals and hammer-on guitar leads of Pantera or slap bass leads á la Primus indicates a strong American rock music influence; something the band happily admits. This fondness for the States has led MGS to venture away from their homeland in search of an American record deal and a chance to win the hearts and minds of those who like a little NOFX with their Incubus. The band certainly has something to offer America’s music scene with a low-pressure stage presence and three- and four-part vocal harmonies on every song. “Unlike some bands, we actually sing our songs live,” explains frontman Gavin McGuire. “We don’t just scream at the crowd.”
Whether your interest is spiritual, scientific or just in the unique physical aspect of it, here's a beginners' guide to harnessing your throat-singing voice. Throat singers produces two or more tones of equal volume simultaneously. Maybe that sounds impossible, but the practice in the small Russian republic of Tuva goes back at least a thousand years, though it's probably older than that. Placitas resident and throat-singer Michael Crofoot gave the Alibi some tips on how to start. Remember, what you're trying to do is "find the most natural sound that your body's all set up to do," as Crofoot says.
While the Orange County power-trio The Irish Brothers are about as Irish as, well, any American with an Irish surname, that doesn’t mean they have a disadvantage against the aforementioned Celtic challengers. Any band that can write a surf-rock riff with serious horsepower like the one in The Irish Brothers’ “How We Are” deserves a slot in our faux competition. With gasoline-soaked vocals and a sound that is equal parts Social D and Johnny Cash, The Irish Brothers seem poised to set the Los Angeles punkabilly scene ablaze.
Moonshine Blind • rock • Hillbilly Homicide • Some Kind of Nightmare • Dirty Brown Jug Band • country, bluegrass
By Maggie Grimason
If you've had a ruff week, cozy up to the bar at Launchpad, and then settle in for Rockin for Pitties, a night of music to benefit Babes and Bullies, everybody's favorite local pit bull rescue organization. On tap for the night are sets from Moonshine Blind, Hillbilly Homicide, Some Kind of Nightmare and Dirty Brown Jug Band…
Technophobia • dark electronic • Austin Morrell • Mala in Se • Monogamy
By Adam Wood
The new wave of popular music has tended toward the electronic side of the musical spectrum, with EDM’s massive drops slowly dominating airwaves and the music festival circuit. Typically, it seems, this electronic movement has grown to be popularly identified with glow sticks, diffraction glasses and inexcusably appropriated Native American headdresses. This Friday, June 23, however, Technophobia and their brooding strain of dark electronic music will grace Burt’s TIki Lounge with an important reminder of the vast realm posed by electronic music for everyone, not just half naked-teenagers slathered in glitter…
The summer heat is draining. The news is depressing. Listening to the radio is usually draining and depressing. Step away from it all and rejuvenate yourself this Sunday, June 25, at Sister with a wacky, energetic performance from Quintron and Miss Pussycat, who promise an unparalleled experience complete with outrageous costumes, complex puppet shows, explosions and “Swamp-Tech” dance music imbued with the psychedelic spirit of New Orleans…
I have always been astounded by the potential of sound; for millennia, sounds have been pieced together in inventive ways, entrancing audiences and shaping emotion through music. Music to me is a thing of magic, constantly transforming into something new in the hands of those with the ability to harness that magic. Albuquerque native Bryce Hample, better known as the mastermind behind the surreal vibrations of Reighnbeau, is truly one of those wizards, an electro-maestro with a brilliant capability for intricately layering sounds where one would least expect, but where they truly belong. This Thursday, June 29, Reighnbeau will be transforming Sister into a dreamlike world of glinting shoegaze and celestial ambience, adorned by Hample’s remarkable capabilities for visual art and mesmerizing performance even as he concocts the magic of music before our eyes. Featuring opening performances from Sazoram and Austin Morrell, the cosmic stage will be set at 9pm. Be sure to get your tickets at the presale price of $5 before they go up at the door.