Alibi V.16 No.9 • March 1-7, 2007 ››
Music to Your Ears
The Disco Balls Come Down—The bar door was wide open when I arrived at the Albuquerque Mining Company (AMC) one bright Sunday afternoon last October. Peering in, I saw a small gaggle of men in cut-off jeans and high-top sneakers, armed with brushes, rollers and buckets of paint.
Flyer on the Wall
One hour after Albuquerque alternative-pop sensations Ki broke up, ex-members Orio, Powell and Bradshaw, along with other former "lynchpin" musicians from HATEengine, Aisling and This Life (both from El Paso), created Mechanism Of Eve. See their first show ever Thursday, March 1, at the Launchpad. (LM)
Local genre-benders release their polished debut album
Search for "August Spies" and you're not going to come up with an Albuquerque band bent on smart, tight songs—songs that kick over the genre trashcans as they run rowdy down Pop Ave.
From Russia, with love
I like to believe that, in my daily life, I exercise at least a small degree of free will and have some say in what my body does or does not do. So you can imagine my surprise when I found myself in a dive bar on my hands and knees, waiting for the Red Elvises' Igor Yuzov to sing the chorus to "Rocket Man," which would serve as the audience's cue that it was permissible to stop wallowing on the filth-coated floor. It is rare to see a band with that much control over a crowd (of 200-plus people, no less), but for these surf-rockabilly purveyors, it happens every night they put on a show.
Finding Her Voices
Composer uses extended technique and layering to fashion an orchestra
Joan La Barbara hasn't been nervous about getting up in front of an audience and doing unusual things for many years. In the old days, the early ’70s, sometimes people would giggle. "I haven't gotten that reaction in a very long time," she says.
Matt Wilson's Arts and Crafts The Scenic Route
· Kendra Shank A Spirit Free: Abbey Lincoln Songbook
· Justin Ray Justin Ray
Drummer Wilson’s nimble crew (Terrell Stafford, trumpet, flügelhorn; Gary Versace, piano, organ, accordion; Dennis Irwin, bass, clarinet), with assistance from a female vocal trio, take straight-ahead jazz on a winding and thoroughly refreshing tour. The “sonic spots of interest” include four originals from Wilson (including the Booker T–ish title track), Monk, O. Coleman, Metheny, Hutcherson, D. Ayler, Lennon and one standard. Stafford—a paradigm of precision, economy and edge—finds every emotional seam. Driven by the joyful, geometric and continuously variable propulsion of Wilson’s drum kit, Arts and Crafts swings exuberantly through the tightest corners and cruises with the top down.
Miss May I • Ice Nine Kills • metal • Capsize • alternative, melodic hardcore • Lorna Shore • emocore • Westwind
If you still haven't had your fill of melodic hardcore, emocore and/or emo with no chaser—and lord knows who hasn't; I still dream of Hawthorne Heights every night before jumping up from my La-Z-Boy recliner and toddling off to bed—then do yourself a solid and visit Albuquerque's home for rock…
Courtesy of the artist
TOKiMONSTA • electronic, hip-hop
Electronic experimentalist and heady hip-hop instrumentalist Jennifer Lee, better known as TOKiMONSTA, makes an appearance at the Historic El Rey Theater on Thursday, Sept. 28. An astral entity whose work with Project Blowed and Flying Lotus landed her squarely within the realm of El Lay’s underground hip-hop movement, Lee also happens to be a classically trained pianist. She is well known for deconstructing the work of luminaries like Justin Timberlake and Yacht through remixes that absolutely come apart in your head as the beat drops—sometimes delicately, sometimes like thunder, but always with a focus that speaks volumes about her musical prowess and wonky tendency to digress upon subtle rhythms and beatific bits of melody. $15 is all it will cost the average 18+ listener to engage in the elusive what-comes-next nature of West-Coast grooviness. The curtain rises on TokiMonsta at 9pm.
Courtesy of the artist
Sorry Guero! • American death groove • Moonshine Blind • rock, country • The Lords of Wilmoore • punk rock • Cobra Vs. Mongoose
Hard rock is a thing that occasionally raises it's grizzled, drug-addled head in this dusty desert. It's a damn good thing the dude can play the guitar like ringing a bell. It also helps that the thing can sing. If not for these two crowd-pleasing aspects, Dirty City denizens would have booted Hard rock and his ilk outta this town ages ago. If you still haven't been exposed to this phenomena, may I suggest you haul your hipster ass down to Launchpad on Saturday, Sept. 30, for the album release party hosted by Burque groove-metal stalwarts Sorry Guero! The entirety of the diamond tough, blue-jean-clad, head-banging subculture who worship hard rock will be there, solidly represented by bands like hillbilly-heshers Moonshine Blind and pure punk provocateurs such the Lords of Wilmoore (eh, I lived on that street too, as an undergrad) and Cobra vs. Mongoose. So be there or be obtuse; it's only ten bones, okay?