Alibi V.16 No.11 • March 15-21, 2007 

Music to Your Ears

One for the Road—It's an exciting time for local crooner Tommy Gearhart. Last September, he released a collection of standards called Autumn Serenade; his way of cracking open a window in a charming but creaky old house, inviting a fresh breeze to circulate through its rooms and ruffle the pages of the American song book. And now velvet-voiced Tommy will carry the torch of, well, torch jazz on a four-city tour across the Midwest (specifically, he'll light up Detroit, Toledo, Cleveland, and Cincinnati).

[ more >> ] [ permalink ]

Flyer on the Wall

Survival of the Illest

The Launchpad presents "Underground Rising 2," a beatified battle royale with Mantis Fist, Living Proof, Durt-e Sol, Habeas Corpses, SaintSinnerSuns, The Zoo and others. It's free, but only if you're over 21. Sorry, children. (LM)

[ more >> ] [ permalink ]

Ralph Alessi and This Against That

Jazzed

Ralph Alessi Rubs This Against That for Musical Satisfaction

Trumpeter’s quintet improvises with a lyrical edge

Trumpeter, composer and educator Ralph Alessi doesn’t have a problem winging it.

[ more >> ] [ permalink ]

Guess Junta?

Show Up!

La Junta Benefit Concert

Sticking out like a sore thumb and loving every minute of it

For Nick Pena, frontman of Santa Fe's Latin rap-rock trio La Junta, school taught him a somewhat unintended lesson. "In high school," says Pena, "I was never really a good son or a good student. Looking back, I think that if it weren't for my art and music classes I wouldn't have stayed in school."

[ more >> ] [ permalink ]

Eek-A-Mouse likes doing his own thing.

Spotlight

A Legend Called Mouse

Reggae hero didn't set out to invent a style

Eek-A-Mouse is still in Ketchum, Idaho, when we speak. It's hard to imagine what the 3,000 or so people who live in Ketchum think of the Mouse, a six-and-a-half foot Jamaican reggae legend. But Eek-A-Mouse loves the West. He declared himself a cowboy in the mid-’90s and has donned a cowboy hat ever since. He's been on tour for about three weeks now, though really, he says, the road has been his home for the last 30 years or so. "That's how it goes," he says. "It's my life."

[ more >> ] [ permalink ]

Sonic Reducer

Minmae 835 · RJD2 The Third Hand · Olav Larsen & The Alabama Rodeo Stars Love's Come to Town

What does "indie rock" even mean anymore? Minmae, kind of a rock-starless anti-band, is what I wish it meant. 835 gives you your simmering tempos under no virtuosity and that peculiar male indie rock/folk voice. But Minmae, which is mostly Sean Brooks, takes it further with delicate, wilting arrangements and surprising instruments. Brooks is not a guy who's afraid to let his pop sensibility deflate and crumple into a noisy heap, though I hear this is actually his most accessible work to date. Why is it that the guys who aren't necessarily trying to make pop are often the best at it?

[ more >> ] [ permalink ]

Courtesy of Reighnbeau

EVENT HORIZON (Thursday, Jun 29)

You don't need rain to see this rainbow

Reighnbeau • indietronica • Sazoram • electronic • Austin Morrell • rock

I have always been astounded by the potential of sound; for millennia, sounds have been pieced together in inventive ways, entrancing audiences and shaping emotion through music. Music to me is a thing of magic, constantly transforming into something new in the hands of those with the ability to harness it. Albuquerque native Bryce Hample, better known as the mastermind behind the surreal vibrations of Reighnbeau, is truly one of those wizards, an electro-maestro with a brilliant capability for intricately layering sounds where one would least expect, but where they truly belong. This Thursday, June 29, Reighnbeau will be transforming Sister into a dreamlike world of glinting shoegaze and celestial ambience, adorned by Hample’s remarkable capabilities for visual art and mesmerizing performance even as he concocts the magic of music before our eyes. Featuring opening performances from Sazoram and Austin Morrell, the doors to the cosmic stage will open at 8pm. Be sure to get your tickets at the presale price of $5 before they go up at the door.
View in Alibi calendar calendar