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 Apr 26 - May 2, 2007 
Dr. Octagon

Music to Your Ears

By Jessica Cassyle Carr

On Hos and Hip-hop—Last week in response to Oprah's two-part Hip-hop Town Hall (which was in response to Don Imus being a dipshit), poet and hip-hop artist Saul Williams wrote an open letter to Oprah. Oprah's programs dealt with misogyny, racism, marginalization and censorship and hosted guests such as Def Jam cofounder Russell Simmons, rapper Common, poet and author Maya Angelou, a record executive, an entertainment lawyer, people involved with the NAACP and a group of female students from Spelman College (who, in 2004, protested a Nelly performance for his treatment of women in his videos). While the program was positive, it wasn't in-depth. Saul Williams’ letter, on the other hand, was.

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Dr. Octagon

Spotlight

Paging Dr. Octagon

Triumphant or resistant, an innovator returns

By Marisa Demarco

It was your average rabies call. Dr. Octagon was paged to Room 109, unaware of his looming demise. “I’ll tell you what,” spat Dr. Dooom as Octagon entered. “Take this, motherfucker. Take two of these and call me in the morning.” And thus, the good doctor was capped. Cause of death? Multiple GSWs (gunshot wounds) from a nemesis Octagon never saw coming.

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Flyer on the Wall

Go West, Young Band

Rio Rancho gets a little louder when The Pharmacy, Fiction Onehundred, Built for Dummies and Easier Said Than Done play Thursday, April 26, at Turtle Mountain Brewing Co. (21+). Bring a few dollars for cover. (LM)

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The Hands

Show Up!

The Hands and The Skeletons

Hand jives and exorcisms

By Simon McCormack

Garage rock is a tricky genre. From listening to the intentionally lo-fi recordings and simple song structures, you might be tempted to think anyone can pull it off. Goodness knows a lot of bands have tried, but few have managed to stand out enough to gain more than just local recognition. Still others, such as Southern California’s The Willowz, struggle to break out of the tightly confined space the genre allows without losing what made them successful in the first place.

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Sonic Reducer

Neil Cowley Trio Displaced · Miles Okazaki Mirror · Misha Piatigorsky Uncommon Circumstance

By Mel Minter

Brash, punkish energy, hooks that could snag a whale and sheer invigorating exuberance mark the debut recording of the Neil Cowley Trio (with pianist/composer Cowley, bassist Richard Sadler and drummer Evan Jenkins). A taut ballad, a trancelike rocker, a miniature that recalls Vince Guaraldi, a conundrum set to music, a contemplative swinger—Cowley attacks everything with breathtaking dynamic flair and a surprising, adept touch. With a sure rhythmic feel and an irrepressible and infectious spirit, Cowley and the boys gleefully roll the tunes downhill in a headlong rush—almost, but never quite, losing control every time.

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48th & Pixel, Phoenix

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Shake, Shimmy and Support Sexy Stripping

Mayo Lua de Frenchie's Golden Legends Variety Show • burlesque, comedy

By Rini Grammer
Tap your way over to the local Downtown tavern Sister this Sunday, July 30, to support Albuquerque's very own nationally renowned burlesque dancer, Mayo Lua de Frenchie. For just $10 (and tips for the performers!), you can watch the best of the best local entertainers perform in Mayo Lua de Frenchie's Golden Legends Variety Show Fundraiser to support of Frenchie, who is a top contender for the Golden Legends Champion Challenge. Come for the sideshows, stay for the stripping … and comedians, live music, dancing, drag and more!
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Looney for Rooney

Rooney • indie • Run River North • folk rock

By Adam Wood
There is a striking absence of good rock music on the airwaves today. We have passed the glory days when kids and adults alike bonded over a couple of guitars and a drumset, as new heads try their hand at the more accessible sounds of electronic music and rap. There are those of us, however, who have not forgotten the thrill of playing air guitar and belting along to your favorite song. In his efforts to reaccess this primal energy, Robert Schwartzman—the mastermind behind the once-upon-a-time inescapable worm of a tune “Where Did Your Heart Go Missing”—has reformed his band Rooney. Armed with the upbeat verve of power pop and teeming with inspiration from British Invasion rock, Rooney will be bringing their revival efforts to Launchpad this Tuesday, Aug. 1. The opening performance at this 13+ show will be provided by the somehow simultaneously buoyant and melancholy indie jams of Run River North. The cost to share in the spirit and enthusiasm of revitalized musicians will be a mere $17, so don’t miss out!
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