Music to Your Ears
The city's proposed teen music center is in danger
By Laura Marrich
The city's plan to establish an all-ages, teen-run music center was set in motion with the purchase of the Ice House building last year. But it's hit a snag. Without a show of your support at two upcoming meetings, the proposed center may be cut out from the funding it needs to get off the ground.
Flyer on the Wall
Poor Man’s Ferrari
By Jenny Gamble
There once was a car that was cheap, the fastest car on the street. You could own it if you were poor and couldn’t afford more, but still … the car could never be beat. And thus, the “Poor Man’s Ferrari” became a classic machine worth more than 10 times its original listing price.
“I'm trying to be the greatest there's ever been.”
By Marisa Demarco
Brother Ali speaks quietly, his thick East Coast accent eloquent and thoughtful. When we speak, he's in Boston in the middle of a two-month tour. Lots of musicians bitch about being on the road, but Ali loves it—except for missing his new wife and 6-year-old son. He's a serious guy who's had to sacrifice and scrap his way to fame, riding a heap of critical praise for his first big success with the Rhymesayers label, Shadows on the Sun.
David Binney and Edward Simon Océanos · Morrie Louden Time Piece · Wayne Escoffery Veneration
By Mel Minter
The musical approaches of pianist Edward Simon and altoist David Binney seem, on the surface, fairly disparate. Binney favors fire, speed and dynamism. Simon tends toward water, patience and understatement. Different paths, but the two longtime associates both find their ways to beautiful music, here with bassist Scott Colley, drummer Brian Blade and a host of guests (notably vocalist Luciana Souza and guitarist Adam Rogers). From the uncomplicated profundity of Simon’s “Govinda” to Colley’s intense but delicate “Amnesia” to Binney’s dreamy “We Dream Oceans,” Océanos offers a deeply musical and satisfying passage over the open water of original jazz.
Courtesy of the Artist
Franks & Deans • punk rock, rock 'n' roll • Shrewd • Punctured Muffler • Silent Crush • metal
By August March
At some point during the progression of meta-ultra-postmodernism, it was only natural that a band covering Rat Pack tunes revisioned as rambling ska paeans or blisteringly buoyant punk anthems based on the imbibing and love-making habits of dudes like Frank Sinatra and Dean Martin would rise from the rocanrol cauldron. Well it's 2017 and such has indeed come to pass. The name of the band is Franks & Deans. They've succeeded by inflecting the sweepingly romantic, sometimes melancholy and nearly always self-referential ditties of these post-war, pre-rock vocal heroes with good-natured rhythms and danceable guitar leads—as well as an updated fashion sense that seems to borrow more from ZZ Top's summer style guide than from Robin and the 7 Hoods—that adds affable nuance to legendary, mid-century American popular music. Band members Rob DeTie, Mike "Pip" Ullemeyer, Hoss and Sampson await your indulgence at Low Spirits on Thursday, Feb. 23, and the admission price of $5 sure as heck beats dropping “Three Coins in the Fountain.”
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