Free Ozzy—The Prince of F***ing Darkness is cashing in on another run of Ozzfest, which includes a July 26 stop at Journal Pavilion. Fourteen uneven years after its debut, hope that this festival could retain more integrity than a fatted cash cow seems soundly, painfully extinguished—not least of all by the festival's pandering to "murderous clown" acts like Slipknot. But fans of the Bewildered Evil One have some redeeming incentives to come out this time. (I mean, besides the spectacle of Ozzy's stage handlers dousing his crotch with water at regular intervals ... No sir, no cover for incontinence there!)
The past few years have seen a semi-deluge of wolf-in-name musical ensembles: Wolf Eyes, Wolfmother and now Sea Wolf (this on top of a metal band named Wolf, not to mention Los Lobos). On the debut EP from solitary permanent band member Alex Brown Church, Sea Wolf may be the most promising member of the wolfly titled club. The arrangement is an evocation of moody melody propelled by violins, cellos, lyrical storytelling, astute percussion and a concertina or two. The five songs are mostly lovely and fully worthy of borrowing name and inspiration from Sea Wolf, Jack London's 1904 novel.
At first it was simple pop-rock songs. Well, lighter on the rock, really. "Then things got progressively weirder," says Noah Lennox, a.k.a. Panda Bear of the Animal Collective. AC members have known each other since grade school in Baltimore, but it wasn't until they all found themselves in New York for one reason or another that things got serious—and weird. If tape manipulations, sound collages and a genre commonly defined as "acid folk" are unfamiliar, "weird" might be a good place to start. Actually, the Collective is unconcerned with defining itself by genre and instead focuses solely on not repeating itself, bringing in elements of modern classical composition, prog-rock, jazz—you name it.
High Mayhem Studios (1703-B Lena Street, Santa Fe) presents an exhibit of Orwellian art posters by Michael Sumner and Melody Sumner Carnahan. 7 p.m., all-ages, free. Stick around for new music from Adobe Gillis ($5-$10 donation) at 9 p.m. (LM)
Moonshine Blind • rock • Hillbilly Homicide • Some Kind of Nightmare • Dirty Brown Jug Band • country, bluegrass
By Maggie Grimason
If you've had a ruff week, cozy up to the bar at Launchpad, and then settle in for Rockin for Pitties, a night of music to benefit Babes and Bullies, everybody's favorite local pit bull rescue organization. On tap for the night are sets from Moonshine Blind, Hillbilly Homicide, Some Kind of Nightmare and Dirty Brown Jug Band…
Technophobia • dark electronic • Austin Morrell • Mala in Se • Monogamy
By Adam Wood
The new wave of popular music has tended toward the electronic side of the musical spectrum, with EDM’s massive drops slowly dominating airwaves and the music festival circuit. Typically, it seems, this electronic movement has grown to be popularly identified with glow sticks, diffraction glasses and inexcusably appropriated Native American headdresses. This Friday, June 23, however, Technophobia and their brooding strain of dark electronic music will grace Burt’s TIki Lounge with an important reminder of the vast realm posed by electronic music for everyone, not just half naked-teenagers slathered in glitter…
The summer heat is draining. The news is depressing. Listening to the radio is usually draining and depressing. Step away from it all and rejuvenate yourself this Sunday, June 25, at Sister with a wacky, energetic performance from Quintron and Miss Pussycat, who promise an unparalleled experience complete with outrageous costumes, complex puppet shows, explosions and “Swamp-Tech” dance music imbued with the psychedelic spirit of New Orleans…
I have always been astounded by the potential of sound; for millennia, sounds have been pieced together in inventive ways, entrancing audiences and shaping emotion through music. Music to me is a thing of magic, constantly transforming into something new in the hands of those with the ability to harness that magic. Albuquerque native Bryce Hample, better known as the mastermind behind the surreal vibrations of Reighnbeau, is truly one of those wizards, an electro-maestro with a brilliant capability for intricately layering sounds where one would least expect, but where they truly belong. This Thursday, June 29, Reighnbeau will be transforming Sister into a dreamlike world of glinting shoegaze and celestial ambience, adorned by Hample’s remarkable capabilities for visual art and mesmerizing performance even as he concocts the magic of music before our eyes. Featuring opening performances from Sazoram and Austin Morrell, the cosmic stage will be set at 9pm. Be sure to get your tickets at the presale price of $5 before they go up at the door.