Free Ozzy—The Prince of F***ing Darkness is cashing in on another run of Ozzfest, which includes a July 26 stop at Journal Pavilion. Fourteen uneven years after its debut, hope that this festival could retain more integrity than a fatted cash cow seems soundly, painfully extinguished—not least of all by the festival's pandering to "murderous clown" acts like Slipknot. But fans of the Bewildered Evil One have some redeeming incentives to come out this time. (I mean, besides the spectacle of Ozzy's stage handlers dousing his crotch with water at regular intervals ... No sir, no cover for incontinence there!)
At first it was simple pop-rock songs. Well, lighter on the rock, really. "Then things got progressively weirder," says Noah Lennox, a.k.a. Panda Bear of the Animal Collective. AC members have known each other since grade school in Baltimore, but it wasn't until they all found themselves in New York for one reason or another that things got serious—and weird. If tape manipulations, sound collages and a genre commonly defined as "acid folk" are unfamiliar, "weird" might be a good place to start. Actually, the Collective is unconcerned with defining itself by genre and instead focuses solely on not repeating itself, bringing in elements of modern classical composition, prog-rock, jazz—you name it.
High Mayhem Studios (1703-B Lena Street, Santa Fe) presents an exhibit of Orwellian art posters by Michael Sumner and Melody Sumner Carnahan. 7 p.m., all-ages, free. Stick around for new music from Adobe Gillis ($5-$10 donation) at 9 p.m. (LM)