Alibi Bucks

 Sep 13 - 19, 2007 

Music to Your Ears

By Laura Marrich


It's hard to describe what Potty Mouth Sherry's are outside the obvious "all-girl" (there are four of them, to be precise), but I'll try with some stream of consciousness—Punk. Folk. Pirate. Circus. Noise. Art-house. Playground. Butch. Femme. Bad-good. Good-bad. Sinbad. Ukulele-core.

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Flyer on the Wall

Cash is King

The Man in Black comes alive Friday, Sept. 14, at Atomic Cantina (21+, free), with help from Sin Serenade, The Dirty Novels, The Gracchi, Feels Like Sunday, Pan!c, Swingin’ Meat, The Ground Beneath, Lenny D’Wayne, Botnix and Grand Can Yen. Pay tribute. [LM]

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Pete Kember, aka Sonic Boom

Show Up!

Spaceman Free

A drone state of mind

By Kyle Silfer

"One chord best, two chords cool, three chords OK, four chords average."

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Against Me!
Drew Goren/

Music Interview

Against Me!

By Justin Alan Hood

Florida natives Against Me! crash at the Sunshine Theater this Thursday, Sept. 13. Touring for their fourth full-length album, New Wave, these guys are rocking the boat with punk that's rich, raw and honest. The Alibi caught up with the band’s lead singer/songwriter/guitarist, Tom Gabel, to discuss the new album, being on the road and everything in between.

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Sonic Reducer

Joey Calderazzo Amanecer · PlayRadioPlay! The Frequency E.P. · Chaka Khan Funk This

Bypassing the omphaloskepsis that plagued his 2004 solo recording, Haiku, the longtime Branford Marsalis Quartet pianist ventures over a wide range of sonorities and historical styles on Amanecer, in solo, duo and trio formats. On Michael Brecker’s “Sea Glass,” he achieves a deft balance between motion and stillness. His own “Toonay” features rhythmic rubs of right hand against left, and a Glenn Gould–like touch. His highly personal rendition of “Waltz for Debby” lays a lovely veil over Bill Evans’ tune. Four tracks add Claudia Acuña (vocal) and Romero Lubambo (guitar), with particular success on the Calderazzo/Acuña composition “So Many Moons.” [MM]

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Mishka Shubaly


Asphalt Cowboy

Mishka Shubaly vs. the road

By Amy Dalness

The road is a dangerous mistress. One moment she's gilding her path, offering kisses laden with joy and good fortune. The next, she's slashed your tires, stolen the radio and called all your exs to tell them you've got the clap.

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courtesy of the artist

EVENT HORIZON (Friday, Oct 16)

Snowy Egret Has Landed

Myra Melford’s Snowy Egret • piano, jazz, composer

By August March
Pianist Myra Melford, a Guggenheim fellow who specializes in cross-genre, postmodern musical deconstruction, performs with her ensemble Snowy Egret at Outpost Performance Space on Friday, Oct. 16. Basing her work in a plethora of quintessential artistic experiences that encompasses everyone and everything from Rumi to Japanese Butoh and Meso-American Indigenous traditions, Melford brings a deft touch to her dream-like musical explorations. She’ll be in the company of instrumentalists Ron Miles on trumpet, guitarist Liberty Ellman, bassist Stomu Takeishi and drummer Tyshawn Sorey. Together they’ll perform work both translucent and opaque as they transport listeners to a world without sonic boundaries. Tickets range from $15-20 for this transcendent trip.
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