It's hard to describe what Potty Mouth Sherry's are outside the obvious "all-girl" (there are four of them, to be precise), but I'll try with some stream of consciousness—Punk. Folk. Pirate. Circus. Noise. Art-house. Playground. Butch. Femme. Bad-good. Good-bad. Sinbad. Ukulele-core.
The Man in Black comes alive Friday, Sept. 14, at Atomic Cantina (21+, free), with help from Sin Serenade, The Dirty Novels, The Gracchi, Feels Like Sunday, Pan!c, Swingin’ Meat, The Ground Beneath, Lenny D’Wayne, Botnix and Grand Can Yen. Pay tribute. [LM]
"One chord best, two chords cool, three chords OK, four chords average."
Florida natives Against Me! crash at the Sunshine Theater this Thursday, Sept. 13. Touring for their fourth full-length album, New Wave, these guys are rocking the boat with punk that's rich, raw and honest. The Alibi caught up with the band’s lead singer/songwriter/guitarist, Tom Gabel, to discuss the new album, being on the road and everything in between.
Bypassing the omphaloskepsis that plagued his 2004 solo recording, Haiku, the longtime Branford Marsalis Quartet pianist ventures over a wide range of sonorities and historical styles on Amanecer, in solo, duo and trio formats. On Michael Brecker’s “Sea Glass,” he achieves a deft balance between motion and stillness. His own “Toonay” features rhythmic rubs of right hand against left, and a Glenn Gould–like touch. His highly personal rendition of “Waltz for Debby” lays a lovely veil over Bill Evans’ tune. Four tracks add Claudia Acuña (vocal) and Romero Lubambo (guitar), with particular success on the Calderazzo/Acuña composition “So Many Moons.” [MM]
The road is a dangerous mistress. One moment she's gilding her path, offering kisses laden with joy and good fortune. The next, she's slashed your tires, stolen the radio and called all your exs to tell them you've got the clap.