Music to Your Ears
By Laura Marrich
"We're Not Worthy! We're Not Worthy!"
Wayne Campbell, the character created by Mike Myers on "Saturday Night Live"'s "Wayne's World" sketches, could have been based on Mike Trujillo. Like his NBC Doppelgänger, Albuquerque's Mike T. hosts a public access music show, worships hard rock and righteous babes with equal reverence, even sports long hair crowned with an ever-present baseball cap. Mike and Wayne both made their Public Access debuts in 1992.
Flyer on the Wall
You Write the Songs That Make the Whole World Sing
Just kidding. Sarah West, Freddy Raygun and Leah Black do. Learn how at the Songwriters Showcase this Thursday, Oct. 4, at Ben Michael's Café (2404 Pueblo Bonitio NW, at Rio Grande, 224-2817). Free and all-ages. (LM)
Seven-year-old Oscillation Electronic Music Festival rails against conformity
By Laura Marrich
The Oscillation Electronic Music Festival is remarkably well-behaved for the strong, subversive stuff it spits out. The festival is a two-day gathering of weirdo electronic music that lumps together not-so-friendly-sounding tags like "glitch," "IDM," "EBM" and "darkwave." Yet the festival is drug- and alcohol-free and all-ages friendly, immaculately organized and executed in one of the nicest theater spaces in town. Oscillation is a polite 7-year-old, but one that likes to raise hell.
They Probably Are Giants By Now
A silver anniversary approaches the songwriting geniuses behind "Birdhouse in Your Soul" and "Particle Man"
By Marisa Demarco
In spite of their unorthodox sound and nerdy science- and history-based lyrics, They Might Be Giants managed chart toppers and radio play with the best of them. And they've been at it, fresh and inspired, for a quarter century. "I think most things that have been around for 25 years tend to have this safe quality to them. They were probably already slick in the first place," says John Flansburgh, one of two Johns that founded the band in 1982. "The most interesting stuff from our culture doesn't usually stick around that long."
David Torn prezens · Dethklok The Dethalbum · Grayskul Bloody Radio
Guitarist David Torn “magicked” dozens of hours of live studio improv (with altoist Tim Berne, keyboardist Craig Taborn and drummer Tom Rainey), condensing it down to 72 minutes and 45 seconds of astonishingly present jazz/electronica. Aggressively emotional, the compositions move through abrupt sonic shifts, as in the track “bulbs,” which opens with a techno bull in a china shop shift dreamscape shift acoustic interlude shift howling guitar of darkness. The burning fuses of Torn’s guitar lines set off conflagrations everywhere, and his mates are ready with the gasoline. Yet the anxiety and terror are sometimes subsumed in the contemplative peace of interstellar drift. [MM]
courtesy of the artist
Myra Melford’s Snowy Egret • piano, jazz, composer
By August March
Pianist Myra Melford, a Guggenheim fellow who specializes in cross-genre, postmodern musical deconstruction, performs with her ensemble Snowy Egret at Outpost Performance Space on Friday, Oct. 16. Basing her work in a plethora of quintessential artistic experiences that encompasses everyone and everything from Rumi to Japanese Butoh and Meso-American Indigenous traditions, Melford brings a deft touch to her dream-like musical explorations. She’ll be in the company of instrumentalists Ron Miles on trumpet, guitarist Liberty Ellman, bassist Stomu Takeishi and drummer Tyshawn Sorey. Together they’ll perform work both translucent and opaque as they transport listeners to a world without sonic boundaries. Tickets range from $15-20 for this transcendent trip.
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