Alibi Bucks

 Nov 1 - 7, 2007 

Music to Your Ears

By Maren Tarro

Dirt Cult

Las Cruces is not a place that comes to mind when you consider the great music centers of the universe, but every now and then the cosmos are kind and the stars line up favorably for this often-forgotten southern New Mexico town.

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2008 New Mexico Rocks Pinup Calendar Match-Up

See if you can guess what some of Albuquerque’s female rockers do when they're not melting your face

By Simon McCormack

With the 2008 New Mexico Rocks Pinup Calendar premiere at the Launchpad this Friday, Nov. 2, corresponding with our second Quiz and Puzzle issue, we got to thinking: How easy would it be to determine what a selection of Albuquerque’s most recognizable musicians do to pay the bills? We decided this task was too difficult to do without cheating, so we found out the day jobs of this year’s pinup models and included them below (along with some incorrect answers to make it interesting). See if you’re up for the challenge, and get to know a little more about these posers for a cause. Circle your best guess and then go to for the answers.

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Flyer on the Wall

Play Misty’s for Me

Misty’s Hideaway (1522 Eubank NE) keeps shaking things up in the Northeast Heights with Simfonik Plague, Torture Victim, The Grinkai and Aphotic Blitz on Saturday, Nov. 3, at 9:30 p.m. Legal drinkers only. Free. (LM)

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Mystery Sonic Reducer

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After a prolific decade of music-making, this was the last album recorded by the highly influential foursome that has helped shape the musical landscapes of artists such as Grandmaster Flash and the Arcade Fire. Released in 1988, the record frequently incorporates Latin rhythms and, although it produced a couple successful singles, much of the album was indicative of a band struggling to form one of its last creative gasps with trite lyrics and several songs that lack clear direction. The heavy Latin influence surfaced again on the lead singer's first solo album released a year later. [SM]

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Dafnis Prieto


Dafnis Prieto

Cuban-born drummer/composer’s quintet mixes jazz, Latin and classical textures at the Outpost

By Mel Minter

Alongside the equipment commonly found in a jazz drum kit—toms, snare, kick drum, wood blocks, high hat, cymbals—drummer Dafnis Prieto mounts an unorthodox percussive instrument: a frying pan.

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Neon Tommy/Katie Buenneke

EVENT HORIZON (Friday, Oct 9)

Can I Get a Hallelujah?

Hozier • blues, indie, soul

By Cerridwen Stucky
You probably remember that in January a song filled the radio that made you say amen more than you had since going to church with your family as a child. Hozier’s “Take Me To Church” was in the top 100 singles in the U.S. for three weeks. His soft acoustic style paired with sorrowful crooning seemed to be just what the United States wanted…
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Mikel Cee Karlsson

EVENT HORIZON (Monday, Oct 12)

El Angel de la Musica

José González • indie, folk • Riothorse Royale

By Megan Reneau
Heads up—an angel named José González drops down from heaven and lands at Sunshine Theater on Monday, Oct. 12. González's voice is heavenly and when combined with his soothing classical guitar melodies, causes elation of the senses…
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courtesy of the artist

EVENT HORIZON (Friday, Oct 16)

Snowy Egret Has Landed

Myra Melford’s Snowy Egret • piano, jazz, composer

By August March
Pianist Myra Melford, a Guggenheim fellow who specializes in cross-genre, postmodern musical deconstruction, performs with her ensemble Snowy Egret at Outpost Performance Space on Friday, Oct. 16. Basing her work in a plethora of quintessential artistic experiences that encompasses everyone and everything from Rumi to Japanese Butoh and Meso-American Indigenous traditions, Melford brings a deft touch to her dream-like musical explorations. She’ll be in the company of instrumentalists Ron Miles on trumpet, guitarist Liberty Ellman, bassist Stomu Takeishi and drummer Tyshawn Sorey. Together they’ll perform work both translucent and opaque as they transport listeners to a world without sonic boundaries. Tickets range from $15-20 for this transcendent trip.
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