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 V.17 No.5 | January 31 - February 6, 2008 
Dan Zanes and a wee friend

Music to Your Ears

I Kid You Not

"My biggest fear as a parent," confesses a first-time father and YouTube documentarian, "was that I would have to spend the next several years of my life listening to Barney or The Wiggles." He was spared that fate, he says, by Dan Zanes, a Brooklynite folk-rocker who crafts children's music that parents are equally mad for. On Dan Zanes and Friends’ 2006 Catch That Train!—probably the first “children’s music” disc you could pick up at Starbucks, thanks to a deal with the coffee juggernaut's Hear Music entertainment division—Zanes' friends include Nick Cave, The Kronos Quartet, Natalie Merchant and The Blind Boys of Alabama. When Zanes plays the National Hispanic Cultural Center this Wednesday, Feb. 6, his friends will be of the home-grown variety (I’m just not sure who, at this point). Bring the wee ones out for this concert. For once, it's not overreaching to say the whole family will enjoy it. Cost is $15 advance, $20 at the door for adults, and $10 advance, $15 at the door for children under 12, through TicketMaster and the NHCC box office (with no service fee, 724-4771). The show starts at 6:30 p.m.

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Roman Numerals

Show Up!

Roman Numerals

Rhythm rock with a breadbasket work ethic

It started as a Joy Division tribute band, but once its members got tired of aping their idols, Roman Numerals set some ground rules.

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Play Youtube Video

Music Interview

A Chat with Wynton Marsalis

The Jazz at Lincoln Center flagship sails in

Over the years, music director, trumpeter and gentleman Wynton Marsalis has maneuvered several smaller craft—a quartet, a quintet and a septet—through New Mexico's jazz waters. Next week, he’ll dock the quindectet Jazz at Lincoln Center Orchestra, the flagship of that New York institution, in Albuquerque for a program of Duke Ellington’s love songs. One thing is for sure: The evening will swing.

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[click to enlarge]

Flyer on the Wall

Drawn Together

A Smile from the Trenches (Grand Junction, Colo.), Bury Your Wings, Brokencyde and Glenn Mara meet up for an all-ages screamy rock sesh this Friday, Feb. 1, at The Compound. $7 gets you in, but be nice and bring cash for a merch purch. (LM)

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Sonic Reducer

Liam Finn I'll Be Lightning · Doomtree False Hopes · The Raveonettes Lust Lust Lust

With so many singer-songwriters out there, perhaps genetics is one surefire way to separate the diamonds from the rough. Liam Finn, son of Crowded House vocalist Neil Finn, has made an album that is simple, quiet and beautiful. The songs are slow to take hold, but once they've crawled inside your brain, they refuse to come out. Acoustic guitar, a swath of synth and straight back-beat drums with Finn's lovely cold-cooing wrap every song in an attractive package. Let's hope Finn's debut is just the tip of his creative iceberg. (SM)

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Eat yer heart out, Louisa May Alcott
Alexander Perrelli

Music Websclusive

Little Women

The band you won't hear live this week

I just got word from Derek Caterwaul that the Little Women show slated for Thursday, Jan. 31, won't be happening—the guitarist developed tendonitis while touring, and won't be driving in for the show. But I did a perfectly good interview with the experimental punky jazz quartet from Brooklyn, and thought I'd tell you about them anyway. Little Women balances tight, turn-on-a-dime changes with a rowdy, frantic energy, a kind of unpolished polish I'll call spit-shined. Take in the frenetic, bursty approach at myspace.com/littlewomensounds. Little Women's first recording, Teeth, will be out March 4 on Gilgongo and Sockets records.

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T-Rextasy
Andrew Piccone

EVENT HORIZON (Thursday, Mar 23)

Surf In Burt's

T-Rextasy • garage, punk • Mount Ivy • space rock • Emma Lee Toyoda

Surf-style, fuzzed out and formidably feminist pop-punkers T-Rextasy make an appearance in Albuquerque, at the new home of all things fearsome and fashionable, Burt's Tiki Lounge, on Thursday, March 23. The New York City band—singer Lyris Faron, guitarists Lena Abraham and Vera Kahn, under the rhythmic influences of bassist Annie Fidoten and drummer Ebun Nazon-Power—is known for its arch approach to the genre, generating pure pop nuggets like last year's “Gap Yr Boiz” to deconstruct and decimate a culture they find to be placid and painstakingly pointless. They'll be joined on stage by space rock quartet Mount Ivy and self-described “Seattle-based sadgirlrock” adherents Emma Lee Toyoda. Hmm, the more I think about it while considering this show, the more I imagine that rocanrol is still alive and has a chance against the forces of the future. Find out for yourself if all of that fashion-future-forward stuff is la neta by jaunting on over to Burt's for this 21+ gig, where its always free to go in and have a listen to what will most certainly be.
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EVENT HORIZON (Saturday, Mar 25)

Kurt Travis Will Save Your Soul

Kurt Travis • alternative rock • Eidola • Amarrionette

I love Kurt Travis ... I said it! I don't regret it, either! (Well, I actually hardly know the man—i.e. not at all—I just love his music.) I know you won't regret seeing him at The Co-Op alongside the phenomenal bands Eidola and Amarrionette this Saturday, March 25, for only $10. Travis was the lead clean vocalist for notable post-hardcore bands Dance Gavin Dance and A Lot Like Birds. He has expanded his act as a solo musician producing the dazzlingly lovely EPs Wha Happen? (2012), Kurt Travis (2013), Everything Is Beautiful (2014) and the Kurt Travis/Paul Travis Split (2016). Travis creates an acoustic, atmospheric pop sound combined with wailing, lonesome bluegrass-esque vocals. In the newest split EP that he made with his brother, the two have created a delicate mix of Americana, pop and indie rock which is sure to translate well into this incredible performer's repertoire. Be sure not to miss this all-ages show, doors open at 7pm.
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Jenna Dunlap
Amanda Kirk

EVENT HORIZON (Saturday, Mar 25)

Local Rocks

Jenna Dunlap • singer-songwriter • Keith Sanchez & the Moon Thieves • folk

I read a recent review that said Jenna Dunlap's debut recording was “sweet,” with “wistful vocals.” Nothing could be further from the truth. Dunlap—who was recorded by Cinder Cone Media's wizard of an engineer Howard Wulkan for her first studio outing, Out of My Head—is dynamic and thoughtful, with a rumbling, tumbling vocal nuance and muscular musical style that is equal parts Sheryl Crow and Regina Spektor, mixed in with the sometimes plaintive but always hopeful observations of youth transitioning into adulthood. Her voice resonates and she has a great finger-picking style too, knowingly finding chords and arrangements that complement her intense and intelligent vocal treatments. Jenna Dunlap will be having a free CD release party for Out of My Head on Saturday, March 25, so you can hear all of that for yourself and thereby help discourage the use of meaningless musical phrases like "sweet" and "wistful" while supporting the awesome thing—called local music—itself. Keith Sanchez & the Moon Theives will provide folk-appropriate support.
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