Music to Your Ears
By Laura Marrich
50 Years Later, The Grammys Got Good
Although our man Rahim Alhaj didn't pick up Grammy gold for Best Traditional World Music Album, all in all—and I never thought I'd say this—the Grammys were totally entertaining. Awkward and tedious at times, sure, but I challenge any massive award show to shake those fugly bedfellows. I really couldn't ask for more.
A case study in perpetual reinvention
By Simon McCormack
Once unhappily lumped into the genre of dance punk, Los Angeles, Calif., power-trio Liars can now only be described as ever-changing.
Le Chat Lunatique’s Demonic Lovely Gives Dancers and Listeners Cause for Celebration
CD captures the verve, swing and musicality of this “filthy, mangy jazz” quartet
By Mel Minter
The appeal of Le Chat Lunatique’s live performances owes as much to its bandmates patter and seriocomic stage presence as it does to their music—and the music is damn good. They’ve managed to translate that appeal to their new studio CD, Demonic Lovely, without visual or verbal aids. The music and the commitment with which it is played, it turns out, are really what it’s all about, whether you’re on the dance floor or sinking into a sofa.
The Hot Club de Albuquerque
Le Chat Lunatique on work, style, corn and more
By Jessica Cassyle Carr
How long have you existed, and how did you come to be?
Flyer on the Wall
The Breakfast Club
Experience noise in the a.m. at Speakerwaffle, possibly the most damage you can do to your ears and mouth simultaneously. Redbeard (AGL and Dameon Lee of Lowlights), William Fowler Collins, Gun Safe and Olvidese fry up together at The Stove (114 Morningside NE) on Sunday, Feb. 17, from 10 a.m. to 2 p.m. Bring $5 or breakfast to share. (LM)
Omar Sosa Afreecanos · Grand Archives The Grand Archives · Lightspeed Champion Falling Off The Lavender Bridge
On Afreecanos, jazz pianist/composer Omar Sosa’s first studio recording since 2004’s masterwork Mulatos, the musics of Africa and the New World again go swimming together in the sea of his imagination and artistry. Featuring 21 musicians on traditional African and modern instruments, Afreecanos is more orchestrated and more rhythm-centric than Mulatos (fragments of which appear fleetingly on every track in Sosa’s piano improvs) but it continues the same fabulously successful experiment. Though not as consistent as its predecessor, Afreecanos does offer several tracks that equal or surpass anything on Mulatos, including “Nene La Kanou,” “Ollú” and the elegiac “Why Anga?” (MM)
Votives • instrumental, ambient, post rock • Cryogenic Styles • Five Mile Float • indie • Spice Boys • punk rock • Cee Mo
By August March
On Friday, Aug. 26, Weekly Alibi presents the second in a series of totally now, totally fun music events featuring local artists jamming out just for you, dear reader. Anywho, join us at the Co-Op for a gig that features ambient, instrumental post-rock hipsters Votives, underground hip-hop menace Cryogenic Styles and pop wunderkinder Five Mile Float. Opening acts include the toothsome Spice Boys and the most excellent Cee Mo. Tickets are only $5 through Alibi Bucks and just $10 at the door. Be there or be square!
SuperGiant • Russian Girlfriends • rock, punk • Lilah Rose • pop, electronic • Rueben Krussick
By Megan Reneau
What's better than unplugging from social media? A lot of things, honestly. For example, Low Spirits is hosting an Unplugged Night this coming Saturday, Aug. 27, where musicians who normally rely on electronics (whether that's a MIDI board or guitar) perform, well, unplugged. Local favorites Joel and Jeremy from SuperGiant, Adam Hooks from Russian Girlfriends, Rueben Krussick of WholeHearted and Lilah Rose will be performing. Doors open at 8pm and tickets will be sold for $5 at the door. See? You don't have to get crazy to enjoy less technology in life.
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Illenium • electronic, dubstep at El Rey Theater
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