Jessica Cassyle Carr
The Saloon That Rock Built
Many bands' first steps were across the threshold of the Golden West
By Marisa Demarco
U.K. oi! band The Business takes the stage. Young testosterone-riddled skinheads start slam dancing, but the Party Vikings, a local gang of rowdy punk rockers, have named themselves the kings of the pit. It isn't too long before a full-scale riot breaks loose, remembers Gordy Andersen, Black Maria singer and Albuquerque rock stalwart. Punks throw pool balls down from the Golden West's balcony. Tables and chairs cartwheel through the air and are smashed into sticks. And The Business just keeps playing.
Friends Forever and Foot Village
Drum kit metal, bikinis and fireworks
By Simon McCormack
At a certain point, it might be better to just stop asking Josh Taylor questions.
Jazz is Just the Beginning
Anat Cohen, award-winning clarinetist/saxophonist, brings her quartet to the Outpost
By Mel Minter
When she was busy mastering American jazz on her tenor saxophone, Anat Cohen gave little thought to the clarinet collecting dust in her closet, or to other genres of music. But she now moves effortlessly between both instruments and among a variety of musical styles.
Flyer on the Wall
Sera Cahoone Only as the Day is Long · Julie Hardy The Wish · Erykah Badu New Amerykah
Sera Cahoone isn't writing a new chapter in the story of alt.country, but she's adding a few colorful pages to the book. The former drummer in indie faves Carissa's Weird and Band of Horses tries her hand at singer/songwriting and makes a couple handfuls of quiet, cloudy melodies that pour on the pity. Save for a pinch of pedal steel and banjo, the bulk of the backup to Cahoone's weightless vocals comes from plodding acoustic guitar—the album suffers slightly from a dragging tempo. Perhaps overly simplistic, but never offensive, Only as the Day is Long is a carefully constructed LP with a lot of promise. (SM)
Courtesy of the Artist
Franks & Deans • punk rock, rock 'n' roll • Shrewd • Punctured Muffler • Silent Crush • metal
By August March
At some point during the progression of meta-ultra-postmodernism, it was only natural that a band covering Rat Pack tunes revisioned as rambling ska paeans or blisteringly buoyant punk anthems based on the imbibing and love-making habits of dudes like Frank Sinatra and Dean Martin would rise from the rocanrol cauldron. Well it's 2017 and such has indeed come to pass. The name of the band is Franks & Deans. They've succeeded by inflecting the sweepingly romantic, sometimes melancholy and nearly always self-referential ditties of these post-war, pre-rock vocal heroes with good-natured rhythms and danceable guitar leads—as well as an updated fashion sense that seems to borrow more from ZZ Top's summer style guide than from Robin and the 7 Hoods—that adds affable nuance to legendary, mid-century American popular music. Band members Rob DeTie, Mike "Pip" Ullemeyer, Hoss and Sampson await your indulgence at Low Spirits on Thursday, Feb. 23, and the admission price of $5 sure as heck beats dropping “Three Coins in the Fountain.”
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