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LowLife Vids'n'Vinyl
LowLife Vids'n'Vinyl
Boxtoberfest 2015
Boxtoberfest 2015
 V.17 No.13 | March 27 - April 2, 2008 
Saul Williams dishing out a knuckle sandwich

Music Interview

Saul Williams

You should be screaming Niggy Tardust at the top of your lungs

It's tough to get a read on rapper, actor and slam poet Saul Williams. He seems to have a great deal of faith in the average person, but he's not interested in catering to anyone's tastes. His work is at once purely self-assured and fragile. Williams’ poetic verse quietly but forcefully makes the case for change while the riotous sounds behind him demand it.

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A String Quartet Named Ethel

Musically omnivorous group plays with itself and its audience

Calling Ethel a string quartet is like calling Jimi Hendrix a blues guitarist. It’s perfectly accurate and almost completely misleading.

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[click to enlarge]

Flyer on the Wall

“Fuck Face!!”

Torture Victim, Last House on the Left, Calling Kevorkian and Vetalas love kittens while simultaneously hating your guts this Saturday, March 29, at the The Compound (all-ages, $7), 7 p.m. (LM)

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Southwest Tastemakers

Kiss spring's perennial blush of coy colors and prim construction goodbye. For the next three months, autumnal layering and earth tones will ram headlong into the nubile silhouettes of summer. The new vernal look is literate, lithe and flecked with mud.

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Sonic Reducer

Gonzalo Rubalcaba Avatar · Jim Noir Jim Noir · DeVotchKa A Mad and Faithful Telling

From the CD’s opening seconds, the ethereal touch, musicality and instinctual rhythmic excitement of Cuban pianist Gonzalo Rubalcaba captivate the ears, heart and brain. Sidemen Yosvany Terry (saxes), Mike Rodriguez (trumpet, flügelhorn) and Albuquerque’s Matt Brewer (bass), who sometimes seems to share a brain with Marcus Gilmore (drums), collaborate with stunning precision. Original compositions from Rubalcaba, Terry and Brewer, whose indirect, disturbingly beautiful “Aspiring to Normalcy,” is a high point, join Horace Silver’s “Peace” (trio) and Alejandro Garcia Caturla’s “Preludio Corto No. 2 for Piano,” arranged for quintet by Rubalcaba. Avatar delivers lyrical contemporary jazz played at a very high level. (MM)

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Neon Tommy/Katie Buenneke

EVENT HORIZON (Friday, Oct 9)

Can I Get a Hallelujah?

Hozier • blues, indie, soul

You probably remember that in January a song filled the radio that made you say amen more than you had since going to church with your family as a child. Hozier’s “Take Me To Church” was in the top 100 singles in the U.S. for three weeks. His soft acoustic style paired with sorrowful crooning seemed to be just what the United States wanted…
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Mikel Cee Karlsson

EVENT HORIZON (Monday, Oct 12)

El Angel de la Musica

José González • indie, folk • Riothorse Royale

Heads up—an angel named José González drops down from heaven and lands at Sunshine Theater on Monday, Oct. 12. González's voice is heavenly and when combined with his soothing classical guitar melodies, causes elation of the senses…
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courtesy of the artist

EVENT HORIZON (Friday, Oct 16)

Snowy Egret Has Landed

Myra Melford’s Snowy Egret • piano, jazz, composer

Pianist Myra Melford, a Guggenheim fellow who specializes in cross-genre, postmodern musical deconstruction, performs with her ensemble Snowy Egret at Outpost Performance Space on Friday, Oct. 16. Basing her work in a plethora of quintessential artistic experiences that encompasses everyone and everything from Rumi to Japanese Butoh and Meso-American Indigenous traditions, Melford brings a deft touch to her dream-like musical explorations. She’ll be in the company of instrumentalists Ron Miles on trumpet, guitarist Liberty Ellman, bassist Stomu Takeishi and drummer Tyshawn Sorey. Together they’ll perform work both translucent and opaque as they transport listeners to a world without sonic boundaries. Tickets range from $15-20 for this transcendent trip.
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