You can take the singer-songwriter out of the desert ...
By Simon McCormack
Even though she left Albuquerque for the rain-drenched Pacific Northwest more than a decade ago, elements from the state Kate Mann grew up in can still be found in her music and on her back. The gigantic Zia symbol tattooed between the desert-folk artist's shoulder blades isn't the only part of the Southwest that's made its mark on the budding singer-songwriter from Albuquerque. The sounds that flutter out of Mann's acoustic guitar work within the broader genre of Americana, but the landscapes painted in her lyrics bring to mind a highly New Mexicanized vision.
Loren Stillman Blind Date · Thomas Function Celebration · Janet Jackson Discipline
What you notice right away is alto saxophonist Loren Stillman’s sound—silky, confidential, at times ethereal, with a latent keening that suggests a soprano sax—and his adept control of minute sonic variations to shape a line and communicate the subtlest emotional content. On top of that, he has ideas aplenty, as he explores eight original, sensitive and sturdy compositions. Although the rhythm section on Blind Date includes some of the best players on the scene today— Gary Versace (piano), Drew Gress (bass) and Joey Baron (drums)—the connection between them and Stillman seems tenuous at times. Still, the sound and writing beguile. (MM)
Flyer on the Wall
Go, Go, Godzilla!
Eight local bands tackle an all-covers concert this Saturday, April 5, at Misty's Hideaway (21+). Someone may even ape Blue Öyster Cult. Doors open at 8 p.m. $5 gets you in and goes to APS. (LM)
Andy Milne and Dapp Theory
Pianist/composer’s group balances the topical and the musical
By Mel Minter
Andy Milne is of two minds. On the one hand, he’s not particularly optimistic about the country’s prospects these days, given our dependency on foreign oil, the ballooning debt and other unpromising conditions. On the other hand, he feels that he has something of an obligation to comment on the situation and, at the same time, inject a dose of positive energy.
Castle • metal • Shoggoth • metal • SuperGiant • stoner rock • Jagged Mouth • metal
By Megan Reneau
Aleister Crowley nor George W. Bush will be around (maybe) but prepare to sharpen your horns and do some bidding for some badass folks that definitely aren't involved in the occult—the doom metal trio Castle enchants locals at the Launchpad this Saturday, March 4, with the doors to the underworld opening at 8pm. Joining the '70s heavy metal-esque group will be Burque inhabitants Shoggoth, SuperGiant and Jagged Mouth. Only vessels 21+ for this $8 show allowed.
Gaby Fuentes • Regulus • Tear Pressure • indie pop, punk
By August March
An up and coming local band I have been enjoying listening to is named Tear Pressure. I found out about them when I was wandering the local college campus and saw a flyer for a show they were doing at some apartment complex up on Copper in the Heights, yo. That was a decent show with an excellent barbeque and I felt like Tear Pressure was going to appear on the scene within the year. Now of course, they are playing their dirty and delicious, slithery and subtle no wave at Burt's Tiki Lounge on Monday, March 6, and as usual at Burt's there is no goddamn cover charge. Ever. I hear some daring lo-fi pop credentials being built on tunes from the band's latest recording, the Chill Ass EP—songs like “Quaaludes” and “All Moms Are Weirdos” that build intensity as they roll through cray melodic and stylistic changes. They'll be opening for math mastermind and CRTTRZ guitarist Gabriel Angel Fuentes and Austin indie taco-rockers Regulus, so be there.
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