Alibi V.17 No.16 • April 17-23, 2008 ››
Music to Your Ears
Allergies and competing CD releases mean spring's finally returned to Albuquerque. If you're itching for fresh local albums, relief is coming your way this Friday, April 18. Can't help with the rapid-fire sneezing, though. Sorry.
Zakir Hussain’s Masters of Percussion
Troupe offers rare chance to hear classical and folk music of India played by revered performers
In the United States, tabla master Zakir Hussain may be better known for his groundbreaking work in the World Music groups Shakti and Planet Drum, not to mention his wide-ranging collaborations with musicians as diverse as George Harrison and Charles Lloyd. In his native India, however, he is revered as a performer of his country’s ancient and extraordinarily complex classical repertoire.
· Obsolete Heart ... and the Devil Makes Three
· Tokyo Police Club Elephant Shell
Ferocious and unrelenting hooks tweaked with synth, cymbal crashes and sax keep Antidotes from getting tossed onto the pile of one-trick dance-punk LPs. The five-piece out of Oxford, England, seems hell-bent on proving it can do more than just work a club into a frenzy. Foals makes sure there are some floating-above-the-clouds atmospheric tracks thrown in with the up-tempo numbers, which are still the band’s stronger suit. This is a young group, and it seems anxious to break out of the math-rock bubble. But for now, Antidotes is only comfortable dipping its toe into the multi-genre pool. (SM)
Courtesy of the Artist
Crystal Castles • electropunk, synth pop, witch house
Remember the thing called Witch House? How about darkwave? The constant bifurcation of artistic paths in the field of electronic music can be damnably confusing and irritating, as well as rewarding and helluva lot of fun too—as long as you pick the right band. When adherents of these sorts of genres aren't busy sorting their rainbow-colored toe socks and looking for tubes of Vick's Vaporub to snatch up at the local Walmart, then it's a pretty fair bet that they are listening to the likes of Crystal Castles, a duo of Canuck electro-arhats who've made their mark in the music world with a febrile and spooky glitchiness that has outlasted any names critics might apply in favor of an honestly, intimidatingly pure exploration of sounds that make humans dance and rejoice as they swirl around the very noisy and icy maelstrom of life and death. Ethan Kath and Edith Frances, AKA Crystal Castles, perform live in Burque on Thursday, Oct. 19. Viewed as an opportunity to joyfully and ferociously embrace the void, this ought to be a damn good show, but don't blame me if you can't remember your name afterwards.
Courtesy of the Artist
The English Beat • ska
Here's a brief on a band with three names, but unlike Eliot's bunch, these dudes are not a coterie of cats. At home across the pond, they're known as the Beat. In the land down under, kindly refer to them as the British Beat. Here in 'Merica, we call them the English Beat. But no matter what you call them, this estimable ensemble that still includes founder and guitarist Dave Wakeling—but not vocalist Ranking Roger—was partially responsible for the upsurge in popularity that two-tone ska saw on both sides of the Atlantic during the '80s and '90s. With a retinue of classic, upbeat jams like “Monkey Murders,” “Spar Wid Me” and “Save It for Later,” the band's touring the states again, impressing OG ska lovers as well as the next generation of horn-crazy youth with their combination of crazy stage antics and terrific tuneage. You can catch the outfit live here at the Duke City on Sunday, Oct. 22, at the Historic El Rey Theatre, but don't worry you don't need checkerboard pants or a smart little hat to enjoy this gig—just make sure those great big feet of yours are rested and ready to dance.