It's too easy to disparage New Mexico for its lack of youth-empowering, School of Rock-style summer camps like the one featured in Girls Rock! (read Marisa Demarco's film review, then see it at the Guild June 6 through 12). We've got music programs, all right, but they're, uh, not quite synced up with the iPod generation. Lord knows Hummingbird Music Camp would be a lot cooler if your counselors were Carrie Brownstein (Sleater-Kinney) and Beth Ditto (The Gossip). But—for now, at least—we just don't have those kinds of resources.
Can you sneak literary references into ear candy? Self-described power-pop four-piece Sweetness doesn’t see why not. You might be too busy nodding your head to notice, but the garage-anthem “Angry Candy” is a reference to a stanza in an E.E. Cummings poem. The American wordsmith isn’t the only literary figure alluded to on the sly. “I think you can have pop songs with interesting lyrics that go beyond, ‘I want to hold you until the day I die,’ ” says guitarist and English major Chente Rimorin. “The lyrics can be intellectual innuendos.”
Devil on Our Side is like a long road trip with friends. There are moments when you're bored to tears and times when you wish you had stayed home, but when it's all over, you're glad you went. The record's sluggish pace and refusal to veer from its indie-punk schtick can make getting through the album on a first listen tough. But the murky, distorted guitars, high-strung keyboards and Adrianne Verhoeven's refreshingly out-of-tune vocals make the journey worth it. It's always sad when a quality outfit disbands, as The Anniversary did in 2004. But the group has a raw and giddy delivery that might have worn away if it had continued to make music. (SM)
The summer heat is draining. The news is depressing. Listening to the radio is usually draining and depressing. Step away from it all and rejuvenate yourself this Sunday, June 25, at Sister with a wacky, energetic performance from Quintron and Miss Pussycat, who promise an unparalleled experience complete with outrageous costumes, complex puppet shows, explosions and “Swamp-Tech” dance music imbued with the psychedelic spirit of New Orleans…
I have always been astounded by the potential of sound; for millennia, sounds have been pieced together in inventive ways, entrancing audiences and shaping emotion through music. Music to me is a thing of magic, constantly transforming into something new in the hands of those with the ability to harness that magic. Albuquerque native Bryce Hample, better known as the mastermind behind the surreal vibrations of Reighnbeau, is truly one of those wizards, an electro-maestro with a brilliant capability for intricately layering sounds where one would least expect, but where they truly belong. This Thursday, June 29, Reighnbeau will be transforming Sister into a dreamlike world of glinting shoegaze and celestial ambience, adorned by Hample’s remarkable capabilities for visual art and mesmerizing performance even as he concocts the magic of music before our eyes. Featuring opening performances from Sazoram and Austin Morrell, the cosmic stage will be set at 9pm. Be sure to get your tickets at the presale price of $5 before they go up at the door.