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 V.17 No.28 | July 10 - 16, 2008 

Music to Your Ears

Swap Rock and Roll

If you've ever been in a band, chances are you've got 900 pressings of your first album stashed away in someone's closet. That was the finding on a recent RockSquawk thread, anyway. Almost all of our self-produced collections are collecting dust in inaccessible armpits of the city. Meanwhile, just as many of us would love to comb through someone else's pile. ( ... The wax is always blacker on the other side.) So, what would happen if we all unearthed our ancient jewel cases, cassettes and vinyl and traded them for stuff we actually want to hear?

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“Sunday I don't have a show, so I might sleep in. That's what I have planned in the future.” —Joe Anderson
Tina Larkin

Music News

Damage Control

What it took to get the Launchpad back on its feet

It was anything but a vacation, says Joe Anderson, operator of the Launchpad. "There were people that were making remarks like, Yeah, well, at least you'll have some time off," he says. Launchpad had its doors shut from the time of the neighboring Golden West's fire on Feb. 28 until happy hour on July 1. During those four months, he and some of his coworkers were working 10 times harder than usual, Anderson says, moving already-booked shows to other venues and overseeing renovations to the space.

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The Launchpad opens for its first official concert on Monday, July 7.
Tina Larkin

Spotlight

Not Just “Some Joe Schmo Bar"

Employees welcome back the Launchpad

When the Launchpad went out of commission more than four months ago, talent buyer Luis Mota had to scramble to reschedule shows.

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Jazzed Reducer

Letters from New Orleans

New Orleans pianist Tom McDermott has to rank among the most fluid, inventive and technically robust pianists radiating the 88s today in the traditional syncopated musics of the Americas—from ragtime to choro to tango, from Jelly Roll Morton to James Booker—and he’s a beguiling composer besides. The eloquently understated Connie Jones may be the Crescent City’s most respected cornetist. Neither man knows how to play a false note. They combine beautifully on this collection of reinvigorated standards (“Tishomingo Blues”), McDermott originals (including the lovely solo piano reverie “Song of Bernadotte”), jazz from Freddy Chopin (title track) and more. Meanwhile, Parnassus Records has had the good sense to reissue McDermott’s 1996 solo effort, All the Keys & Then Some. This collection of 24 piano miniatures (one in each key) plus 14 portraits of friends for piano and synthesizer—by turns prankish, tender, audacious, bemused—showcases an adventurous and delightfully eccentric musical imagination.

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Sonic Reducer

Third World Love New Blues · CSS Donkey · Sigur RÛs Med Sud I Eyrum Vid Spilum Endalaust

The second U.S. release from this fine quartet—Avishai Cohen (trumpet/flügelhorn), Yonatan Avishai (piano), Omer Avital (bass) and Daniel Freedman (drums)—continues its collective exploration of various musical strains (funk, Mizrahi, flamenco, samba, Afro-Cuban) in a jazz embrace. They all contribute compositions (with one Ellington track), making straight-ahead, uncluttered, emotional music that grooves. It’s definitely an egalitarian affair, but Cohen’s warmth and expressiveness and his arresting improvisational acumen make him the first among peers. His unassuming composition “Gigi et Amelie” is the disc’s most beautiful, closely followed by Avishai’s bluesy “Beauty of Death” and the sweet Middle Eastern ache of Avital’s jazz waltz “Homeland.” (MM)

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Flyer on the Wall

If You Can't Stand the Heat, Get Down in the Kitchen

The Architects of Rhythm (DJ Eldon and Justin Roberts) cook up a mess of soulful sounds every blessed Sunday from 7 to 10 p.m. at Nob Hill Bar and Grill (3128 Central SE). Free, 21+. (LM)

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T-Rextasy
Andrew Piccone

EVENT HORIZON (Thursday, Mar 23)

Surf In Burt's

T-Rextasy • garage, punk • Mount Ivy • space rock • Emma Lee Toyoda

Surf-style, fuzzed out and formidably feminist pop-punkers T-Rextasy make an appearance in Albuquerque, at the new home of all things fearsome and fashionable, Burt's Tiki Lounge, on Thursday, March 23. The New York City band—singer Lyris Faron, guitarists Lena Abraham and Vera Kahn, under the rhythmic influences of bassist Annie Fidoten and drummer Ebun Nazon-Power—is known for its arch approach to the genre, generating pure pop nuggets like last year's “Gap Yr Boiz” to deconstruct and decimate a culture they find to be placid and painstakingly pointless. They'll be joined on stage by space rock quartet Mount Ivy and self-described “Seattle-based sadgirlrock” adherents Emma Lee Toyoda. Hmm, the more I think about it while considering this show, the more I imagine that rocanrol is still alive and has a chance against the forces of the future. Find out for yourself if all of that fashion-future-forward stuff is la neta by jaunting on over to Burt's for this 21+ gig, where its always free to go in and have a listen to what will most certainly be.
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EVENT HORIZON (Saturday, Mar 25)

Kurt Travis Will Save Your Soul

Kurt Travis • alternative rock • Eidola • Amarrionette

I love Kurt Travis ... I said it! I don't regret it, either! (Well, I actually hardly know the man—i.e. not at all—I just love his music.) I know you won't regret seeing him at The Co-Op alongside the phenomenal bands Eidola and Amarrionette this Saturday, March 25, for only $10. Travis was the lead clean vocalist for notable post-hardcore bands Dance Gavin Dance and A Lot Like Birds. He has expanded his act as a solo musician producing the dazzlingly lovely EPs Wha Happen? (2012), Kurt Travis (2013), Everything Is Beautiful (2014) and the Kurt Travis/Paul Travis Split (2016). Travis creates an acoustic, atmospheric pop sound combined with wailing, lonesome bluegrass-esque vocals. In the newest split EP that he made with his brother, the two have created a delicate mix of Americana, pop and indie rock which is sure to translate well into this incredible performer's repertoire. Be sure not to miss this all-ages show, doors open at 7pm.
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Jenna Dunlap
Amanda Kirk

EVENT HORIZON (Saturday, Mar 25)

Local Rocks

Jenna Dunlap • singer-songwriter • Keith Sanchez & the Moon Thieves • folk

I read a recent review that said Jenna Dunlap's debut recording was “sweet,” with “wistful vocals.” Nothing could be further from the truth. Dunlap—who was recorded by Cinder Cone Media's wizard of an engineer Howard Wulkan for her first studio outing, Out of My Head—is dynamic and thoughtful, with a rumbling, tumbling vocal nuance and muscular musical style that is equal parts Sheryl Crow and Regina Spektor, mixed in with the sometimes plaintive but always hopeful observations of youth transitioning into adulthood. Her voice resonates and she has a great finger-picking style too, knowingly finding chords and arrangements that complement her intense and intelligent vocal treatments. Jenna Dunlap will be having a free CD release party for Out of My Head on Saturday, March 25, so you can hear all of that for yourself and thereby help discourage the use of meaningless musical phrases like "sweet" and "wistful" while supporting the awesome thing—called local music—itself. Keith Sanchez & the Moon Theives will provide folk-appropriate support.
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