Contrary to what you might assume given its moniker, Death Vessel is actually quite cheery. Acoustic folk set to a slow gallop and held together by the pitter-patter of guitar strings is a wee bit eerie but hardly the stuff of nightmares. Lead singer Joel Thibodeau's falsetto beckons you, and there's something quaint and old-timey about the band's approach. Perhaps it's the frequent influx of banjo, mandolin and lap steel, which are put to use without overpowering the mostly quiet aesthetic. Relaxing, but not at all bland, Nothing is Precious Enough for Us is a luminous and altogether charming record that acknowledges melancholy without letting it win. (SM)
I have always been astounded by the potential of sound; for millennia, sounds have been pieced together in inventive ways, entrancing audiences and shaping emotion through music. Music to me is a thing of magic, constantly transforming into something new in the hands of those with the ability to harness it. Albuquerque native Bryce Hample, better known as the mastermind behind the surreal vibrations of Reighnbeau, is truly one of those wizards, an electro-maestro with a brilliant capability for intricately layering sounds where one would least expect, but where they truly belong. This Thursday, June 29, Reighnbeau will be transforming Sister into a dreamlike world of glinting shoegaze and celestial ambience, adorned by Hample’s remarkable capabilities for visual art and mesmerizing performance even as he concocts the magic of music before our eyes. Featuring opening performances from Sazoram and Austin Morrell, the doors to the cosmic stage will open at 8pm. Be sure to get your tickets at the presale price of $5 before they go up at the door.