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LowLife Vids'n'Vinyl
LowLife Vids'n'Vinyl
Boxtoberfest 2015
Boxtoberfest 2015
Carniveil: Hall of Shadow
Carniveil: Hall of Shadow
 V.17 No.35 | August 28 - September 3, 2008 

Music to Your Ears

Finger-Pickin' Good

Clawhammer or Scruggs? Bluegrass banjo players pledge allegiance to one of the genre's two major styles (which boil down to frailing in the former and arpeggiated picking in the latter), but they're not at odds. Folks from either camp would jump at an opportunity to see a pillar of modern bluegrass in action, regardless of style—especially when you're talking about Earl Scruggs himself. Sixty-plus years of refined innovation and the guy still chooses playing live over resting on his laurels, though he doesn't make it to our neck of the woods much.

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Skee ball. See? Baltimore isn’t so scary.


Wye Oak

It’s not like Sonny and Cher

Mac McCaughan gave Baltimore’s folksy shoegaze duo Wye Oak the best Christmas present of its young career.

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[click to enlarge]

Flyer on the Wall

Rare Form

DJ Eldon does his thang every Friday night in The Cellar at Zinc (3009 Central NE). Never a cover, always 21+. (LM)

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Sonic Reducer

Evan Christopher Django la CrÈole · The 2Bers Children of a Mortal Sun · The New Year The New Year

Albuquerque hip-hop tandem The 2Bers doesn’t pout or scream about its dissatisfaction with day-to-day annoyances. Instead, the chill-hop effused from The 2Bers’ cauldron is an intoxicating brew of keyboards, organic samples and programmed backbeat that’s never in a rush and always understated. The flows are decidedly downtrodden and self-reflective, electing to move slowly and carefully without a lot of flash or flourish. The rhymes are good, but the beats are better. In fact, a couple of the best tracks are the instrumentals. This is especially true of “The City is Still Blue,” in which the keyboard line of Lovin’ Spoonful’s “Summer in the City” takes on a menacing, forceful and very engaging persona. (SM)

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courtesy of the artist

EVENT HORIZON (Friday, Oct 16)

Snowy Egret Has Landed

Myra Melford’s Snowy Egret • piano, jazz, composer

Pianist Myra Melford, a Guggenheim fellow who specializes in cross-genre, postmodern musical deconstruction, performs with her ensemble Snowy Egret at Outpost Performance Space on Friday, Oct. 16. Basing her work in a plethora of quintessential artistic experiences that encompasses everyone and everything from Rumi to Japanese Butoh and Meso-American Indigenous traditions, Melford brings a deft touch to her dream-like musical explorations. She’ll be in the company of instrumentalists Ron Miles on trumpet, guitarist Liberty Ellman, bassist Stomu Takeishi and drummer Tyshawn Sorey. Together they’ll perform work both translucent and opaque as they transport listeners to a world without sonic boundaries. Tickets range from $15-20 for this transcendent trip.
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    Carniveil: Hall of Shadow
    Carniveil: Hall of Shadow10.31.2015