Alibi V.18 No.4 • Jan 22-28, 2009 

Music to Your Ears

Earwin IV

An interview with the Alibi's fourth Earwig playlist winner

Screen Name: chaseypoo

Real Name: Chase Carter

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Flyer on the Wall

Suits You

Death Convention Singers, Sabertooth Cavity and Balsamic Garden dress listeners in a bespoke coat of noise this Friday, Jan. 23, at 1kind Studios (1016 Coal SW). All-ages. A $3 to $5 donation gets you in. (LM)

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Of bands, horses and hands: David Eugene Edwards
Erwin Verstappen

Music Interview

American Gothic

David Eugene Edwards' Wovenhand

Former 16 Horsepower frontman David Eugene Edwards has been a murky American music figure for approaching two decades. Having begat a genre that could be considered alt.country, indie rock, Christian music or, at the same time, none of the above, the Denver-based artist just released his fifth album under the Wovenhand epithet. In support of Ten Stones, Edwards pays New Mexico a visit this week, playing as a three-piece with Pascal Humbert on bass and Ordy Garrison on drums. We rang him up on the old horn for a chat.

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Sonic Reducer

Bon Iver Blood Bank · Tonight: Franz Ferdinand Franz Ferdinand · Reel Big Fish Fame, Fortune and Fornication

In its wintery new EP, Bon Iver siphons out a little more of the atmospheric soul that made its debut, For Emma, Forever Ago, a critical and commercial success. Founder Justin Vernon adds piano and pedal steel to the broth of layered vocals and acoustic guitar that constituted much of the debut. On "Woods," Vernon goes so far as to ape Kanye West by auto-tuning the living hell out of his vocals. Thankfully, "Woods" sounds like a soul ballad recorded under water, not a synthetic, trend-hunting farce. While expanding his pallet, Vernon stays true to the ice-cold but strangely reassuring atmosphere of For Emma. That should make fans happy and keep the folk-experimentation kicking. (SM)

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Courtesy of Reighnbeau

EVENT HORIZON (Thursday, Jun 29)

You don't need rain to see this rainbow

Reighnbeau • indietronica • Sazoram • electronic • Austin Morrell • rock

I have always been astounded by the potential of sound; for millennia, sounds have been pieced together in inventive ways, entrancing audiences and shaping emotion through music. Music to me is a thing of magic, constantly transforming into something new in the hands of those with the ability to harness it. Albuquerque native Bryce Hample, better known as the mastermind behind the surreal vibrations of Reighnbeau, is truly one of those wizards, an electro-maestro with a brilliant capability for intricately layering sounds where one would least expect, but where they truly belong. This Thursday, June 29, Reighnbeau will be transforming Sister into a dreamlike world of glinting shoegaze and celestial ambience, adorned by Hample’s remarkable capabilities for visual art and mesmerizing performance even as he concocts the magic of music before our eyes. Featuring opening performances from Sazoram and Austin Morrell, the doors to the cosmic stage will open at 8pm. Be sure to get your tickets at the presale price of $5 before they go up at the door.
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