Quartet reeds the Albuquerque Jazz Festival with original music
By Mel Minter
James Brown made his mark as the Godfather of Funk, but he apparently led a second and secret life as a composer of contemporary chamber music, specializing in brief, jazz-inflected pieces for saxophone quartets. He often collaborated simultaneously with several other composers—among them, Steve Reich, Johann Sebastian Bach and Duke Ellington.
Albuquerque's Dirt City Radio puts forth the kind of country you can sway to while swilling whiskey on your back porch. One acoustic guitar plucks out a melody while the other repeats the chord progression so many times it's hypnotic. Dirt City doesn't go wild, but the energy is high enough to keep you awake in your rocking chair. Slightly ominous and just a wee bit gritty, Old Country Blues remains grounded in its rural roots. (SM)
I have always been astounded by the potential of sound; for millennia, sounds have been pieced together in inventive ways, entrancing audiences and shaping emotion through music. Music to me is a thing of magic, constantly transforming into something new in the hands of those with the ability to harness it. Albuquerque native Bryce Hample, better known as the mastermind behind the surreal vibrations of Reighnbeau, is truly one of those wizards, an electro-maestro with a brilliant capability for intricately layering sounds where one would least expect, but where they truly belong. This Thursday, June 29, Reighnbeau will be transforming Sister into a dreamlike world of glinting shoegaze and celestial ambience, adorned by Hample’s remarkable capabilities for visual art and mesmerizing performance even as he concocts the magic of music before our eyes. Featuring opening performances from Sazoram and Austin Morrell, the doors to the cosmic stage will open at 8pm. Be sure to get your tickets at the presale price of $5 before they go up at the door.