Music to Your Ears
An interview with the Alibi's sixth Earwig playlist winner
By Laura Marrich
Screen Name: slumberjack
Real Name: Dylan Gauntt
Age: 25, Pisces
Courtesey of Fantastic Merlins
Quartet follows where the music leads ... and finds magic
By Mel Minter
“This is the essence of magic, which does not create, but summons.” So said Franz Kafka in his diary, and so it might be said of the Fantastic Merlins’ approach to music.
Love and trust
By Simon McCormack
Marianne Dissard was born in a small village in the South of France.
When Dissard was 16, her dad secured a job in Arizona and moved the entire family over. Her parents went back to France a few years later, but Dissard stayed behind. She went to USC for film school, then she returned to Tucson to film a documentary on the local band Giant Sand. The group featured future Calexico frontman Joey Burns.
Dissard says she planned to move back to France for good after her film was finished, but romance intervened. While visiting Paris, she met a French musician who adored Tucson, and the two returned to the desert.
Flyer on the Wall
Hardcore Appreciation Day
Say "thanks for thrashing" to Last Fifteen, The Scarlet Ruse, Dead Hours, Wasted Days, The Aventine Hill and Morgan Ching at Bleeding Eardrum (9201 Indian School NE) on Sunday, April 5, at 5 p.m. Presented by Warehouse 508. Free, all-ages. (Laura Marrich)
Fever Ray Fever Ray · Black Randy and the Metrosquad Pass the Dust, I Think I'm Bowie · Rahim Alhaj & Amjad Ali Khan Ancient Sounds
When two masters collaborate, competing egos and agendas can undermine the work, but not on Ancient Sounds, where oud master Alhaj and sarod master Khan commit themselves to serve the music and one another. Their play together is so responsive and complementary that distinguishing who is who is occasionally challenging; as in some Navajo weavings, foreground and background shift continually, serving only to deepen your engagement and wonder. Ancient though the musical architecture may be, Ancient Sounds delivers a clear, eloquent, and moving message of compassion and beauty the modern world will do well to heed. (MM)
Neon Tommy/Katie Buenneke
Hozier • blues, indie, soul
By Cerridwen Stucky
You probably remember that in January a song filled the radio that made you say amen more than you had since going to church with your family as a child. Hozier’s “Take Me To Church” was in the top 100 singles in the U.S. for three weeks. His soft acoustic style paired with sorrowful crooning seemed to be just what the United States wanted…
Mikel Cee Karlsson
José González • indie, folk • Riothorse Royale
By Megan Reneau
Heads up—an angel named José González drops down from heaven and lands at Sunshine Theater on Monday, Oct. 12. González's voice is heavenly and when combined with his soothing classical guitar melodies, causes elation of the senses…
courtesy of the artist
Myra Melford’s Snowy Egret • piano, jazz, composer
By August March
Pianist Myra Melford, a Guggenheim fellow who specializes in cross-genre, postmodern musical deconstruction, performs with her ensemble Snowy Egret at Outpost Performance Space on Friday, Oct. 16. Basing her work in a plethora of quintessential artistic experiences that encompasses everyone and everything from Rumi to Japanese Butoh and Meso-American Indigenous traditions, Melford brings a deft touch to her dream-like musical explorations. She’ll be in the company of instrumentalists Ron Miles on trumpet, guitarist Liberty Ellman, bassist Stomu Takeishi and drummer Tyshawn Sorey. Together they’ll perform work both translucent and opaque as they transport listeners to a world without sonic boundaries. Tickets range from $15-20 for this transcendent trip.
Hozier • blues, indie, soul at Sandia Resort & Casino
Kirra (OK) • rock • Bella Amore • Drink Me • Modus Operandi • Swylt at Duke City Sound StageMore Recommended Events ››