Alibi V.18 No.19 • May 7-13, 2009 ››
Music to Your Ears
Warehouse to Warehouse
Talk about synergy. Warehouse 508 is inviting teens to tour its soon-to-be-opened 26,000-square-foot venue in the heart of Downtown (508 First Street NW, just south of Lomas) on Saturday, May 9. After you've had a good look around, you can jump onto a "VIP" tour bus to Warehouse 21, Santa Fe's successful youth space and 508's mentoring sister site. Then you'll get to see how they do it in the City Different with an all-ages concert from Definition Rare, Asper Kourt, The Harlow Defense, Zagadka and the Duke City Youth Poetry Collective.
Eric Williams ericwphoto.com
The sound of one voice clapping
Zack Freeman got tired of being in a band, so he started wearing a sampler.
Ex Norwegian Standby
· Super Furry Animals Dark Days/Light Years
· Grizzly Bear Veckatimest
This album is a sugary cereal with 12 essential vitamins and minerals. Goofy, impulsive offerings that bounce from funk to hippie jams to sunshine-folk never stop to ask for directions, instead reveling in getting lost. Simultaneously inviting and subtly complex, Dark Days/Light Years loads up on effects pedals without flooding song structures or hiding musicianship. This record is more experimental than Super Furry Animals’ most recent releases, and it’s good to see the band’s side projects haven’t sucked out all its creative juices. Every track drips with inspiration. (SM)
Courtesy of the Artist
Crystal Castles • electropunk, synth pop, witch house
Remember the thing called Witch House? How about darkwave? The constant bifurcation of artistic paths in the field of electronic music can be damnably confusing and irritating, as well as rewarding and helluva lot of fun too—as long as you pick the right band. When adherents of these sorts of genres aren't busy sorting their rainbow-colored toe socks and looking for tubes of Vick's Vaporub to snatch up at the local Walmart, then it's a pretty fair bet that they are listening to the likes of Crystal Castles, a duo of Canuck electro-arhats who've made their mark in the music world with a febrile and spooky glitchiness that has outlasted any names critics might apply in favor of an honestly, intimidatingly pure exploration of sounds that make humans dance and rejoice as they swirl around the very noisy and icy maelstrom of life and death. Ethan Kath and Edith Frances, AKA Crystal Castles, perform live in Burque on Thursday, Oct. 19. Viewed as an opportunity to joyfully and ferociously embrace the void, this ought to be a damn good show, but don't blame me if you can't remember your name afterwards.
Courtesy of the Artist
The English Beat • ska
Here's a brief on a band with three names, but unlike Eliot's bunch, these dudes are not a coterie of cats. At home across the pond, they're known as the Beat. In the land down under, kindly refer to them as the British Beat. Here in 'Merica, we call them the English Beat. But no matter what you call them, this estimable ensemble that still includes founder and guitarist Dave Wakeling—but not vocalist Ranking Roger—was partially responsible for the upsurge in popularity that two-tone ska saw on both sides of the Atlantic during the '80s and '90s. With a retinue of classic, upbeat jams like “Monkey Murders,” “Spar Wid Me” and “Save It for Later,” the band's touring the states again, impressing OG ska lovers as well as the next generation of horn-crazy youth with their combination of crazy stage antics and terrific tuneage. You can catch the outfit live here at the Duke City on Sunday, Oct. 22, at the Historic El Rey Theatre, but don't worry you don't need checkerboard pants or a smart little hat to enjoy this gig—just make sure those great big feet of yours are rested and ready to dance.