Music to Your Ears
By Simon McCormack
We might be slightly embarrassed to admit it, but there are many of us out there who crank up the volume on the car radio when "Follow You Down" comes on The Peak. Yes, friends, the Blossoms we call Gin are coming to Albuquerque.
The Oktober People CD Release Show
After five years in the womb, the little baby has arrived
By Simon McCormack
Sean McCullough says he's sick of listening to his band's new album.
Albuquerque's The Oktober People spent five years writing songs then recording Explore The Sky Too. McCullough produced the album. "I've listened to it so many times that I don't ever want to hear it again," McCullough says with a chuckle. "I'm still really proud of it. I think people will notice that we really just put a lot of time into it."
Singer Nate Santa Maria says the band developed a personal relationship with each track. "I love those songs," he asserts. "They're our little babies."
Flyer on the Wall
Beefcake’s Last Bite
On Monday, May 25, Burque’s long-worshipped cult of raunchy rock will make its final boobie-jiggling, gravy-covered appearance. Steve Eiland and his demonic Beefcake in Chains will slip and slide all over the Launchpad stage for the last time with The Meatmen, Chapstik and Spin Dry Kittins. The concluding descent into madness starts at 9:30 p.m. 21+ only. Duh. (Laura Marrich)
The Maccabees Wall of Arms · Kendra Shank Mosaic · Japandroids Post-Nothing
The Maccabees, a five-piece from Brighton, England, has polished songwriting, slightly varying haircuts and gender-bending vocals that attract crowds. The band also occasionally takes the focus off its guitar, letting it quietly jangle while drums clatter and thump with coked-out enthusiasm. That provides the necessary amount of inventiveness for a commercial-friendly band to stand out. But when the "Wa-ow" wailing starts up, it's hard to stomach. The band oversaturates the already adorable aesthetic and turns everything into mush. The wailing doesn't ruin Wall of Arms, but it often makes enjoying it a challenge. (SM)
courtesy of the artist
Myra Melford’s Snowy Egret • piano, jazz, composer
By August March
Pianist Myra Melford, a Guggenheim fellow who specializes in cross-genre, postmodern musical deconstruction, performs with her ensemble Snowy Egret at Outpost Performance Space on Friday, Oct. 16. Basing her work in a plethora of quintessential artistic experiences that encompasses everyone and everything from Rumi to Japanese Butoh and Meso-American Indigenous traditions, Melford brings a deft touch to her dream-like musical explorations. She’ll be in the company of instrumentalists Ron Miles on trumpet, guitarist Liberty Ellman, bassist Stomu Takeishi and drummer Tyshawn Sorey. Together they’ll perform work both translucent and opaque as they transport listeners to a world without sonic boundaries. Tickets range from $15-20 for this transcendent trip.
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