Alibi Bucks

 Aug 20 - 26, 2009 

Music to Your Ears

By Laura Marrich

The King Is Dead, Long Live the King

Born Lester William Polsfuss in Waukesha, Wis., Les Paul had just turned 94 in June. He died on Thursday, Aug. 13, 2009.

Les Paul’s solid-body electric guitar started as the basement tinkering of a gifted musician. Where it led was rock and roll as we know it—and the foundation of innumerable permutations we haven’t gotten to yet. Even if you just look at the instrument and the ways its architect figured out how to play it—put aside, for a moment, the game-changing recording processes he pioneered like multitracking, overdub or delay—without Les Paul’s innovations in design and technique, the Book of Rock would have scant few pages and not much of an alphabet. The Edison of amplified music is gone. But because of Les Paul, rock and roll will never die.

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From left: Kyle Crane, Paul Hansen, Katie Franich and Adam Sankowski of The Grownup Noise air their dirty laundry.
Nicole Tammaro


The Grownup Noise

Being flipped off never felt so good

By Simon McCormack

When Boston's The Grownup Noise plays a show in Beantown, there's usually a solid turnout.

The fan base took about four years to fully cultivate. It began with family and friends, then strangers started taking notice. "When we first started, we would ask ourselves, Do they really like it, or are they just being nice?" singer and guitarist Paul Hansen recalls. "It's gotten to the point where a lot of them tend to be people we don't know. So, unless everyone's just being really nice, they actually like us."

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Flyer on the Wall

Odd Birds

Outsider insiders Occasional Detroit, The Scrams, The Hollow Lines, Dread and DJ Caterwaul raise a pluralist ruckus at 1kind Studios (1016 Coal SW, all-ages) on Friday, Aug. 21. 8:30 p.m. $6. (Laura Marrich)

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Mikel Cee Karlsson

EVENT HORIZON (Monday, Oct 12)

El Angel de la Musica

José González • indie, folk • Riothorse Royale

By Megan Reneau
Heads up—an angel named José González drops down from heaven and lands at Sunshine Theater on Monday, Oct. 12. González's voice is heavenly and when combined with his soothing classical guitar melodies, causes elation of the senses…
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courtesy of the artist

EVENT HORIZON (Friday, Oct 16)

Snowy Egret Has Landed

Myra Melford’s Snowy Egret • piano, jazz, composer

By August March
Pianist Myra Melford, a Guggenheim fellow who specializes in cross-genre, postmodern musical deconstruction, performs with her ensemble Snowy Egret at Outpost Performance Space on Friday, Oct. 16. Basing her work in a plethora of quintessential artistic experiences that encompasses everyone and everything from Rumi to Japanese Butoh and Meso-American Indigenous traditions, Melford brings a deft touch to her dream-like musical explorations. She’ll be in the company of instrumentalists Ron Miles on trumpet, guitarist Liberty Ellman, bassist Stomu Takeishi and drummer Tyshawn Sorey. Together they’ll perform work both translucent and opaque as they transport listeners to a world without sonic boundaries. Tickets range from $15-20 for this transcendent trip.
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