Alibi Bucks

 Dec 3 - 9, 2009 
From left: Luis, Diego and John of John Rangel and the Solar Trio


John Rangel and the Solar Trio

The ears have it

By Mel Minter

A jazz musician’s most important asset lies on either side of his or her head. As trumpeter Bobby Shew said a couple of weeks ago at a concert at The Cooperage, “You can’t play this music if you don’t listen.”

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Dameon Lee, who loves The Eagles
Lindsay Burwell

Music Interview

Lowlights Album Release

An electronic chat with Dameon Lee about Further/Free festivities

By Jessica Cassyle Carr and Western is one of the most honest genres to emerge from America within the past couple of decades. As popular country music continues to dissolve into the shimmering, surface froth of “just pop,” the alternative remains immersed in vast landscapes, organic production and sincere articulations. The listener gets a traditional kind of music rounded out with a modern vibe.

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Flyer on the Wall

Moon Music

Citizens of Earth: The spaceship known as Leeches of Lore flies into Burt’s Tiki Lounge (313 Gold SW) this week, pounding high hats and Mai Tais while shredding the clothing right off your body. The Spittin’ Cobras (which contains members of ’80s psycho-sexual punkers The Dwarves and German industrial band KMFDM) joins the intergalactic mission along with Black Guys. The rock invasion, which shall only be beheld by those over 21 years of age, can be sighted free of charge Downtown near the tenth hour on Tuesday, Dec. 8. (Jessica Cassyle Carr)

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Sonic Reducer

[url][/url]Le Chat Lunatique[xurl] Under the Covers, Vol. 1 · Nirvana Bleach: Deluxe Edition

Muni Kulasinghe’s howling vocals, his violin skittering across the music like beads of water on a hot skillet. John Sandlin’s ax felling bar after bar of music with ferocious dexterity. Jared Putnam’s slaphappy bass and slyly sweet vocals. Drummer Fernando Garavito’s irresistibly low-down grooves. It’s all here on six covers the group has perfected over the last few years on the bandstand. The many high points include the churchy baroque intro to “House of the Rising Sun,” which then descends into fevered desperation, Sandlin’s solo on “Belleville Rendez-Vous” drunkenly dancing across a fence top, and the deliriously locked-in groove between Putnam and Garavito on “Minnie the Moocher.” “Frère Jacques,” “Straight Up” and “La Mer” round out the collection, each with its own ear-opening moments of inspired lunacy. While paying close attention to every tiny detail—the dabs of echo on “Jacques,” the perfectly timed cat’s yowl on “Belleville”—Le Chat plays with a demonic abandon that makes you suspect they’re having even more fun that we are. (MM) CD release on Saturday, Dec. 5 at El Rey Theater!

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Music Playlist

Song Roulette

By Jessica Cassyle Carr

Mildred McGillicutty (nom de screen of a local blogger) is a keeper of books, collector of velvet matador paintings and murderer of goldfish. She is also a closeted lover of Joni Mitchell, and she was very relieved that none of the sweet, soprano songwriter’s ’60s swill tainted her randomly shuffled playlist found below.

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courtesy of the artist

EVENT HORIZON (Tuesday, Dec 1)

Bloodsuckers Licking Your Ears

Vampires Everywhere! • rock • Consider Me Dead • Set to Stun

By August March
Metalcore masters Vampires Everywhere! will be rising from their decrepit coffins…
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Kelly O.

EVENT HORIZON (Friday, Dec 4)

I Tawt I Heard a Puddytat

Tacocat • post post punk pop • Red Light Cameras

By Robin Babb
Everything about Tacocat is candy-coated. Technicolor-dyed hair, surfy guitar vibes and unabashed riot grrl revivalism combine in this energetic quartet from Seattle to make some of the best pop-punk tunes you’ve heard since you became okay with listening to pop-punk again. It’s good music for gleefully burning pictures of your ex. With punchy but sweet vocals and catchy choruses that you’ll be humming for days, their latest album NVM is worthy of heavy rotation. Their second LP (and first on the Hardly Art label), NVM features beefed-up production but the same garage-y, DIY sound from their earlier EPs, Woman’s Day and Take Me to Your Dealer. Stand-out tracks are “Crimson Wave” (which is about exactly what you think it’s about) and “Psychedelic Quinceñera,” a ballad about a girl who would rather forego the regular quinceñera formalities on her 15th birthday and get hella blitzed with her amigas instead. After exhausting the basement venues of Washington, Tacocat is heading inland on their winter tour with Sallie Ford. Red Light Cameras open. Pay your 10 bucks and get ready for the most colorful 21+ mosh pit of your life!
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