Music to Your Ears
By Jessica Cassyle Carr
Musica in Monterrey, Mexico
Few music festivals really thrill me: Coachella, Lollapalooza, SXSW, New Orleans’ Jazz Fest—despite excellent lineups, they tend to be hot, expensive, impersonal clusterfucks (on one hand, I am seeing the Pixies; on the other hand, I've got a wicked sunburn, just paid $8 for a thimble of beer and am about to be stepped on by an asshole with a fauxhawk). That said, it's more than exciting to tell you about MtyMx, a three-day, post- SXSW arts and music festival in Monterrey, Mexico—located in the northeast, it's the country's third-largest and reportedly safest city. On March 20, 21 and 22, acts such as Acid Mothers Temple, Hunx and His Punx, No Age, Neon Indian, Fucked Up, Thee Oh Sees, Dan Deacon and many others are scheduled to perform at Autocinema Las Torres, a mountainside drive-in movie theater. A third of the bands on the bill are Mexican—some of which rarely make it to the U.S. due to restrictive border controls. The festival is a collaborative effort between show promoters Yo Garage (enelgarage.com) and Todd P (toddpnyc.com). It’s an all-ages event and costs only 390 pesos for a three-day pass—that's $30, folks. For more on this fiesta, visit the aforementioned sites.
Eyedea & Abilities murder the mainstream
By Kyle Eustice
“Playing live is like a drug. It induces a manic state for me,” says hip-hop MC Eyedea. “Usually I vomit uncontrollably afterwards, cry or, if it’s really good, I pass out. I put everything into it. If you’re a musician and not giving it your all, what are you even doing?”
Mark Weaver’s UFO Ensemble
Well-engineered tunes support free, focused improvisation
By Mel Minter
Mark Weaver—tuba player, composer and founder of the UFO Ensemble—interlaces written and freely improvised elements to construct sturdy, expressive tunes capable of bearing the full weight of his collaborators’ imaginations. At turns bluesy, boppish, swinging, funky, concrete and organic, his compositions promote a focused but freewheeling conversation among the quartet’s musicians. The dialogue engages listeners even as it challenges the suppositions of some.
Riding With Exene
By Laura Marrich
Exene Cervenka could care less about resting on laurels. She's fronted X for more than 30 years, stoking a dynamo of L.A. punk, poetry and American roots music alongside singer/bassist John Doe, guitarist Billy Zoom and drummer DJ Bonebrake. With such a robust career in music, Exene could easily cash in her chips and retire with plenty to be proud of. But she hasn't. And she won't. Far from holding steady, Exene has turned her attention to bands like The Original Sinners, The Knitters and Auntie Christ, playing with formats like country, rockabilly, folk, punk rock and glam. She's also acted in films, mounted visual art exhibitions and built a reputation as a spoken word artist.
Flyer on the Wall
Love, Noise and Bacon Are in the Air
Nani Chacon is responsible for this lovely Tex Avery-inspired flyer, filled with titillating information. On St. Valentine’s Sunday, Feb. 14, Speaker Waffle Breakfast Club presents the rock and noise of Brooklyn's Wild Yaks, as well as New Mexico's A Church is not a Hospital, Rocket Parlour, Bigawatt and Baby Shampoo. Early bird showgoers will also be presented with pancakes, bacon, eggs and orange juice. Breakfast happens at Club Oven (1016 Coal SW) at 10 a.m., music begins at 11 a.m. All-ages are welcome. Food or $5 dollar donations will be gladly received. (Jessica Cassyle Carr)
Courtesy of the Artist
Franks & Deans • punk rock, rock 'n' roll • Shrewd • Punctured Muffler • Silent Crush • metal
By August March
At some point during the progression of meta-ultra-postmodernism, it was only natural that a band covering Rat Pack tunes revisioned as rambling ska paeans or blisteringly buoyant punk anthems based on the imbibing and love-making habits of dudes like Frank Sinatra and Dean Martin would rise from the rocanrol cauldron. Well it's 2017 and such has indeed come to pass. The name of the band is Franks & Deans. They've succeeded by inflecting the sweepingly romantic, sometimes melancholy and nearly always self-referential ditties of these post-war, pre-rock vocal heroes with good-natured rhythms and danceable guitar leads—as well as an updated fashion sense that seems to borrow more from ZZ Top's summer style guide than from Robin and the 7 Hoods—that adds affable nuance to legendary, mid-century American popular music. Band members Rob DeTie, Mike "Pip" Ullemeyer, Hoss and Sampson await your indulgence at Low Spirits on Thursday, Feb. 23, and the admission price of $5 sure as heck beats dropping “Three Coins in the Fountain.”
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