Music to Your Ears
By Jessica Cassyle Carr
Musica in Monterrey, Mexico
Few music festivals really thrill me: Coachella, Lollapalooza, SXSW, New Orleans’ Jazz Fest—despite excellent lineups, they tend to be hot, expensive, impersonal clusterfucks (on one hand, I am seeing the Pixies; on the other hand, I've got a wicked sunburn, just paid $8 for a thimble of beer and am about to be stepped on by an asshole with a fauxhawk). That said, it's more than exciting to tell you about MtyMx, a three-day, post- SXSW arts and music festival in Monterrey, Mexico—located in the northeast, it's the country's third-largest and reportedly safest city. On March 20, 21 and 22, acts such as Acid Mothers Temple, Hunx and His Punx, No Age, Neon Indian, Fucked Up, Thee Oh Sees, Dan Deacon and many others are scheduled to perform at Autocinema Las Torres, a mountainside drive-in movie theater. A third of the bands on the bill are Mexican—some of which rarely make it to the U.S. due to restrictive border controls. The festival is a collaborative effort between show promoters Yo Garage (enelgarage.com) and Todd P (toddpnyc.com). It’s an all-ages event and costs only 390 pesos for a three-day pass—that's $30, folks. For more on this fiesta, visit the aforementioned sites.
Eyedea & Abilities murder the mainstream
By Kyle Eustice
“Playing live is like a drug. It induces a manic state for me,” says hip-hop MC Eyedea. “Usually I vomit uncontrollably afterwards, cry or, if it’s really good, I pass out. I put everything into it. If you’re a musician and not giving it your all, what are you even doing?”
Mark Weaver’s UFO Ensemble
Well-engineered tunes support free, focused improvisation
By Mel Minter
Mark Weaver—tuba player, composer and founder of the UFO Ensemble—interlaces written and freely improvised elements to construct sturdy, expressive tunes capable of bearing the full weight of his collaborators’ imaginations. At turns bluesy, boppish, swinging, funky, concrete and organic, his compositions promote a focused but freewheeling conversation among the quartet’s musicians. The dialogue engages listeners even as it challenges the suppositions of some.
Riding With Exene
By Laura Marrich
Exene Cervenka could care less about resting on laurels. She's fronted X for more than 30 years, stoking a dynamo of L.A. punk, poetry and American roots music alongside singer/bassist John Doe, guitarist Billy Zoom and drummer DJ Bonebrake. With such a robust career in music, Exene could easily cash in her chips and retire with plenty to be proud of. But she hasn't. And she won't. Far from holding steady, Exene has turned her attention to bands like The Original Sinners, The Knitters and Auntie Christ, playing with formats like country, rockabilly, folk, punk rock and glam. She's also acted in films, mounted visual art exhibitions and built a reputation as a spoken word artist.
Flyer on the Wall
Love, Noise and Bacon Are in the Air
Nani Chacon is responsible for this lovely Tex Avery-inspired flyer, filled with titillating information. On St. Valentine’s Sunday, Feb. 14, Speaker Waffle Breakfast Club presents the rock and noise of Brooklyn's Wild Yaks, as well as New Mexico's A Church is not a Hospital, Rocket Parlour, Bigawatt and Baby Shampoo. Early bird showgoers will also be presented with pancakes, bacon, eggs and orange juice. Breakfast happens at Club Oven (1016 Coal SW) at 10 a.m., music begins at 11 a.m. All-ages are welcome. Food or $5 dollar donations will be gladly received. (Jessica Cassyle Carr)
Courtesy Epic Records
Chevelle • alternative • Black Map • Dinosaur Pile-Up • rock
By August March
Chevelle, an indie band from the Midwest, portrays their hard sound—expressed with exasperated vocals, a muscular rhythms and chunky guitar riffs that repeatedly drift off into tangential melodies—as an artful thing, comparable to '90s peers like Tool…
Courtesy of Mono/Poly Facebook Page
Mono/Poly • electronic, experimental, alternative hip hop, glitch • Tsuruda • trap, grime, dubstep • 1960sfe • chill wave
By Megan Reneau
Charles E. Dickerson, aka, Mono/Poly will be breaking down beats hard at Sister Bar, on Thursday, Jan. 26. Mono/Poly is known for adroit techniques playing everything from ambient break beats to glitch hip-hop. He's has worked with Flying Lotus, Kendrick Lamar, Thundercat, and has tracks set to be released with Erykah Badu, Kali Uchis and Kamasi Washington—just by that short significant list, you can tell he's fucking superb at what he does. Joining Mono/Poly will be Tsuruda, who excellently blends trap, hip-hop and house sounds, as well as local heavyweight DJ, 1960sfe (formerly known as 1960 Sci Fi Era), who creates beautiful chill wave beats. The 21+ show begins at 9pm and is $8.
Photo by Wes Naman
Silver String Band • Americana, blues • Squash Blossom Boys • bluegrass, folk
By August March
The Albuquerque Folk Festival has ebbed and flowed over the years, presumably in a fashion similar to the mythically winding rivers often rhapsodized about in American folk lore, literature and music. The ascension of the late, great Gary Libman to the presidency of the festival's board of directors provided structure and growth that has practically guaranteed the source of all the good ole music will never run dry. Still, given the economic realities in our great nation and the costs of producing such a successful regional music fest, a benefit concert is often in order, to keep things flowing, as it were. With that metaphor in mind, check out the concert featuring two of Burque's authentic Americana units, the Silver String Band and The Squash Blossom Boys when they perform on Friday, Jan. 27. A portion of the proceeds from this 21+ holy hootenanny beginning at 9pm will benefit the festival before it's 2017 iteration comes around on June 3, 2017. Tickets are $5.
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