Remember when you used to go out on the town almost every night of the week, sampling the ripe fruits of your town’s musical loins? Are those days gone, perhaps replaced by the fruit of your own loins and the responsibilities of adulthood? A new concert series unfolding at the Harwood Art Center aims to soothe the sonic aches of parents in this particular predicament.
It's a good thing that Mr. Robert "Kool" Bell didn't answer his cell phone when I first tried to call him. Had he picked up, I wouldn't have had the pleasure of hearing his groovy voice mail greeting: "You have reached Kool, and it's kool to leave a message."
Not long ago, the musical road between the ’Burque and El Chuco (that’s El Paso, Texas, to you) was well-traveled. It was easy to find records by Paseños such as Faction X, Not So Happy or Fall On Deaf Ears. Since many Tejanopunks were from El Barrio de Ysleta with familia across the border, they also opened that path to exciting Juárez outfits like Setenta Dos Horas. In El Chuco one evening, my greatest regret was having to decline an invitation to a show en otro lado over the Rio Grande. A guero like me couldn’t have asked for a better escort, but being on the New Mexico state payroll I had to work early next morning with a clear head sin crudo.
Soon Albuquerque’s burliest bluegrass band will lose its bass player, Vince Edgerton, to the northerly mecca of Denver. The Porter Draw will continue to perform, but on Saturday, Feb. 27, the bearded ladies gather together for a special final performance with Vince. Blackbird Buvette (509 Central NW) hosts at 10 p.m., and the show is free. (Jessica Cassyle Carr)
Tobias Gebb’s limber drumming and the adept pianism of Eldad Zvulun provide the underpinnings for four different combos (two quintets and two sextets drawn from nine other players) on four Gebb originals and four covers. Things get off and running with Toby Wine’s “Blues for Drazen,” which both altoist Bobby Watson and tenorist Stacy Dillard just nail. Unfortunately, the remaining tracks cannot all sustain that high level. On the upside, Gebb’s ballad “My Love” features sensitive work from tenorist Joel Frahm, who also captures the “out there” feeling on the perky arrangement of The Beatles’ “Tomorrow Never Knows.” On the downside, Gebb’s calypso “Bop Be Dop” never achieves the genre’s centrifugal rhythmic pull, and on “You Don’t Know What Love Is,” Watson’s lovely solo is almost ruined by Gebb’s intrusive castanets. (MM)
Reverend Horton Heat • rockabilly • Fishbone • Strung Out
By August March
Would you like to attend a “Psycho Strung Out Fish Fry?” Well, gentle readers, if such esoteric activities appeal to you, then please consider attending an awesome event with that very name at Burque's Sunshine Theater on Thursday, Sept. 21. In case you wanna know, the main participants in this far-out festival include legendary “county-fed punkabilly” roustabouts the Reverend Horton Heat, led by the charismatic and cray Jim Heath, the fellow credited with creating and cultivating the contemporary rockabilly sound on albums like Liquor in the Front and We Three Kings. Soulful ska scenesters Fishbone—whose 1994 epic effort Give a Monkey a Brain and He'll Swear He's the Center of the Universe is still on rotation at mi chante—plus OG Cali punk rockers Strung Out provide sonic support for this mad 13+ pre-fall fish party which begins at 7:30pm and costs but 22 clams.
The Sunshine Theater continues to bring Burque the best in post-contemporary jams when they welcome electro wizards Zomboy, Trampa and Xilent to town on Friday, Sept. 22. Zomboy, you may recall (if you're young enough to do just that) is a British dubstep dude whose 2011 debut set the stage for an excellent entrada into electronica that includes bouncy and beatific recordings like 2014's The Outbreak. Supporting the bill are Trampa, another Brit beat master, known for his anomalously aggressive take on the same genre and Xilent, a Polish fellow who works magic with dubstep, electro-house and drum and bass. So, go on kids, grab your Vicks Vaporub, plastic pacifier and rainbow colored toe-socks and head downtown for a 7:30pm dance party that coincidentally signals the beginning of fall. For only $20-$25 and an ID that says you're 16+, you know you wanna.
Miss May I • Ice Nine Kills • metal • Capsize • alternative, melodic hardcore • Lorna Shore • emocore • Westwind
By August March
If you still haven't had your fill of melodic hardcore, emocore and/or emo with no chaser—and lord knows who hasn't; I still dream of Hawthorne Heights every night before jumping up from my La-Z-Boy recliner and toddling off to bed—then do yourself a solid and visit Albuquerque's home for rock, Launchpad, on Monday, Sept. 25. That's when the Chaos Rising tour hits Dirt City. Featured performers include Miss May I, Ice Nine Kills, Capsize, Lorna Shore and Westwind. I'm goddamn sure this show will totally fucking rock, but I tell you what: check it out and afterwards send me a text with some cool stickers or GIFs attached to let me know for sure. This 13+ emo extravaganza costs the average teenager $15 and it all begins at 8pm.